Kapwani Kiwanga considers value and commerce for the Canada Pavilion at the Venice Biennale 2024
Kapwani Kiwanga draws on her experiences in materiality for the Canada Pavilion at the 60th Venice Biennale
Paris-based, Canadian artist Kapwani Kiwanga draws on her anthropological training for pieces that criss-cross a multitude of mediums at the Venice Biennale 2024. From performance and embroidery to sculpture and installation, her work considers the political implications of material, from the impact of the agricultural revolution to the consequences of alien species crossing continents.
‘I think the starting point is just being curious,’ says Kiwanga on what unites her diverse body of work. ‘I happen to have had the privilege of being in institutions where they teach you different skills, how to understand and interact with the archive in different discourses. But then, at the same time, I wouldn’t want [my work] to be so exclusive that you would need to have that background to be able to access it. And so very early on, when I was studying, I knew that academia was probably not going to be the place where I would end up putting all of my energy, because I did want to have that broad reach.’
Kapwani Kiwanga Transfer I (Metal, breath, palm oil, beads),2024. Installation view,K apwani Kiwanga: Trinket,2024,Canada Pavilion, 60th International ArtExhibition–La Biennale di Venezia.Commissioned by the National Gallery ofCanada and supported by the Canada Council for the Arts
Kiwanga has drawn on this multitude of references for her sculpture installation for the Canadian Pavilion, which was commissioned by the National Gallery of Canada. The work considers questions of inherent value through the lens of the history of commerce, an issue she has considered in the past, observing first-hand how fracking transformed sand from a valueless raw material to a highly prized commodity.
‘There’s always this question of value in a more philosophical sense,’ she says, ‘Which is really the crux of the question. When one thinks about how a plant or an elephant can have an economic value in one context, but has a much more integrated, social, cultural, spiritual role in another context, then those questions of regimes of value are of interest.’
A version of this article appears in the May 2024 issue of Wallpaper*, available in print from 11 April, on the Wallpaper* app on Apple iOS, and to subscribers of Apple News +. Subscribe to Wallpaper* today.
goodman-gallery.com/artists/kapwani-kiwanga
The Venice Art Biennale 2024 will be open to the public from 20 April to 24 November
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Installation view of the exhibition Kapwani Kiwanga: Trinket,2024,Canada Pavilion, 60th International Art Exhibition–La Biennale di Venezia.Commissioned by the NationalGallery of Canada and supported by the Canada Council for the Arts
Hannah Silver is the Art, Culture, Watches & Jewellery Editor of Wallpaper*. Since joining in 2019, she has overseen offbeat art trends and conducted in-depth profiles, as well as writing and commissioning extensively across the worlds of culture and luxury. She enjoys travelling, visiting artists' studios and viewing exhibitions around the world, and has interviewed artists and designers including Maggi Hambling, William Kentridge, Jonathan Anderson, Chantal Joffe, Lubaina Himid, Tilda Swinton and Mickalene Thomas.
-
La Monique brings the French Riviera to Santa MonicaA transportive room of velvet, candlelight, and Riviera chic, serving French favourites with a modern wink
-
Kat Milne is the designer behind fashion’s most intriguing retail spacesInfused with elements of the surreal, Kat Milne has designed stores for the likes of Marc Jacobs, Sandy Liang and A24. ‘People are looking for a more tactile experience,’ she tells Wallpaper*
-
A refreshed 1950s apartment in East London allows for moments of discoveryWith this 1950s apartment redesign, London-based architects Studio Naama wanted to create a residence which reflects the fun and individual nature of the clients
-
Venice Film Festival brings auteurs, daring debuts and unforgettable storiesVenice Film Festival is in full swing – here are the films shaping up to be the year's must-sees
-
‘Water is coming for the city, how do we live with that?’ asks TBA21 in VeniceArt advocacy and activism platform TBA21's Venetian project, Ocean Space, addresses the climate issues the city is facing
-
Luc Tuymans debuts his largest ever paintings at Venice’s majestic San Giorgio Maggiore BasilicaLuc Tuymans is the latest artist to be commissioned by San Giorgio to present work inside its famous space
-
Remembering Koyo Kouoh, the Cameroonian curator due to lead the 2026 Venice BiennaleKouoh, who died this week aged 57, was passionate about the furtherance of African art and artists, and also contributed to international shows, being named the first African woman to curate the Venice Biennale
-
Out of office: what the Wallpaper* editors have been up to this weekMuch of the Wallpaper* team found itself congregating in Venice this week, whether that be for the annual architecture biennale or to check out a new creative platform. Work and play took the rest of us to Miami, Malta and… Dalston
-
Saskia Colwell’s playful drawings resemble marble sculpturesSaskia Colwell draws on classical and modern references for ‘Skin on Skin’, her solo exhibition at Victoria Miro, Venice
-
Don't miss Luxembourg's retro-futuristic lab pavilion in VeniceAs the Venice Biennale enters its last few weeks, catch 'A Comparative Dialogue Act' at the Luxembourg Pavilion
-
Beyond tourism: Caribbean artists reflect on its legacy'Fragments of Epic Memory' at the Columbus Museum of Art looks beyond the Caribbean's stereotypes