Venice Biennale
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Duality shapes Delvendahl Martin Architects’ exhibition design in Venice
By Holly Black Last updated
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Venice Biennale looks back on 125 years of exhibitions
Formafantasma designs ‘The Disquieted Muses, When La Biennale di Venezia Meets History’, a show that displays works from all six artistic disciplines, looking back to 125 years of Biennale exhibitions and events
By Rosa Bertoli Last updated
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Sean Scully delivers sermon of stripes at Venetian church
The Irish-born painter and printmaker will transform every corner of the 16th-century San Giorgio Maggiore church with new paintings, sculptures and drawings during the Venice Biennale
By Emma O'Kelly Last updated
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Brigitte Niedermair puts fashion in focus at Venice retrospective
By Tom Seymour Last updated
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Land artist Zahrah Al Ghamdi’s tactile encounters in Venice
Saudi Arabia returns to the Venice Biennale after an eight-year hiatus with an installation by the Jeddah-based artist
By Emma O'Kelly Last updated
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Animal instinct: Robert Wilson taps into his wild side in Venice
By Julie Baumgardner Last updated
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Stan Douglas in Venice: a hypnotic chronicle of youth, revolt and liberation
Stan Douglas’ captivating two-part exhibition for the Canada Pavilion in Venice is a haunting and meticulous reconstruction of historical events
By Harriet Lloyd-Smith Last updated
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Jes Fan: the artist probing the intersections of biology, identity and creativity
Multidisciplinary artist Jes Fan uses fungi, bacteria and hormones to produce thought-provoking sculptures that explore how art and biology come together to break down social constructs. This article originally appeared in the August 2022 Issue of Wallpaper*, on newsstands now and available to subscribers
By Drew Zeiba Last updated
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Fondazione In Between Art Film: a cinematic celebration of time-based media in Venice
Beatrice Bulgari’s new foundation, championing time-based media, takes over a disused hospital with a surreal group exhibition during the Venice Biennale 2022
By Amah-Rose Abrams Last updated
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Stanley Whitney’s Italian paintings reveal an art practice in transition
American abstract painter Stanley Whitney’s works from the 1990s to mid-2000s, made in Italy and now on display as a collateral event of the Venice Biennale 2022, show an evolution of form and colour
By Amah-Rose Abrams Last updated
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David Adjaye designs first national pavilion for Ghana at the Venice Biennale
By Harriet Thorpe Last updated
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Ai Weiwei unveils first-ever exhibition of glass sculptures in Venice
On the island of San Giorgio Maggiore, Venice, Ai Weiwei unveils his first show of glass works, including one of the largest Murano glass sculptures ever
By Harriet Lloyd-Smith Last updated
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Ron Arad’s Last Train arrives in Venice
By Caragh McKay Last updated
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Picture this: Carsten Höller’s slide house project dreams up architecture
By Ossian Ward Last updated
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Who should represent the US at the Venice Biennale?
By Vasili Kaliman Last updated
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Still life: Michael Anastassiades’ meditative exhibition design for the Cyprus pavilion
By Rosa Bertoli Last updated
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Sculptor Sarah Sze makes a sharp turn to glass at Berengo Studio in Murano
By Nick Compton Last updated
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A new Venice arts centre is bringing the plight of our oceans to the fore
A multimedia installation by artist Joan Jonas inaugurates Ocean Space, a collaborative platform for change opened in the newly revitalised San Lorenzo church
By Jessica Klingelfuss Last updated
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Venice Art Biennale 2013
By JJ Martin Last updated
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Art of noise: Xavier Veilhan’s live sound experiment hits all the high notes in Venice
By Elly Parsons Last updated
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Spiritual as ever, Axel Vervoordt reflects on his final exhibition at Palazzo Fortuny
By Benoit Loiseau Last updated
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Omani artists ponder past, future, environment and identity at first Venice pavilion
The Sultanate of Oman’s first national pavilion at the Venice Biennale, ‘Destined Imaginaries’, offers a snapshot of the country’s vibrant creative landscape and bold cultural ambitions
By TF Chan Last updated
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A Practice for Everyday Life gives 59th Venice Biennale a richly surreal graphic identity
London-based graphic design studio A Practice for Everyday Life (APFEL) gives an otherworldly identity to the surrealism-infused 59th Venice Biennale theme ‘The Milk of Dreams’
By Jonathan Bell Published
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Swatch and Joe Tilson fly the flag for Venice
By Hannah Silver Published
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Catherine Opie and Cindy Sherman make a cameo appearance in Venice
By Georgia Dehn Published
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Technicolor timepiece: Ian Davenport’s Swatch is making us tick
By Laura Hawkins Published