Tropical modernism: a subversion, an escape and a global influence
Tropical modernism: a subversion, an escape and a global influence
The tropical climate subverted and softened modernism into a new form – taking the formal qualities and essential concepts of modernism, yet adapting the style with local materials and techniques better suited to the environment. Methods of passive cooling and sustainable construction developed over the centuries by local architects, builders and designers familiar with the challenges – and advantages – of the warm, humid temperatures of the tropics were employed within the definition of modernism to create a new style now considered a movement of its own. Here we take a journey through the work of architects influenced by the tropical modernist style from Luis Barragán to Paulo Mendes da Rocha to Marcio Kogan…
Casa Peninsula
Bernardes Architects
Guarujá, Brazil
Overlooking a bay from a lush, green cliff, this private residence in Guarujá is split over three levels – the ground floor, featuring four guest rooms and a TV room; the middle, sandwiched level hosting the dining room, living room, kitchen and swimming pool; and the top floor containing the master bedrooms for the owners and their youngest child.
Photography: Fernando Guerra
Casa Peninsula
Bernardes Architects
Guarujá, Brazil
Inside, a sparse palette of materials was used to create a homely, quiet atmosphere. Brazilian freijó wood was utilised in the construction of the ceiling, panels and joinery, a material commonly used in Brazilian interior design.
Photography: Fernando Guerra
Casa Peninsula
Bernardes Architects
Guarujá, Brazil
The placement of Casa Peninsula was carefully considered to limit environmental damage. Bernardes Architects chose a site on a steep slope, meaning zero trees were cut down to accommodate the ambitious build. To take advantage of the sunlight, the triangular third level creates a shaded balcony for the home’s occupants.
Photography: Fernando Guerra
Museum of Modern Art
Affonso Eduardo Reidy
Rio de Janeiro, Brazil
Rio de Janeiro’s Museum of Modern Art was commissioned in 1948 as part of an urban planning project, Flamengo Park, on Rio’s coast. Completed in 1955, the concrete modernist building features striking external beams that permit a gallery level with minimal structural obstructions such as walls and columns.
Photography: courtesy of Bianca Maggio via Flickr
Museu Brasileiro de Escultura
Paulo Mendes da Rocha
São Paulo, Brazil
Pritzker Architecture Prize-winner Paulo Mendes da Rocha’s Museu Brasileiro de Escultura is often considered the Brazilian architect’s crown jewel – a 7,000 sq m space of underground Brutalist modernism. Blocks of raw concrete are found at street level, framing a garden designed by landscape architect Roberto Burle Marx.
Photography: © Nelson Kon
Museu Brasileiro de Escultura
Paulo Mendes da Rocha
São Paulo, Brazil
Underground, the museum space itself features enormous gallery spaces, absent of any architectural support from pillars or walls, and so configurable to the desire of the curator.
Photography: © Nelson Kon
Studio SC
Studio MK27 – Marcio Kogan + Suzana Glogowski
São Paulo
Using industrial materials throughout the design, this food photography studio strikes up a commentary about the historic relationship between 20th century Brazilian architecture and contemporary Japanese styles. Large, metal sliding doors reveal the core studio space, which features a concrete walkway suspended from the ceiling.
Photography: Fernando Guerra
Studio SC
Studio MK27 – Marcio Kogan + Suzana Glogowski
São Paulo
The top floor is a primarily social space, featuring a large open kitchen, generously-sized dining area and a terrace with views of the studio’s garden and proximate high-rise buildings. Access to the top level requires its guests to pass through the studio and walkway, which gives visitors a rooted understanding of the studio layout.
Photography: Fernando Guerra
Sacromonte Landscape Hotel
MAPA Architects
Pueblo Edén, Uruguay
Hidden within the mountains of eastern Uruguay, the Sacromonte Landscape Hotel is made up of a collection of modular single-level rooms which include a bedroom, bathroom, kitchen and terrace area. The modules are constructively simplistic, made from steel and light steel framing that witholds glass and wooden ‘walls’.
Photography: © Leonardo Finotti
Retreat in Finca Aguy
MAPA Architects
Pueblo Edén, Uruguay
Prefabricated in a factory 200 km away from its specified site at the edge of an olive field in Pueblo Edén, this retreat designed by MAPA Architects challenged the team to create the building away from its remote installation location. Produced in a controlled environment, the houses were carefully made and designed to adapt to the mountainous environment.
Photography: © Leonardo Finotti
Caledonian Somosaguas
Marcio Kogan and Caledonian
Madrid, Spain
Marcio Kogan’s Studio MK27 oversaw the development of this western Madrid suburb micro-town, a modular maze of 21 private houses designed as a tranquil, pedestrian-only site. Private terrace spaces with a series of winding pathways and small plazas interlock, accompanied with cascades of planting by landscape architect Roberto Burle Marx, whilst car parking, basement space and direct, discreet access to the houses lies underground.
Photography: Fernando Guerra
Cathedral of Maringá
José Augusto Bellucci
Maringá, Brazil
José Augusto Bellucci was inspired by Soviet sputnik satellites during the design process of Maringá’s conical cathedral. At 124m in height, a seven-metre-tall wooden crucifix adorns the peak, created by Brazilian sculptor Conrado Mose and coloured by local artist Zanzal Mattar. Additionally, being a Roman Catholic cathedral, the foundation stone was brought from St. Peter’s Basilica in Rome, blessed by Pope Pius XII.
Photography: Courtesy of Luciano Faustino via Flickr
Patriarch Plaza
Paulo Mendes da Rocha
São Paulo, Brazil
In the heart of São Paulo sits Patriarch Plaza, located at the intersection between the city’s old town and its modern counterpart. Housing an entrance to the city’s underground travel network, the cantilevered concrete construction also provides shelter for users of a nearby bus station. The plaza is a particular highlight of the area’s revitilisation, which took place between 1992 and 2002.
Photography: © Nelson Kon
Chapel of São Pedro
Paulo Mendes da Rocha
São Paulo, Brazil
Located in the Mantiqueira Mountains in the east of São Paulo, this concrete chapel is suspended by a single central column surrounded by water, and framed by a two-storey glass façade that opens up views of the immediate landscape.
Photography: © Cristiano Mascaro
Cuadra San Cristóbal
Luis Barragán
Mexico City, Mexico
Luis Barragán’s modernist masterpiece, on the outskirts of Mexico City, has been privately owned by the Egerström family since its completion in 1968. The complex doubles as a residency and equestrian stables, featuring its instantly recognisable pink walls (inside and out), as well as metal fences. Pictured here, the residence features abstract work by Sean Scully.
Photography: Felix Friedmann
House in Oeiras
Pedro Domingos
Oeiras, Portugal
A simple construct emphasising the qualities of light, shadow and space, this private home revolves around a central interior patio that connects the common areas in the south, to the private rooms at the north of the property. To perpetuate a concept of continuity, the house is absent of any interior doors, relying on different ceiling heights to define room use, as often seen in Tropical Modernist styles. Walls are finished in pigmented plaster, and inside floors in pigmented concrete.
Photography: © Leonardo Finotti
Capela Joá
Bernardes Arquitetura
Rio de Janeiro, Brasil
Floating in a canopy of treetops, this chapel, found on a plot of land with an irregular topography was selected due to its quiet location off the beaten track – it was important to combine the natural elements of forest, sky and sea with the architecture to bring a peaceful environment.
Photography: © Tuca Reinés
Capela Joá
Bernardes Arquitetura
Rio de Janeiro, Brasil
The construction prioritised simplicity, with two steel beams supporting the upper roof by only two points and a main structure of plywood frames that also serve the envelope of the internal space.
Photography: © Tuca Reinés
Capela Joá
Bernardes Arquitetura
Rio de Janeiro, Brasil
Glass was used in the design as an additional layer to protect the structure from the elements but retain the connection with nature outside. The interior architecture is warm, natural and soft with a framed view bringing a focal point for contemplation.
Photography: © Tuca Reinés
Jungle House
Studio MK27 – Marcio Kogan + Bruno Gomes
Guarujá, Brazil
Aptly named Jungle House (Casa Na Mata) is buried deep within dense vegetation on a coastal plot. Designed for a large city family to escape to at weekends and holidays, Jungle House consists of a series of layers, with overhanging roofs creating shielded semi-external spaces. ‘The idea was to insert the house into the landscape as unobtrusively as possible while maintaining the connection to the existing vegetation surrounding it and allowing for the sea view,’ says Samanta Cafardo, the project architect. A classic inverted design places living spaces and pool on the upper levels, with a central accommodation podium, and free-flowing circulation space at the base, where vegetation infringes on the crisply delineated edges of the concrete shell.
Photography: Fernando Guerra
The Alexander’s Miami home
Chad Oppenheim
Miami, United States
Shlomy Alexander and his son Oren bought the last vacant lot in Bal Harbour, an exclusive neighbourhood just north of Miami Beach, in 2012. The site was unique in that it appears to bridge two worlds – the front faces some of the most prized real estate in the United States, while the back looks out over Biscayne Bay and the primitive mangrove wilderness of Oleta River State Park. The Alexanders wanted to build a home that embraced the duality of Miami’s subtropical setting, both its growing urbanity and its natural beauty. They approached architect Chad Oppenheim whose feel-driven ethos has resulted in a tropical modernist gem informed by both Japanese and classical tropes. An open-air ground floor blurs the boundaries of indoor and outdoor, while an elegant, wide rectangular frame forms the second floor, creating panoramic views.
Photography: Kris Tamburello
Micasa Volume B
Studio MK27 – Marcio Kogan + Bruno Gomes
São Paulo, Brazil
For the second volume for the Brazilian-born design and concept store Micasa, Studio MK27 decided to use materials in their ‘extreme condition’. Exposed concrete was left visible without concern for precision or finishing – even in the interiors, which retained original chalk markings left by workers during construction. The external floor surrounding the volume is made of the pebbles that were also used to mix the concrete, recalling artisanal processes used for the modern Brazilian brutalist buildings that were reinvented south of the equator attentive to local knowledge. The materials were complemented by the work site itself, with the builders taking part in the creative process.
Photography: Nelson Kon
MH Residence
Jacobsen Arquitetura
Guarujá, Brazil
Completed in 2017, this beach house on the coast of São Paulo located on a sloping terrain of protected Atlantic forest evolved into a flat and open retreat, with a terrace and swimming pool, in response to a brief for combining privacy with an open and communal space for spending leisure time. With a metal structure, the house is finished with carbonised wood facades, granite floors and natural wood interior linings. Each material was chosen for its low maintenance properties and composed as a palette of contrasting colours and textures, both rustic and sophisticated. Inside the house, a pool of water acts like a mirror, reflecting natural light into the space and the incline of the roof varies the room heights, creating dynamic spatial relationships characteristic of traditional constructions.
Photography: © Leonardo Finotti