Hauser & Wirth
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Hauser & Wirth Paris by Laplace is a winning restoration in the Wallpaper* Design Awards 2024
Hauser & Wirth Paris by Laplace sees the architectural agency named Best Restoration Kings, breathing new life into an 1877 hôtel particulier near the Champs-Elysées
By Amy Serafin Published
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Frieze London 2023: what to see and do
Everything you want to see at Frieze London 2023 and around the city in our frequently updated guide
By Hannah Silver Last updated
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Avery Singer considers 9/11 trauma and corporate anonymity at Hauser & Wirth
‘Avery Singer: Free Fall’ opens at Hauser & Wirth, London, melding a serene office aesthetic with moments of horror
By Emily Steer Published
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Hospital Rooms and Hauser & Wirth unite for a sensorial London exhibition and auction
Hospital Rooms and Hauser & Wirth are working together to raise money for arts and mental health charities
By Hannah Silver Published
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Cindy Sherman’s freaky new portrait collages dissect the divided self
We preview Cindy Sherman’s new portraits, on view at Hauser & Wirth Zurich during Zurich Art Weekend – which will see digitally manipulated collages explore the many facets of society
By Harriet Lloyd-Smith Published
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Gary Simmons on the erasure of racist tropes: ‘I don't want them to be forgotten for their menace’
In Gary Simmons’ new show, ‘This Must Be the Place’ at Hauser & Wirth, London, the artist explores the process of cultural erasure, and the traces it leaves behind
By Amah-Rose Abrams Published
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All eyes on Christina Quarles, the painter inventing a new figurative language
Los Angeles-based artist Christina Quarles is in her element, with two major solo shows underway at Hamburger Bahnhof and Hauser & Wirth Menorca
By Emily McDermott Published
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Remembering Phyllida Barlow (1944 – 2023): a titanic force of British sculpture
We look back on the life and work of Phyllida Barlow, revered British sculptor, educator and Hauser & Wirth artist who has passed away aged 78
By Harriet Lloyd-Smith Published
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Berlinde De Bruyckere on religion, chaos and decay: ‘simplicity is the territory of humans’
We speak to Belgian sculptor and visual artist Berlinde De Bruyckere ahead of her show ‘A simple prophecy’ at Hauser & Wirth Zurich, Limmatstrasse, 26 January – 13 May 2023
By Martha Elliott Published
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Shaping the way: Larry Bell’s legendary 1960s works get aired in New York
By John Gendall Last updated
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August Sander’s ambitiously truthful character studies capture a startling humanity
By Charlotte Jansen Last updated
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Defiant strokes: Hauser & Wirth hosts Philip Guston's transitional work
By Aaron Peasley Last updated
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Modern family: face-to-face with Hauser & Wirth's New York artists
To hail Hauser & Wirth’s new 542 West 22nd Street home – scheduled to open this Autumn – we get up close and personal with 14 of its New York-based talents, seen through the lens of Brigitte Lacombe, with accompanying video portraits on Instagram
By Harriet Lloyd Smith Last updated
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Architecture Club designs a new atelier for artist Monika Sosnowska in Warsaw
An architectural exercise in purity and restraint, Polish sculptor Monika Sosnowska’s new atelier is a simple concrete volume, and the first-built project of Basel-based architects Karolina Slawecka and Pawel Krzeminski under their new studio. Photographed by Hélène Binet, the radically simple atelier was featured in the Smart Art-themed November issue of Wallpaper* magazine (W*248)
By Harriet Thorpe Last updated
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Wallpaper* celebrates architect Annabelle Selldorf’s tailoring collaboration
By Jessica Klingelfuss Last updated
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Home truths: Hauser & Wirth’s domestic bliss in Zurich
Hauser & Wirth's Zurich outpost takes a domestic turn for its winter exhibition
By Jessica Klingelfuss Last updated
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Master of plaster: Elisabeth Frink remembered at Hauser & Wirth Somerset
By Charlotte Jansen Last updated
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Brave new world: Aldous Huxley meets maniacal gnomes at Djordje Ozbolt’s latest show
By Natalie Rigg Last updated
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Art Basel Miami Beach 2014: big-ticket artists and collectors bring the Floridian fair to the fore
By Caroline Roux Last updated
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Amy Sherald’s vivid, triumphant portraits reframe Black personhood in Western art
In ‘The World We Make’ at Hauser & Wirth London (until 23 December), American painter Amy Sherald raises critical questions about the position of Black bodies in Western art
By Elisha Tawe Last updated
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The repulsion and allure of Takesada Matsutani’s 3D paintings
Since the 1960s, the trailblazing Japanese artist has been developing his distinctive language of bulbous, surreal and sensuous forms. A show at Hauser & Wirth Hong Kong highlights the artist’s remarkable career and enduring appeal
By Harriet Lloyd-Smith Last updated
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West Side Story: Hauser & Wirth’s new Chelsea outpost is big, clever and inclusive
An exclusive first look of Hauser & Wirth's forthcoming new building on Manhattan’s West Side, headlines our May 2020 issue (W*254). Designed by architect Annabelle Selldorf, 542 West 22nd Street is the first purpose-built, ground-up space for the Swiss mega-gallery. We went behind-the-scenes earlier this year, while the building was in its final stages of construction
By Jessica Klingelfuss Last updated
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Off the scale: Hauser & Wirth’s new West Coast outpost is an art behemoth
By Hunter Drohojowska-Philp Last updated
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Hauser & Wirth opens a new gallery in downtown New York
By Pei-Ru Keh Last updated
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Singling out the solo booths to see at Frieze Los Angeles
Over 70 galleries will descend on Paramount Pictures Studio for the second edition of the West Coast art fair (14-16 February), anchored by an ambitious programme of special projects, film screenings, talks, and institutional collaborations
By Jessica Klingelfuss Last updated
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Frieze London 2016 takes a nostalgic turn, as galleries look back to the Nineties
By Emma O'Kelly Last updated
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Last chance to see: Frank Bowling's transatlantic takeover
Frank Bowling’s inaugural exhibitions with Hauser & Wirth London and New York celebrate six decades of the artist’s innovative abstraction. Catch the shows before they close, on 30 July (Hauser & Wirth New York) and 31 July (Hauser & Wirth London)
By Harriet Lloyd-Smith Last updated