Interactive Floorplan: View House, Argentina
- (opens in new tab)
- (opens in new tab)
- (opens in new tab)
- Sign up to our newsletter Newsletter

From the images, one might think that the View House is set adrift in its own sprawling private wilderness, a piece of sculptural beauty set far from civilisation.
In fact, the plot of land is part of a large development, the Kentucky Club de Campo, a golf-centric suburb on the outskirts of Rosario, Argentina. Here, generous building plots have been doled out to aspiring suburbanites, with the nearby links intended as bait.
The View House is different. For a start, it dispenses with any notion of conventional form. Instead, the total absence of pitched roofs and vernacular cues has resulted in a sculptural concrete form that appears to grow out of the flat landscape.
Designed by Mark Lee of Los Angeles-based Johnston Marklee Architects and Diego Arraigada of Diego Arraigada Arquitecto, based in Rosario, the finished result is a generous 300 square metre home.
The intention was to maximize the relationship with the terrain, and to achieve this the curved façade is punctuated by a series of generous windows, deeply recessed to provide solar shading and a place to sit. Carefully sited so as to create views that are unsullied by neighbouring houses, the scale of the windows is also deceptive, effectively shrinking the perception of the house's overall size.
Inside, the aesthetic shifts and the space literally opens up. Thanks to white plastered walls, elegantly formed to accommodate curving walls and ceilings, and multiple levels, the interior is a labyrinth of vistas, slopes and unexpected reveals, all the way up to a roof deck. It's also smooth, cool and calm, in stark contrast to the rough concrete texture of the exterior.
The architects arrived at the final form by interpreting local planning demands their own way, dismissing the conventions of front and back to create an object that is read in the round, a piece of simple geometry intersected by basic forms. Not only has the house created an enhanced environment for the owners, but arguably improved its neighbours's views. Few structures are so aptly named.
The total absence of pitched roofs and vernacular cues has resulted in a sculptural concrete form that appears to grow out of the flat landscape
The curved façade is punctuated by a series of generous windows
View House is a generous 300 square metre home
The scale of the windows is deceptive, effectively shrinking the perception of the house's overall size
The interior is smooth, cool and calm, in stark contrast to the rough concrete texture of the exterior
Inside, the house is a labyrinth of vistas, slopes and unexpected reveals
Inside the house's aesthetic shifts and the space opens up: here the kitchen opens onto a dining area
The windows are deeply recessed to provide solar shading
The white plastered walls are elegantly formed to accommodate curving walls and ceilings, and multiple levels
The upstairs living area
The view from the bedroom is unsullied by neighbouring houses
Ellie Stathaki is the Architecture Editor at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018) and Glenn Sestig Architecture Diary (2020).
-
S94 Design makes the most of its uptown location to blur the lines of art and design
S94 Design brings displays from Kwangho Lee, Donald Judd, Max Lamb and more to its Rafael Viñoly-designed location
By Julie Baumgardner • Published
-
Oasi Cashmere is taking Zegna back to its roots in the Italian Alps
Oasi Cashmere – an environmentally-conscious, all-embracing cashmere collection – is inspired by the Oasi Zegna nature park in the lush Biella Alps
By Jack Moss • Published
-
Lynda Benglis’ seductive hall of mirrors and juicy neon eggs in London
American artist Lynda Benglis subverts expectations with new bronze sculptures and otherworldly coloured eggs in a new solo show at Thomas Dane Gallery, London
By Harriet Lloyd-Smith • Published