Nicole Eisenman explores the dimensions of sculpture and painting at Hauser & Wirth Paris
Nicole Eisenman presents ‘with, and, of, on Sculpture’, her first retrospective at Hauser & Wirth Paris drawing inspiration from political challengers to ABBA
Now open at Hauser & Wirth Paris, artist Nicole Eisenman’s exhibition ‘with, and, of, on Sculpture’ explores the varied ways in which she intertwines painting and sculpture. This is her first retrospective at this location, which showcases works from 2019 through to present, delving into her stand alone technique and foundational inspiration behind certain pieces from politics to ABBA.
Nicole Eisenman presents ‘with, and, of, on Sculpture’
Sitting distinctly between the title of painter and sculptor, Eisenman feels that sculpture can be also two dimensional saying, ‘A line is sculptural, the way it floats in space on a white page. You’re looking at the representation of a dimension and it can be perceived as either two or three dimensional.’
Upon entering the ground floor of the exhibition space, each piece of work foretells the next. Two figures from Eisenman’s sculptural installation titled Procession (2019) take centre stage, while her latest multi-layered painting Archangel (The Visitors) (2024) hangs at the heart of the exhibition. This painting, somewhat comically, depicts an imagined exhibition featuring fictional sculptures.
The Visitors takes reference from John Heartfield and Rudolf Schlichter’s Prussian Archangel (1920), which featured a ‘pig-headed military figure’ which was first exhibited in Berlin in 1920. The work's title The Visitors refers to ABBA's 1981 single with the same name, which is about the persecution of those who challenge politics.
Downstairs features the Perpetual Motion Machine (2019), while G*d-cat in Drawing for Procession (2018) is a stand alone piece on the upper floor. Head with Slaband Foot (2024) incorporates ‘a plaster slab with an intaglio plate’ which blends its two-dimensional image with a three-dimensional structure. Eisenman is not afraid to get visitors to speculate and weave their own narrative through her wide use of mixed-media and historical connotations.
Nicole Eisenman’s exhibition ‘with, and, of, on Sculpture’ is on display at Hauser and Wirth Paris until 21 September 2024 hauserwirth.com
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Tianna Williams is the Editorial Executive at Wallpaper*. Before joining the team in 2023, she has contributed to BBC Wales, SurfGirl Magazine, and Parisian Vibe, with work spanning from social media content creation to editorial. Now, her role covers writing across varying content pillars for Wallpaper*.
-
‘I was captivated by the idea of merging two iconic brands’: Nigo on his collaboration with Moncler and Mercedes-Benz, which features a 1990s-inspired riff on the G-Wagon
Unveiled at Moncler’s ‘The City of Genius’ event in Shanghai this past weekend, Japanese fashion designer Nigo unpacks his three-way collaboration with Moncler and Mercedes-Benz, which includes a play on the G-Class alongside a fashion collection in his eclectic style
By Jack Moss Published
-
Cathay Pacific’s new business class Aria Suites take flight
Cathay Pacific raises the bar for business-class travel with the launch of the much-anticipated Aria Suites
By Lauren Ho Published
-
Volvo’s ultra-efficient EX30 compact EV gets its first real competition, the new Smart #3
We experience the highly rated Volvo EX30 and Smart’s most recent foray into pure electric cars, the #3. Which is the best executed small SUV?
By Jonathan Bell Published
-
The lesser-known Los Angeles galleries contributing to a vibrant art scene
Outside of LACMA, MOCA and The Broad, these independent LA galleries are major players in the art world
By Kevin EG Perry Published
-
Miu Miu’s Women’s Tales film series comes to life for Art Basel Paris
In ‘Tales & Tellers’, interdisciplinary artist Goshka Macuga brings Miu Miu’s Women’s Tales film series for Art Basel Paris to life for the public programme
By Amah-Rose Abrams Published
-
Art Basel returns to Paris: here is everything to see and do
Art Basel Paris 2024 (18 - 20 October 2024) returns, opening at the newly renovated Grand Palais
By Amah-Rose Abrams Published
-
Elmgreen & Dragset explore contemporary masculinity in Paris
We visit Elmgreen & Dragset at their Berlin studio ahead of new exhibition ‘L’Addition’ at Paris’ Musée d’Orsay, a subversive take on the classical form
By Hannah Silver Published
-
Don’t miss Henri Matisse and Ellsworth Kelly at Fondation Louis Vuitton
Fondation Louis Vuitton present a series of works by Matisse and Kelly, celebrating the influence they had on the trajectory of contemporary art
By Tianna Williams Published
-
Larry Bell explores the ethereal nature of glass in Monaco
Larry Bell's retrospective at Hauser & Wirth, Monaco, unites old and new work
By Finn Blythe Published
-
Matthew Barney draws on a sporting horror history with video installation ‘Secondary’
Matthew Barney revisits a haunting memory of violence and spectacle in his first institutional show in Paris in over a decade
By Hili Perlson Published
-
Los Angeles art exhibitions: the best shows to see in October
Read our pick of the best Los Angeles art exhibitions to see this month, from Nick Egan's creative rebellion at NeueHouse Hollywood to Beth Cavener at Carpenters Workshop
By Carole Dixon Last updated