Palm Springs house makes the perfect 21st-century retreat
Los Angeles architects Woods + Dangaran reveal Desert Palisades, a minimalist, contemporary family retreat in Palm Springs

Joe Fletcher - Photography
Drawing on California's midcentury legacy, while sprinkling its architecture with contemporary notes and its owner’s personality and needs, this Palm Springs house sits proudly among its arid, rocky landscape; a piece of refreshingly minimalist architecture confidently peeking out from the site’s boulders and cacti. Welcome to Desert Palisades, a new-build family home in the eponymous Palm Springs neighbourhood, designed by Woods + Dangaran.
The Los Angeles architecture studio, which is well versed in translating modernist architecture for the 21st century – see Moore House and Carla Ridge House – is a deft hand at tackling the fine balance between old and new, modern and contemporary. The architects have been known to generate spaces that feel dreamily escapist and at the same time warm and comfortingly domestic – perfect for a 21st-century retreat.
In the case of Desert Palisades, Woods + Dangaran looked at the home’s desert context for inspiration. At the same time, the creation of a piece of architecture that can host daily family life as a holiday home – with all the comfort, spatial generosity and warmth this can suggest – was paramount to the design brief as outlined by Brett Woods, partner in charge for the project, and also the client. In finding the right balance, between old and new, softness and convenience, and the harshness and powerful character of the surrounding Santa Rosa and San Jacinto mountains and the arid climate of the Palm Springs desert, the architecture team worked with a simple, low and linear volume that would contain a finely tuned interior.
The aim was for ‘the interiors to feel desert-like, with sage greens and dusty pinks mixed into sandy, brown tones to create a muted palette that seems to blend in with the desert terrain’, the architects explain. The internal composition features a serene, fairly restrained material and colour palette of natural tones and rich textures, and is arranged in two wings (one with private and one with public aspects of the retreat). Everything sits on a single level, opening up towards the landscape through glazed walls, framing unobstructed, long vistas of the locale. Glass sections alternate with a distinctive patinaed brass on the façade, which makes the building shimmer from a distance, subtly announcing its presence and enticing wanderers to approach.
The house contains four bedrooms, several bathrooms, as well as a large living space. Planting indoors and out is focused on species that are native to the area and can withstand the harsh local summer temperatures. A swimming pool and paved terrace offer alfresco entertaining options – as does many a Palm Springs house, yet this one’s delicate architectural equilibrium ensures it feels distinctly of its time, as well as its place. The combination of clean lines, and mix of glass, masonry walls and metal feel at home in their wider natural and suburban context.
‘This is the anti-Palm Springs house,’ the architects say. ‘It is not overtly midcentury modernist, there is no bright blue pool. It is in the hills, not the flats. This is a different kind of Palm Springs vacation home, while still being extremely of its place.'
INFORMATION
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).
-
Premium patisserie Naya is Mayfair’s latest sweet spot
Heritage meets opulence at Naya bakery in Mayfair, London. With interiors by India Hicks and Anna Goulandris, the patisserie looks good enough to eat
-
Discover midcentury treasures in Marylebone with Álvaro by Appointment
London is full of sequestered design havens, and Wallpaper* knows them all. Allow us to point you in the direction of Álvaro González’s shop window on Nottingham Place, home to a bonanza of beautiful 20th-century antiques
-
Beach chic: the all-new Citroën Ami gets an acid-tinged, open-air Buggy variant
Citroën have brought a dose of polychromatic playfulness to their new generation Ami microcar, the cult all-ages electric quadricycle that channels the spirit of the 2CV for the modern age
-
Ukrainian Modernism: a timely but bittersweet survey of the country’s best modern buildings
New book ‘Ukrainian Modernism’ captures the country's vanishing modernist architecture, besieged by bombs, big business and the desire for a break with the past
-
Los Angeles businesses regroup after the 2025 fires
In the third instalment of our Rebuilding LA series, we zoom in on Los Angeles businesses and the architecture and social fabric around them within the impacted Los Angeles neighbourhoods
-
‘Fall Guy’ director David Leitch takes us inside his breathtaking Los Angeles home
For movie power couple David Leitch and Kelly McCormick, interior designer Vanessa Alexander crafts a home with the ultimate Hollywood ending
-
The Lighthouse draws on Bauhaus principles to create a new-era workspace campus
The Lighthouse, a Los Angeles office space by Warkentin Associates, brings together Bauhaus, brutalism and contemporary workspace design trends
-
This minimalist Wyoming retreat is the perfect place to unplug
This woodland home that espouses the virtues of simplicity, containing barely any furniture and having used only three materials in its construction
-
Croismare school, Jean Prouvé’s largest demountable structure, could be yours
Jean Prouvé’s 1948 Croismare school, the largest demountable structure ever built by the self-taught architect, is up for sale
-
Jump on our tour of modernist architecture in Tashkent, Uzbekistan
The legacy of modernist architecture in Uzbekistan and its capital, Tashkent, is explored through research, a new publication, and the country's upcoming pavilion at the Venice Architecture Biennale 2025; here, we take a tour of its riches
-
We explore Franklin Israel’s lesser-known, progressive, deconstructivist architecture
Franklin Israel, a progressive Californian architect whose life was cut short in 1996 at the age of 50, is celebrated in a new book that examines his work and legacy