The Harvard University Graduate School of Design (GSD) is taking up residence at Richard Rogers’ landmarked Wimbledon House in London, which will host the new Richard Rogers fellowship programme, a three-month residency scheme for professionals working across the built environment.
Lord Rogers designed the single storey modernist house in the 1960s for his parents to live in and it has now been restored by Gumuchdjian Architects, and adapted to suit the needs to the Harvard GSD fellowship residents, as well as opening up space for programmed events.
Wimbledon House, gifted to Harvard GSD by Lord Rogers and Ruth Rogers, is an ideal new home for the fellowship, inspired by the architect’s work expanding cross-disciplinarily investigation and social engagement in collaboration with urbanism and architecture. Additionally, the heritage status of the house will now be maintained due to its continued use as a residence.
The fully glazed façade integrates the rooms of the house with the gardens
The design for Wimbledon House was very experimental for its time, following a modular format that would allow for the renewal of technology and developing needs as time passed, while providing a basic adaptable structure. It was a concept that Lord Rogers had begun developing with the Pompidou and later Lloyd’s, and tested out on a smaller residential scale with Wimbledon House.
Restoration was spearheaded by Gumuchdjian Architects – founder Philip Gumuchdjian worked with the Richard Rogers Partnership for 18 years before setting up his own practice, and supported by Paddy Pugh of John McAslan + Partners, who previously worked at English Heritage. The approach to restoring the building focused on maintaining the character of the design, instead of the fabric – three quarters of the envelope had to be replaced due to asbestos.
After several renovations, the two steel and glass pavilions were returned to their 1990 status, which meant the removal of recently added buildings and a refurbishment of the interior. The courtyards and gardens were returned to their original open design with the collaboration of landscape architect Todd Longstaffe-Gowan. The pavilions and the outdoor spaces were conceived by Lord Rogers as the core modules of the design that would remain constant, a concept that has been returned to.
The modernist house will host six fellows a year on three-month-long residencies
Designed in the 1960s, the property was a response to the industrialisation of construction
After several renovations, the interiors were restored to its 1990s look, although the furniture has been updated
The house follows a modular format and was experimental for its age
The approach to restoring the building focused on maintaining the character of the design, instead of the fabric
The house has been adapted to suit the needs of the needs of the research residents
Landscape architect Todd Longstaffe-Gowan responds to the original concept of the house, allowing the interior and exterior to be integrated
INFORMATION
For more information, visit the Havard GSD website and the Gumuchdjian Architects website
-
Vestre’s neo-brutalist furniture will bring ‘a little madness’ to Paris Fashion WeekBound for Paris Men’s Fashion Week this month, Norwegian furniture brand Vestre reveals a sculptural bench and mirror created with designer Vincent Laine and fashion creative Willy Cartier – the latest outcome of its risk-taking ‘a little madness’ initiative
-
For its latest runway show, Zegna creates a serene oasis in DubaiThe Italian fashion house took over the Dubai Opera for a S/S 2026 show that proposed a lived-in elegance, drawing inspiration from Dubai’s sunbaked landscapes and Zegna’s birthplace of Trivero
-
Time-travel to the golden age of the cruise ship at Sea Containers LondonThe South Bank hotel celebrates its tenth anniversary with four new suites inspired by period cabin design, from Edwardian elegance to 1980s glamour
-
A night at Pierre Jeanneret’s house, Chandigarh’s best-kept secretPierre Jeanneret’s house in Chandigarh is a modernist monument, an important museum of architectural history, and a gem hidden in plain sight; architect, photographer and writer Nipun Prabhakar spent the night and reported back
-
Lina Bo Bardi, the misunderstood modernist, and her influential architectureA sense of mystery clings to Lina Bo Bardi, a modernist who defined 20th-century Brazilian architecture, making waves still felt in her field; here, we explore her work and lasting influence
-
Oscar Niemeyer: a guide to the Brazilian modernist, from big hits to lesser-known gemsArchitecture master Oscar Niemeyer defined 20th-century architecture and is synonymous with Brazilian modernism; our ultimate guide explores his work, from lesser-known schemes to his big hits; and we revisit a check-in with the man himself
-
Modernist Travel Guide: a handy companion to explore modernism across the globe‘Modernist Travel Guide’, a handy new pocket-sized book for travel lovers and modernist architecture fans, comes courtesy of Wallpaper* contributor Adam Štěch and his passion for modernism
-
Discover architect Ico Parisi’s modernist sanctuaries on the banks of Lake ComoA string of sculptural sanctuaries by architect Ico Parisi on the banks of Lake Como helped cement the area as the heartland of Italian modernism; we explore his work in an article from the Wallpaper* archives
-
Ukrainian Modernism: a timely but bittersweet survey of the country’s best modern buildingsNew book ‘Ukrainian Modernism’ captures the country's vanishing modernist architecture, besieged by bombs, big business and the desire for a break with the past
-
Croismare school, Jean Prouvé’s largest demountable structure, could be yoursJean Prouvé’s 1948 Croismare school, the largest demountable structure ever built by the self-taught architect, is up for sale
-
Jump on our tour of modernist architecture in Tashkent, UzbekistanThe legacy of modernist architecture in Uzbekistan and its capital, Tashkent, is explored through research, a new publication, and the country's upcoming pavilion at the Venice Architecture Biennale 2025; here, we take a tour of its riches
