A brace of brutalist landmarks at London’s South Bank Centre have been given an upgrade by Feilden Clegg Bradley Studios. The architects were tasked with improving the experience for performers and audiences at the Queen Elizabeth Hall and adjoining Purcell Room, both of which were designed by the Greater London Council. ‘Our job was to strip them back to the original 1960s design, while adding modern equipment,’ says FCBStudios architect Chris Allen.
Given the buildings’ age, most of the £35m budget went on modernising their services. But there is a handful of architectural interventions that help make the two arts venues – and all their famous mushroom columns – sing again.
The QEH’s foyer, which in recent years has become a venue in its own right, has been reconfigured with windows cut into one concrete wall, to let light in from the terrace. Archer Humphryes Architects, who were responsible for the foyer’s interior design, have installed Ercol-designed butterfly chairs, Louis Weisdorf pendant lights, and tables and bar stools from Aram.
Meanwhile, the back-of-house artists’ areas have been expanded. FCBStudios have taken a piece of dead space that was open to the elements, given it a glass roof, and reinvented it as an artists’ break-out space. ‘Previously, none of the back of house spaces had windows,’ explains Allen.
Only regular visitors with beady eyes will spot the clean-up effort. That includes the restoration of the board-marked concrete, which is a signature material of much of the 17-acre arts complex; the cleaning and French-polishing of the auditoria’s timber wall paneling – which suffered from tobacco staining – and the reupholstering of the auditoria’s black leather and aluminium seating.
The reopening of these two venues follows on from FCBStudio’s redesign of next door’s Hayward Gallery, which is showing German photographer Andreas Gursky’s vast images of modern life until 22 April.
The works included delicate restoration and cleaning of the spaces as well as modernising
The QEH’s foyer has been reconfigured with windows cut into one concrete wall, to let light in from the terrace
The architects took a piece of dead space that was open to the elements, gave it a glass roof, and reinvented it as an artists’ break-out space
Archer Humphryes Architects were responsible for the foyer’s interior design
The complex's signature board-marked concrete was carefully cleaned
The works also included cleaning and French-polishing the auditoria’s timber wall paneling
INFORMATION
For more information visit the Feilden Clegg Bradley Studios website
-
Arts institution Pivô breathes new life into neglected Lina Bo Bardi building in BahiaNon-profit cultural institution Pivô is reactivating a Lina Bo Bardi landmark in Salvador da Bahia in a bid to foster artistic dialogue and community engagement
-
Joy Gregory subverts beauty standards with her new exhibition at Whitechapel GalleryUnrealistic beauty standards hide ugly realities in 'Joy Gregory: Catching Flies with Honey '
-
Rachael Gowdridge reinvents a Victorian public toilet as boutique suites17 years after closing, a public loo on Oxford’s St Giles has reopened as a set of two richly decorated hotel suites
-
The Architecture Edit: Wallpaper’s houses of the monthFrom Malibu beach pads to cosy cabins blanketed in snow, Wallpaper* has featured some incredible homes this month. We profile our favourites below
-
Meet Forefront, a cultural platform redefining the relationship between art and architectureForefront co-founder Dicle Guntas, managing director of developer HGG, tells us about the exciting new initiative and its debut exhibition, a show of lumino-kinetic sculptures in London
-
Corten curves and contemporary flair transform this terraced house in LondonCagni Williams Associates’ sensitive refurbishment of a south London Edwardian house features a striking and sustainable Corten steel extension
-
You may know it as ‘Dirty House’ – now, The Rogue Room brings 21st-century wellness to ShoreditchThe Rogue Room – set in the building formerly known as Dirty House by Sir David Adjaye, now reinvented by Studioshaw – bridges wellness and culture in London's Shoreditch
-
The architectural innovation hidden in plain sight at Frieze London 2025The 2025 Frieze entrance pavilions launch this week alongside the art fair, showcasing a brand-new, modular building system set to shake up the architecture of large-scale events
-
RIBA Stirling Prize 2025 winner is ‘a radical reimagining of later living’Appleby Blue Almshouse wins the RIBA Stirling Prize 2025, crowning the social housing complex for over-65s by Witherford Watson Mann Architects, the best building of the year
-
‘Belonging’ – the LFA 2026 theme is revealed, exploring how places can become personalThe idea of belonging and what it means in today’s world will be central at the London Festival of Architecture’s explorations, as the event’s 2026 theme has been announced today
-
Join us on a first look inside Regent’s View, the revamped canalside gasholder project in LondonRegent's View, the RSHP-designed development for St William, situated on a former gasholder site on a canal in east London, has just completed its first phase
