Architecture books: top tomes and meaty monographs to add to your reading list
Architecture books: top tomes and meaty monographs to add to your reading list
Here at Wallpaper*, we’re students for life. We’ve got books piling up on shelves, desks and floor space surrounding the bookcase despite minimalist efforts. These are the photographic tomes, architects’ monographs and limited editions that we couldn’t resist.
Architects’ Houses by Michael Webb
Thames & Hudson
This fascinating publication, authored by Michael Webb, peeks into the houses of some of the world’s leading architects, investigating their design statements, as each one reflects the tastes, approach and personality of its author and owner. Pictured here is Tower house in New York State by Peter and Thomas Gluck, where living spaces are cantilevered from a stack of three bedrooms to command sweeping views over the tree tops.
Photography: Paul Warchol Photography
Architects’ Houses by Michael Webb
Thames & Hudson
The project, published by Thames & Hudson, comprises 30 pioneering houses and their architects, who talk about what inspired them and how their concepts came to become reality. Pictured here, the striking Swartberg house in South Africa by Jennifer Benningfield, featuring simple blocks of brick faced in rough plaster plays off the beauty of the landscape.
Photography: Richard Davies, courtesy Openstudio Architects
Architects’ Houses by Michael Webb
Thames & Hudson
The architects in the book include established names, such as Norman Foster, Thom Mayne, Tod Williams and Billie Tsien – and the projects vary in size, scope, context and material, offering a thrilling read. Pictured here, architect Todd Saunders’ Villa S in Bergen, Norway. Here, the main living spaces are raised off the ground to minimise the footprint and provide shelter from frequent rain.
Photography: Bent René Synnevåg, courtesy Saunders Architects
California Captured: Mid-Century Modern Architecture, Marvin Rand by Emily Bills, Sam Lubell, Pierluigi Serraino Phaidon
Marvin Rand’s iconic photographs have helped define California’s instantly recognisable mid-century modern aesthetic, and now, a new book by Phaidon is out to celebrate the work of the American photographer. Up till now an unsung hero of his time, Rand left a rich archive, which was discovered in 2012 by one of the book’s writers and West Coast editor of the Architect’s Newspaper, Sam Lubell.
Photography: courtesy of the Estate of Marvin Rand
California Captured: Mid-Century Modern Architecture, Marvin Rand by Emily Bills, Sam Lubell, Pierluigi Serraino
Phaidon
The archive is a true treasure trove of material and consists of more than 50,000 negatives and transparencies. Working with architect, author and educator Pierluigi Serraino and participating adjunct professor of Urban Studies at Woodbury University Emily Bills, Lubell curated a carefully composed tome that explores Rand’s photography and showcases the broad range of architecture captured through his lens in a beautifully produced book.
Radical Essex by Hayley Dixon and Joe Hill
Focal Point Gallery
Following up on the 2016 event that explored the lesser known modernist gems of Essex, ‘Radical Essex’ is a book documenting the British region’s mid-century works and celebrates its vibrant, pioneering thinking throughout the 20th century. The archive material included in the book ranges from a weekend celebrating modernist architecture in Essex, to an exhibition charting the history of the county’s experimental communities. Pictured here, the Bata Estate, East Tilbury (2016).
Photography: Catherine Hyland, Courtesy of Focal Point Gallery
Radical Essex by Hayley Dixon and Joe Hill
Focal Point Gallery
Essex ‘lays claim to being the birthplace of British modernism’, say the authors. Indeed, the country’s earliest building of this style, the Clockhouse Way Estate, was built on the outskirts of Braintree. The county also played host to architectural experiments, such as the two new towns of Harlow and Basildon. Pictured here, the Redshank in Lee-over-Sands (2016).
Photography: Catherine Hyland, Courtesy of Focal Point Gallery
Radical Essex by Hayley Dixon and Joe Hill
Focal Point Gallery
The book is illustrated with photography from award-winning photographer Catherine Hyland, who worked in residence for the Radical Essex project. Complementing the beautiful visuals, the project includes specially written essays by Tim Burrows, Gillian Darley, Charles Holland, Rachel Lichtenstein, Jules Lubbock, Jess Twyman and Ken Worpole. Pictured here, the Beecroft Art Gallery, Southend-on-Sea (2016).
Photography: Catherine Hyland, Courtesy of Focal Point Gallery
Architects’ Houses by Michael Webb
Thames & Hudson
The project’s selection reaches far and wide across the globe. Pictured here, Sheep-Shearers’ Quarters in Bruny Island, Australia by John Wardle. This project is a meticulously detailed house on a remote island that was inspired by the rural vernacular and is part of a working sheep farm.
Photography: Trevor Mein, courtesy John Wardle Architects
Rene Gonzalez Architects: Not Lost in Translation by Rene Gonzalez
The Monacelli Press
The new monograph on the work of Rene Gonzalez surveys the Miami-based architect’s works, spanning 14 residential, commercial, and cultural projects in Florida. It also explores his concerns and investigations on the environmental issues that are affecting the world – and the way rising sea levels, specifically, will change the way we design.
Rene Gonzalez Architects: Not Lost in Translation by Rene Gonzalez
The Monacelli Press
The book includes the architect’s own photographs of Miami’s vernacular architecture, as well as his projects such as three Alchemist boutiques, the first of which won the 2011 National AIA Institute Honor Award, the Cisneros Fontanals Art Foundation, and several private houses. On the left, the striking, 18-storey Glass Residential Tower in Miami Beach also forms part of the beautifully curated tome, which includes essays from Modern Magazine editor Beth Dunlop, journalist Caroline Roux, and architects Tod Williams and Billie Tsien.
Photography: Mark Stavaridis
Arquitectonica by Alastair Gordon
Rizzoli
Arquitectonica is celebrating its 40th anniversary with a hefty monograph that looks back into the practice’s rich body of work. The international firm has offices in New York, Los Angeles, Paris, Hong Kong, Shanghai, Lima and Sao Paulo and is led by principals Bernardo Fort-Brescia and Laurinda Spear, who work with modern materials and contemporary forms to create architecture of a wide range of scale and typologies. Pictured here, Microsoft’s European HQ in Paris.
Photography: Eric Morrill
Arquitectonica by Alastair Gordon
Rizzoli
The book, authored by Alastair Gordon, explores the frequently large-scale, groundbreaking work of the practice that is behind instantly recognisable architecture pieces such as Regalia tower on Sunny Isles Beach in Miami, pictured here. There’s an extensive selection of projects to enjoy, as the firm has work in 58 countries across five continents.
Photography: Mike Kelley
Post-Modern Buildings in Britain by Geraint Franklin and Elain Howard
Batsford
Authors Geraint Franklin and Elain Howard pay homage to Britain’s finest examples of post-modern buildings and the architects who ‘formed the backbone’ of the post-modern style in Britain. Their principle of ‘more is more’ and the style’s hybrid vocabulary was hard to define, but shaped a legacy that, though often overlooked or diminished, has been profound. Pictured here, one of London’s rediscovered post-modern landmarks is the Isle of Dogs Pumping Station on Stewart Street in the borough of Tower Hamlets, which was designed in 1986-8 by John Outram Associates and listed Grade II* in 2017, which features in the book.
Photography: Reid & Peck / RIBA Collections
Post-Modern Buildings in Britain by Geraint Franklin and Elain Howard
Batsford
As opposed to the dominant practice of early 20th-century modernism, post-modernism offered urban buildings that engaged with their surroundings and could propose metaphors and symbols for many ideas simultaneously – ‘British post-modernism’ in particular, write the authors, ‘remained more contextual than that of other countries, strong in its references not only to classicism but also to Dutch brick traditions, art deco, the English Arts and Crafts Movement and the Vienna Secession’. Pictured here, the notorious One Poultry in Bank, City of London. Designed 1986-8 and built 1994-8; listed Grade II* in 2016; designed by James Stirling, Michael Wilford & Associates.
Photography: Derek Kendall / Historic England
Insert Complicated Title Here by Virgil Abloh with Oana Stanescu
Havard GSD and Sternberg Press
This book from ‘The Incidents’ series co-published by the Harvard University Graduate School of Design and Sternberg Press is the sixth in the series documenting ‘uncommon events’ at the Harvard University Graduate School of Design, the book is a transcript of a talk by Abloh on October 26, 2017, that reveals his ‘cheat codes’ for working and designing. Jennifer Sigler, editor-in-chief at Harvard GSD, wanted to find a way to capture, preserve and communicate the spirit of various happenings at the school, such as Abloh’s talk, within the medium of the printed word, which is why she began the series.
Insert Complicated Title Here by Virgil Abloh with Oana Stanescu
Harvard GSD and Sternberg Press
‘Insert Complicated Title Here’ is a casually rolling transcript – even more colloquial and direct because it’s Abloh. He thanks Harvard for letting him come along to ‘share random things’ on his laptop. ‘I wish that when I was a student, one person would have given me one ounce of advice that wasn’t: The rest of your career will be an uphill battle. But instead: There are all these shortcuts that you can take,’ he says. He’s so right. The book shares slides from Abloh’s presentation. His cheat codes are laid out in white helvetica caps on black. They guide you towards finding your own signature and DNA. His sense of fearlessness, delivered through his surety in these codes, and his optimism is infectious.
Photography: Aylin Bayhan
David Chipperfield Architects monograph edited by Rik Nys
‘Architecture remains site-specific, not only in ideological terms, but above all in its locations,’ said Rik Nys, director of communications at David Chipperfield Architects, at the launch of the studio’s new monograph. Nys is the editor of the hefty tome designed by John Morgan Studio that summarises the work of DCA to date and beyond – Chipperfield won’t be retiring anytime soon. The monograph opens with Chipperfield establishing architecture practically as a response to conditions and aspirations, and admirably as a product of collective efforts, across the office and with collaborators. From the Architecural Association, to the offices of Foster and Rogers, to when he opened his own office in London in 1985, Chipperfield’s architectural past and understanding is laid out like foundations in a following text by architectural historian Fulvio Irace. Irace credits Chipperfield’s empathy for historic settings and landscapes to his early career working on redevelopment projects in Europe, referencing a poignant Chipperfield quote that belies the vision alongside the practicality: ‘I think we are in a continuum, and that our responsibility is to find clues in memory and context.’
David Chipperfield Architects monograph edited by Rik Nys
Like many monographs, projects chronologically ordered and grounded by opening texts, yet this monograph reaches superior status through its incredibly restrained and evenly-paced formatting that glides across the whole volume. It is a monograph that flows like a scroll. In such a fluid way in fact that it also celebrates a decade of DCA working with John Morgan Studio, the designers behind the firm’s trademark typeface.
A New History of Modern Architecture by Colin Davies
Laurence King Publishing
There’s a new authority on the history of architecture: Laurence King Publishing has released A New History of Modern Architecture by Colin Davies, architect and former editor of The Architects’ Journal, a hefty yet accessible tome that readdresses the canon of 20th- and 21st-century architecture. Pictured here, the National Grand Theatre designed by Paul Andreu in Beijing, China. The enveloping dome sits in the middle of an artificial lake behind the Great Hall of the People in Bejing. Built in 2007, French architect Paul Andreu worked with Tsinghua University on the design.
Photography: Colin Davies
A New History of Modern Architecture by Colin Davies
Laurence King Publishing
Visual and approachable, with 800 illustrations, the book corrects the fetishisation of European Modernism and reapportions credit elsewhere across the globe with chapters on the American skyscraper and Chinese modern architecture amongst other international styles and forms. Pictured here, the National Assembly Building of Bangladesh deisgned by Louis Kahn in Dhaka, Bangladesh. The symmetrical, octogonal-shaped building sits overlooking a V-shaped artificial lake, with a reflection evoking 17th-century Mughal architecture.
Photography: Alamy Stock Photo / Bernard O’Kane
Spectrum by John Pawson
Phaidon
It turns out tht master of minimalism John Pawson also has a painterly approach to pigment. We first saw hints of such a trait in his first tome A Visual Inventory (2012) – a journey through the details, textures, spatial qualities that inspire him – but in the newly released Spectrum, the architect’s colour thesis is given the opportunity to explode. Organised by hue, the visual library kicks off in the whites and light greys moving methodically through the entire colour spectrum, concluding theatrically with midnight blacks. It’s as if the strict privation of colour that typifies much of Pawson’s architecture – think of the London’s starkly greyscale Design Museum, or the concrete caverns of The Feuerle Collection – here gives way to blushing, staining, tinting expression.
Image courtesy of Phaidon
Spectrum by John Pawson
Phaidon
Not just a sensory fiesta, there’s real photographic clout here. ‘Where others might sketch or make notes, my reflex is to reach for a lens,’ Pawson writes of his well-documented passion for image making. Taken on a digital camera or an iPhone (Pawson has amassed an eager following on Instagram), each photograph represents a fragment from an individual project, or an everyday moment that happened to catch his eye. Readers are given an intimate look over Pawson’s shoulder, travelling with him through his hometown of London to far-flung corners. Dizzyingly, a memory of a mossy bank in Kyoto nestles next to a snap of forest-green bricks in Bloomsbury. Geography, subject matter and scale are eschewed in favour of one reductive, visually therapeutic organisational technique: codes of colour.
Seth Stein Architects by Kenneth Powell
Lund Humphries
Since 1990, Seth Stein has worked across typologies of residential and commerical architecture, attracting much interest and prasie for his work that combines striking scrulptural form with elegance. This monograph brings together a range of projects with 204 coloured images, yet also reveals insight into the practice’s ethos and design processes including material and building method innovation and an interest in environmental sustainability. Pictured here, the Equestrian Centre built in Australia in 2014, featuring a strong, curved rear wall made of rammed earth.
Photograph: Lisbeth Grosmann
Seth Stein Architects by Kenneth Powell
Lund Humphries
Stein’s architecture ranges from coastal retreats to revitalisations of historic townhouses and palazzos. His work preserves and communicates its context, connecting with its natural or urban landscape. Pictured here on the right, the Beach House in North Caicos bulit in 2006 which features jalousie and bug screens that transform the buildings into two lanterns in the evening. On the left, the Archipelago House in Finland built in 2000.
Photography: Richard Davies
Holidays in Soviet Sanatoriums by Maryam Omidi
Fuel Design
‘Visiting a sanatorium is like stepping back in time,’ writes Maryam Omidi in Holidays in Soviet Sanatoriums, in which she takes the reader on a health-conscious journey into a world of peeling wallpaper, statues of Lenin and alternative, new world medicine. Part health-spa, part hospital, sanatoriums once offered a ubiquitous, ‘decidedly purposeful’ pastime, explains Omidi. Their function was ‘to provide rest and recuperation, so citizens could return to work with renewed diligence and productivity’. This rapidly developing need and popularity saw 1,829 new sanatoriums built across the USSR by 1939. Here, for the first time, is an architecturally-led account of what happened.
Holidays in Soviet Sanatoriums by Maryam Omidi
Fuel Design
From Stalinist, neo-classical grandeur in Abkhazia to Khrushchyovka concrete blocks in Armenia, a bewildering array of styles is on display. There are examples of rare Soviet-era architectural flourishes – take the green-marbled walls of Tskaltubo in Georgia – which were only allowed, writes critic Diane Koenker, because sanatoriums ‘were intended to astonish, encouraging a “less traditional approach”’ to municipal building. Pictured here, Klyazma sanatorium, built in 1963 around the Klyazminsky Resevoir on the outskirts of Moscow.
Photography: Natalia Kupriyanova