Now open at Hauser & Wirth Paris, artist Nicole Eisenman’s exhibition ‘with, and, of, on Sculpture’ explores the varied ways in which she intertwines painting and sculpture. This is her first retrospective at this location, which showcases works from 2019 through to present, delving into her stand alone technique and foundational inspiration behind certain pieces from politics to ABBA.
Nicole Eisenman presents ‘with, and, of, on Sculpture’
Installation view, ‘Nicole Eisenman. with, and, of, on Sculpture’ at Hauser & Wirth Paris, 5 June–21 September 2024.© Nicole Eisenman. Courtesy the artist and Hauser & Wirth
Sitting distinctly between the title of painter and sculptor, Eisenman feels that sculpture can be also two dimensional saying, ‘A line is sculptural, the way it floats in space on a white page. You’re looking at the representation of a dimension and it can be perceived as either two or three dimensional.’
Installation view, ‘Nicole Eisenman. with, and, of, on Sculpture’ at Hauser & Wirth Paris, 5 June–21 September 2024.© Nicole Eisenman. Courtesy the artist and Hauser & Wirth
Upon entering the ground floor of the exhibition space, each piece of work foretells the next. Two figures from Eisenman’s sculptural installation titled Procession (2019) take centre stage, while her latest multi-layered painting Archangel (The Visitors) (2024) hangs at the heart of the exhibition. This painting, somewhat comically, depicts an imagined exhibition featuring fictional sculptures.
Installation view, ‘Nicole Eisenman. with, and, of, on Sculpture’ at Hauser & Wirth Paris, 5 June–21 September 2024.© Nicole Eisenman. Courtesy the artist and Hauser & Wirth
The Visitors takes reference from John Heartfield and Rudolf Schlichter’s Prussian Archangel (1920), which featured a ‘pig-headed military figure’ which was first exhibited in Berlin in 1920. The work's title The Visitors refers to ABBA's 1981 single with the same name, which is about the persecution of those who challenge politics.
Installation view, ‘Nicole Eisenman. with, and, of, on Sculpture’ at Hauser & Wirth Paris, 5 June–21 September 2024.© Nicole Eisenman. Courtesy the artist and Hauser & Wirth
Downstairs features the Perpetual Motion Machine (2019), while G*d-cat in Drawing for Procession (2018) is a stand alone piece on the upper floor. Head with Slaband Foot (2024) incorporates ‘a plaster slab with an intaglio plate’ which blends its two-dimensional image with a three-dimensional structure. Eisenman is not afraid to get visitors to speculate and weave their own narrative through her wide use of mixed-media and historical connotations.
Nicole Eisenman’s exhibition ‘with, and, of, on Sculpture’ is on display at Hauser and Wirth Paris until 21 September 2024 hauserwirth.com
-
At Design Miami Paris, an artful menagerie tells a story of scent and natureVikram Goyal and Sissel Tolaas present ‘The Soul Garden’ at Design Miami Paris (until 26 October 2025), ‘a contemporary fable where the animals take new forms, reimagined for the world we live in today’
-
Check in at Aman Rosa Alpina, a modern Alpine cocoonSan Cassiano’s historic hotel has been reborn as a pared-back Aman refuge in the heart of the Dolomites
-
‘It’s really the workplace of the future’: inside JPMorganChase’s new Foster + Partners-designed HQThe bronze-clad skyscraper at 270 Park Avenue is filled with imaginative engineering and amenities alike. Here’s a look inside
-
Ten things to see and do at Art Basel Paris 2025Art Basel Paris takes over the city from 24-26 October. Here are the highlights, from Elmgreen & Dragset to Barbara Kruger and Dash Snow
-
Artists imbue the domestic with an unsettling unfamiliarity at Hauser & WirthThree artists – Koak, Ding Shilun and Cece Philips – bring an uncanny subversion to the domestic environment in Hauser & Wirth’s London exhibition
-
Yulia Mahr digs beneath the skin in her modern update of classic Greek statues in ParisIn 'The Church of Our Becoming', on view at the Courtyard at Dover Street Market Paris, Yulia Mahr celebrates real human bodies
-
Cindy Sherman in Menorca: ‘She's decades ahead of social media and the construction of identity for the camera’‘Cindy Sherman: The Women’, its title a nod to an image-conscious 1930s Broadway hit, takes the American artist's carefully constructed, highly performative works to Hauser & Wirth Menorca
-
Wolfgang Tillmans brings a performative edge to bibliophilia at the Centre Pompidou’s libraryAs the Centre Pompidou’s library is emptied ahead of the venue’s five-year restoration, the German photographer moves in for a final fling of a Paris exhibition
-
What is recycling good for, asks Mika Rottenberg at Hauser & Wirth MenorcaUS-based artist Mika Rottenberg rethinks the possibilities of rubbish in a colourful exhibition, spanning films, drawings and eerily anthropomorphic lamps
-
A song for the dead – Josh Homme on performing for six million souls in the bowels of the Paris CatacombsA rock band, a brush with death and an underground tomb coalesce in haunting new Queens of the Stone Age film, ‘Alive in the Catacombs’. Wallpaper* meets frontman Josh Homme and director Thomas Rames
-
See the fruits of Niki de Saint Phalle and Jean Tinguely's creative and romantic union at Hauser & Wirth SomersetAn intimate exhibition at Hauser & Wirth Somerset explores three decades of a creative partnership
