victoria miro
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Looming large: Conrad Shawcross on his great summer of immersive installations
By Nick Compton • Last updated
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Human traces: Idris Khan explores the horrors of war in haunting new show
By Nick Compton • Last updated
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The jungle look: artist Alex Hartley conjures a dystopian modernist folly
By Elly Parsons • Last updated
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Doug Aitken’s epic art finds a new home in a transformed auto repair shop in California
Doug Aitken's surreal signage and sun-blasted landscapes form a portfolio of new work, exclusively published in our November 2019 issue (W*248) – on newsstands now
By Hunter Drohojowska-Philp • Last updated
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Frieze Art Fair London 2014: the Wallpaper* edit
By Nick Compton • Last updated
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Science and art prove a potent combination in the hands of Conrad Shawcross
By Tom Seymour • Last updated
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Singling out the solo booths to see at Frieze Los Angeles
Over 70 galleries will descend on Paramount Pictures Studio for the second edition of the West Coast art fair (14-16 February), anchored by an ambitious programme of special projects, film screenings, talks, and institutional collaborations
By Jessica Klingelfuss • Last updated
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Do Ho Suh creates the after-glow of time and place with fabric rooms and ritual rubbings
By Nick Compton • Last updated
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John Kørner tackles the British sports of cycling, running and drinking
By Elly Parsons • Last updated
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Stan Douglas’ riff on alternative realities has us seeing double
Coinciding with the announcement that the Vancouver artist will represent Canada in the 2021 Venice Biennale, his galleries in New York and London are staging a dual survey of his ambitious video installation Doppelgänger
By Jessica Klingelfuss • Last updated
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Artist Isaac Julien celebrates Brazilian architect Lina Bo Bardi on film
By Nick Compton • Last updated
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Playtime: Isaac Julien's new London shows delve into the financial world's underbelly
By Nick Compton • Last updated
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Fallen fruit: Victoria Miro presents John Kørner’s ‘Apple Bombs’
By Elly Parsons • Last updated
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Looming larger than ever: ’Düsseldorf Photography’ at Ben Brown Fine Arts
By Nick Compton • Last updated
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Sarah Sze takes over London’s Victoria Miro galleries with a two-pronged show about time and space
By Nick Compton • Last updated
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American artist Sarah Sze pulls apart her creative process
By Nick Compton • Last updated
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Idris Khan’s ’Beyond the Black’ at Victoria Miro
By Ellen Himelfarb • Last updated
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Imitation of art?: Elmgreen & Dragset at Victoria Miro
The artists Michael Elmgreen and Ingar Dragset are best known for grand-scale immersive installations tackling big issues. In End Station they built a fake New York subway station, an entire social housing block for Celebrity – The One and Many, the homes of an art collector and an architect in serious decline, and perhaps most famously, a fake Prada store in the Texas desert. The sublime is not their concern. Neither, on the whole, do they do minimal or personal. ‘Self-Portraits’, the duo’s new show at Victoria Miro’s Mayfair branch, is both. And it’s ever so simple.
By Nick Compton • Last updated
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Engineer, philosopher, roboticist: inside the fine-tuned mind of Conrad Shawcross
By Elly Parsons • Last updated
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Eye spy: Stan Douglas goes undercover at London’s Victoria Miro
By Nick Compton • Last updated
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Do Ho Suh’s spatial explorations launch at Victoria Miro in Venice
By Corinna Dean • Last updated
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