Architect Marcos Acayaba’s seductive 1975 modernist house in São Paulo

Located in Cidade Jardim, an upmarket residential neighbourhood in central São Paulo, the Milan House is almost impossible to find, hidden as it is among dead ends, one-way streets and discreetly tasteful barriers that keep prying eyes at bay. Even the house’s modest driveway reveals little. Yet the residence is a spectacular find, a home that encapsulates the exuberant style of Brazilian modernism.
Marcos Acayaba is highly revered by architects in São Paulo, and with good reason. His teaching and built projects have earned him great respect in the Brazilian architecture scene and he is a key protagonist of the Paulista School, a design movement that has influenced architecture in Brazil from the 1970s to the present day. His wife, Marlene, is no less influential. A writer and critic of contemporary Brazilian architecture, she has written several seminal books on the subject.
The striking Milan House provides a fitting domestic backdrop for this formidable power couple. Marcos designed it for his sister-in-law in 1972, when he was just 28. Marlene, who was then still studying architecture at the University of São Paulo, contributed many detail designs. After the house’s completion in 1975, Marcos’ sister-in-law moved to Paris, so the couple moved out of their apartment in downtown São Paulo and have lived in the Milan House ever since.
Every part of the house feels connected to the lush gardens. The pool terrace leads directly to the living area, while the raised terrace to the left links to the bedrooms.
The design of the house is determined by a 17m-wide reinforced concrete roof, which forms a sweeping arch over the internal domestic spaces, while also framing views of the tropical gardens that surround the house. Within the arch, three half-level floors are arranged to accommodate the contours of the site.
The oversized living space, set in one half of the shell, is the focus of the house. Glazed arches at each end open out onto gardens on one side and a 14m-long pool and gardens on the other. A fireplace, seating and bookshelves are built into the concrete side wall, while the room is furnished with the couple’s collection of modern and classic design. Throughout the house, art by friends and local artists is on display. In the lower level dining room – reached by a half flight of stairs leading down from the living room, and a corridor that runs past the service rooms to the car port – a painting by Luis Paulo Baravelli hangs beside a table and lighting that Marcos designed for the space.
At no point in the house do you feel removed from nature. On the upper level, above the dining room, a long corridor opens onto four bedrooms and two bathrooms. The master and guest bedrooms all have views below the concrete shell into the lush gardens, while cantilevered doors at either end of the corridor open onto terraces, offering quick access to the gardens and swimming pool below.
The interior of the Milan House.
Very little has changed at the Milan House since it was built. New artworks have been purchased, a few lamps have been replaced, but overall, the house is a near perfect representation of the original designs. The Acayabas’ only major alteration, in the 1980s, was to remove an internal garden that failed to thrive without direct light and rain, and brought mosquitoes and other insects into the house. The main gardens, however, have become a tropical wonderland, tended and shaped over the years by Marlene. A wide variety of local plants vie to outgrow one another, creating the effect of the concrete shell having emerged naturally from the undergrowth.
On the far side of the swimming pool, beneath a raised lawn, lies a concrete bunker. What appears to be a utilitarian subterranean den, tough enough to withstand a direct strike, is in fact Marcos’ studio, a space that has nurtured great ideas and projects. The shelves contain a fine selection of Brazilian and international architecture books, including a collection of Marlene’s many publications.
Even after 35 years, the Acayabas are still very much in love with their São Paulo home and have no plans to move. Their Milan House epitomises the utopian spirit of the Brazilian modernismo: a faith in the infallible power of form, function and materials to deliver the perfect living space.
As originally featured in the July 2010 issue of Wallpaper* (W*136)
INFORMATION
For more information on Marcos Acayaba Arquitetos, read our interview the architect here
Elias Redstone is Wallpaper’s Australia editor and an acclaimed arts leader. He is the founder and artistic director of Photo Australia / PHOTO International Festival of Photography, Melbourne. Previously, Elias was senior curator of The Architecture Foundation, London. He has curated exhibitions for museums and galleries internationally including Barbican Art Gallery, London; Storefront for Art and Architecture, New York; and Centre for Contemporary Photography, Melbourne. His book Shooting Space: Architecture in Contemporary Photography is published by Phaidon.
-
Last chance to see: Sharjah Biennial 15, ‘Thinking Historically in the Present’
Built on the vision of late curator Okwui Enwezor, the Sharjah Biennial 15: ‘Thinking Historically in the Present’ offers a critical reframing of postcolonial narratives through major new commissions
By Amah-Rose Abrams • Published
-
For London Gallery Weekend 2023, the mood is hardcore
With London Gallery Weekend 2023 almost upon us (2 – 4 June), here’s our list of must-see art exhibitions
By Harriet Lloyd-Smith • Published
-
Birkenstock celebrates its most memorable styles with colourful capsule (and matching socks)
Birkenstock marks the 40th, 50th and 60th anniversaries of the Gizeh, Arizona and Madrid sandals, respectively, with limited-edition versions
By Jack Moss • Published
-
Seosaeng House is a holiday home designed to capture the rising sun
Seosaeng House, Studio Weave’s first project in South Korea, is a clifftop holiday home perfectly designed to capture a new day dawning over the East Sea
By SuhYoung Yun • Published
-
Brazil scoops 2023 Golden Lion award for national participation at the Venice Architecture Biennale
The Brazil Pavilion won the prestigious 2023 Golden Lion award for best national participation, as announced at the Venice Architecture Biennale in Italy this weekend - along with more honours for individual and country-led installations
By Ellie Stathaki • Published
-
The finest brutalist architecture in London and beyond
For some of the world's finest brutalist architecture in London and beyond, scroll below. Can’t get enough of brutalism? Neither can we.
By Jonathan Bell • Published
-
Modernist architecture: inspiration from across the globe
Modernist architecture has had a tremendous influence on today’s built environment, making these midcentury marvels some of the most closely studied 20th-century buildings; check back soon for new additions to our list
By Ellie Stathaki • Published
-
The Museum of Amazonian Science offers global hope and sustainability
An environmentalist’s ambitious project includes the Museum of Amazonian Science in Brazil and fulfils his vision of powering up the local bioeconomy and saving humanity
By Scott Mitchem • Published
-
MJE House is a rural Brazilian retreat defined by its striking cantilever
MJE House by Jacobsen Arquitetura is an idyllic, rural Brazilian retreat defined by its contemporary forms and bold cantilever overlooking the countryside in Upstate São Paulo
By Ellie Stathaki • Published
-
Villaggio Eni: a modernist gem in the Italian Dolomites
Designed by Eduardo Gellner in the 1950s, the Villaggio Eni holiday resort, in the Italian Dolomites, is being repurposed as a modernist refuge for artists and creatives
By Emma O'Kelly • Published
-
Guto Requena’s Terrace Apartment in Brazil brings outdoor living in
The Terrace Apartment by Estudio Guto Requena is a plant-filled, urban tour de force by the Brazilian architect – and his own home
By Ellie Stathaki • Published