Latest articles by Amy Verner
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Pockets of Paris showcasing diverse design at the D’days festival -
Novel concept: Sonia Rykiel's Parisian outpost pays homage to local history -
Compact containers: the Bouroullecs reveal modular Kiosques for EmerigeTo hear Erwan Bouroullec tell it, the two modular ’Kiosque’ structures he created with his brother Ronan for Emerige represent neither architecture nor art – nor strictly an overlap between the two.
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Less is more: Elmgreen & Dragset go it alone in the Grand Palais ahead of FIAC -
Ahead of its first permanent home, Lafayette Anticipation presents a taster of things to come -
Sergei Shchukin’s modern masters reunite, for the first time outside of Russia -
Language barrierDidier Faustino explores collective realities at Magasin
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Francesco Vezzoli sings a new song for one night only at the Centre Pompidou -
Home is where the art is: in Private Choice, a Parisian apartment doubles as a contemporary gallery -
Paris’ Palais de Tokyo reopens -
Vision of vignettes: Michael Anastassiades at Galerie Dansk Møbelkunst, Paris -
Lounging around: Christophe Lemaire and Uniqlo launch unisex collection -
Part of the puzzle: Loewe's Jonathan Anderson on his new S/S 2016 men's collection -
Eye spy: graphic artist Vahram Muratyan lends his famous frames to Smythson -
French connection: Swiss knitwear brand Molli makes the leap to Paris -
The golden touch: Mathias Kiss challenges decorative rules with brutalist ornamentation -
A new weave: Calla Haynes repurposes fashion collections into Moroccan rugs -
Eternal objects: Karen Chekerdjian's gutsy forms at L'Institut du Monde Arabe -
Keys to a Passion: Fondation Louis Vuitton opens the door to the leading lights of modernism -
Spoiler alert: Fondation Cartier’s blockbuster car photography show gets into gear -
Fendi celebrates Karl Lagerfeld’s ’The Glory of Water’ in Paris -
Felice Varini puts painting in perspective at the pavilion Paul Delouvrier -
The world is yours: a series of Claude Lévêque installations hit ParisSince early April 2014, Claude Lévêque’s red bolt of neon has surged through the centre of the Louvre’s glass pyramid, adding a defibrillating pulse to IM Pei’s original design, completed just over 25 years ago. Within the past week, the French artist has unveiled four impressive new projects around Paris, some more outwardly visible than others.
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All smiles: James Joyce's '100 Likes' at Colette in Paris
