At Sadie Coles HQ, artists bring a playful sensuality to lamps
Sadie Coles HQ’s ‘Shine On’ exhibition in London features sculptural lighting by Sarah Lucas, Urs Fischer, and more (until 27 April 2024)
Sadie Coles HQ illuminates London’s Davies Street with its exhibition of sculptural lighting, ‘Shine On’. Artists including Sarah Lucas, Urs Fischer and Alex Da Corte have crafted a series of lights that are playfully displayed as a lamp supply shop within the window of the gallery.
The inspiration for the show stems from Alex Da Corte’s The Last House on The Left (2022), which references a playful mural on the windowless exterior of Jo Skymer Lighting, a store in Pennsauken, New Jersey, that has since been painted over, but served as an advertisement for domestic lamps.
Sadie Coles HQ’s ‘Shine On’
‘We all need lights and you can’t avoid the allegorical possibilities they offer,' says gallery founder Sadie Coles. ‘Domestic objects like chairs and tables relate directly to the body, and lights are figurative or gestural appendages too. Artists exaggerate all the possibilities of interpretation, but somehow stay within their own sculptural language, and there is a sense of play or experiment within the show that is a lot of fun.’
The collection includes a variety of playful and practical lamps, yet they all encompass sculptural forms. A household object is transformed into an eye-catching, sensual item. ‘I think light is always sensual, suggestive, embracing. Illumination is always positive. Our eyes are drawn to it immediately. On a practical level, as Sarah Lucas says, self-illuminating artworks have the added benefit of needing no lighting,’ says Coles.
The exhibition challenges conventional design, and evokes themes that nod to architecture, the human form, and the natural world.
Martin Boyce’s A Forest (I) (2009) is from a series based on photographs of the Concrete Trees created in 1925 by brothers Joël and Jan Martel. Suspended in mid-air, Sarah Lucas’ Mary (2012) is shaped as a female body from found objects. Early work from Urs Fischer, Clouds (2002), features soft forms with pink hues. A heart-shaped chandelier with hanging lava lamps is a new work from Catharine Czudej, while Alex Da Corte’s mural painting, The House on the Left (2022), which inspired the show, unites consumer culture with modern design.
The gallery also showcases work from Cerith Wyn Evans, Peter Fischli, Gelatin, Isa Genzken, Max Hooper Schneider, Martin Kippenberger, Cary Kwok, Jim Lambie, Kaspar Müller, Paulina Olowska and Jessica Segall, Jorge Pardo, Jessi Reaves, Franz West, Fred Wilson, and Anicka Yi.
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Coles has considered expanding the lamp collection in the future, telling Wallpaper*: ’I want them all. I will have to get a bigger house. One could also do this show again because there are many artists missing: David Hammons, Felix Gonzalez-Torres and Alina Szapocznikow, to mention some great examples.’
'Shine On' at Sadie Coles HQ runs until 27 April 2024 at 1 Davies Street W1, London
Tianna Williams is the Editorial Executive at Wallpaper*. Before joining the team in 2023, she has contributed to BBC Wales, SurfGirl Magazine, and Parisian Vibe, with work spanning from social media content creation to editorial. Now, her role covers writing across varying content pillars for Wallpaper*.
-
Discothèque perfumes evoke the scent of Tokyo in the year 2000
As Discothèque gets ready to launch its first perfume collection, Mary Cleary catches up with the brand’s founders
By Mary Cleary Published
-
This unassuming London house is a radical rethinking of the suburban home
Station Lodge by architect Andrei Saltykov in South West London offers a radical subversion to regional residential architecture
By Ellie Stathaki Published
-
Explore 100 years of Svenskt Tenn and the interiors Estrid Ericson has crafted
‘A Philosophy of Home’ explores 100 years of Svenskt Tenn and the daring vision for interiors its founder Estrid Ericson developed
By Diana Budds Published
-
Francis Bacon at the National Portrait Gallery is an emotional tour de force
‘Francis Bacon: Human Presence’ at the National Portrait Gallery in London puts the spotlight on Bacon's portraiture
By Hannah Silver Published
-
Frieze Sculpture takes over Regent’s Park
Twenty-two international artists turn the English gardens into a dream-like landscape and remind us of our inextricable connection to the natural world
By Smilian Cibic Published
-
Meet Oluwole Omofemi and Bayo Akande, the founders creating a new art community
Oluwole Omofemi and Bayo Akande, are behind Piece Unique, an artist agency that guides and future-proofs emerging artists’ careers
By Mazzi Odu Published
-
Don’t miss these artists at 1-54 Contemporary African Art Fair 2024
As the 1-54 Contemporary African Art Fair returns to London (10-13 October 2024), here are the artists to see
By Gameli Hamelo Published
-
Es Devlin’s large-scale choral installation celebrates London’s displaced population
Es Devlin has partnered with UK for UNHCR on a free and open-to-all exhibition, ‘Congregation’, in London from 3-9 October 2024
By Hannah Silver Published
-
Frieze London 2024: everything to see and do
London Frieze Week runs until 13 October 2024; here are the must-sees inside and outside the fair
By Amah-Rose Abrams Last updated
-
‘This blood that is flowing is my blood, and that should be a positive thing’: Tracey Emin at White Cube
Tracey Emin’s exhibition ‘I followed you to the end’ has opened at White Cube Bermondsey in London, and traces the artist’s journey through loss
By Hannah Silver Published
-
'I want them to be tender': Gary Hume on his new artworks at Sprüth Magers in London
With Gary Hume’s exhibition ‘Mirrors and Other Creatures’ now open at Sprüth Magers, the artist speaks of swans, their curves, and why ‘it’s brilliant’ being a painter
By Emily Steer Published