Out of office: what the Wallpaper* editors have been up to this week
Much of the Wallpaper* team found itself congregating in Venice this week, whether that be for the annual architecture biennale or to check out a new creative platform. Work and play took the rest of us to Miami, Malta and… Dalston

The Biennale begins
Ellie Stathaki, Architecture and Environment Director
The Venice Architecture Biennale is one of the most highly-anticipated events in the global calendar in the field, and a true celebration party of architecture. Being here for the inauguration is the biggest treat. I will spend the next three days on the ground exploring and speaking to people and taking the pulse of where it’s all at. Taking in the sheer volume of the exhibitions is a mammoth task but I wouldn’t have it any other way.
A footwear foray
Tianna Williams, Staff Writer
I took a speedy trip to Venice for the latest iteration of ‘Haus’, the creative platform of footwear brand Golden Goose. Italian-Canadian director Marco Brambilla presented an otherworldly installation that explores memory, fantasy and desire, and the grand reveal, titled ‘Heaven’s Gate’, was a five minute video collage. Accompanied by booming audio, it’s hard not to physically feel the artwork as it echoes around the hangar space. You can read the full review here.
A surprise at the F1
Anna Solomon, Digital Staff Writer
Last weekend (2-4 May) was F1 weekend in Miami, and my first Grand Prix. I was part of a group brought along to see Lego’s impressive display of ten fully-drivable cars, each made of 400,000 bricks, which the drivers took for a spin during the pre-race lap. I then watched McClaren’s Oscar Piastri storm to victory (in a real F1 car), which was quite the experience. As the vehicles streak past at 233 mph, they appear as little more than blurs of colour, and you suddenly understand why the drivers have to have freakishly strong neck muscles to deal with the G-force unleashed upon them.
A powerful performance
Gabriel Annouka, Senior Designer
This week I was back at my beloved Rio Cinema for the preview of Goodnight Ladies, the new film by Alex Matraxia starring the incomparable David Hoyle. Still one of the most vital figures in queer performance and political rage, Hoyle joined the filmmaker for a post-screening Q&A, every line delivered with brutal, humorous clarity. When asked what advice he had for young artists, he simply said: ‘Remember, we live in a fascist dystopian era’. Honestly, what else is there to say?
A sunny sojourn
Charlotte Gunn, Director of Digital Content
The long weekend was spent in Malta for some much-needed sunshine. It was my first time visiting, so I checked off a lot of the hits. Highlights included strolling through the ‘silent city’ of Mdina's narrow streets, taking a gondola ride to see the Three Cities, and a lazy seafood lunch in the fishing village of Marsaxlokk.
More Biennale madness
Jonathan Bell, Transport and Technology Editor
I'm back at the familiar and frequently overwhelming world of the 19th International Architecture Exhibition of La Biennale di Venezia. Always a pleasure, even if the sensory assault can be a bit much at times. This is the elegant Chiostro di San Antonio, part of the Archivio di Stato di Venezia, and location of the British Council's hot ticket of a party (before the guests arrived). Sponsored by The Dalmore Scotch Whisky (who also supplied the cocktails), there was also a vivid performance from poet and musician Joshua Idehen.
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Anna Solomon is Wallpaper*’s Digital Staff Writer, working across all of Wallpaper.com’s core pillars, with special interests in interiors and fashion. Before joining the team in 2025, she was Senior Editor at Luxury London Magazine and Luxurylondon.co.uk, where she wrote about all things lifestyle and interviewed tastemakers such as Jimmy Choo, Michael Kors, Priya Ahluwalia, Zandra Rhodes and Ellen von Unwerth.
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From 3D printed mud homes to portable kitchens, in Venice, we explore new ways to co-exist with our planet
At Palazzo Diedo a new exhibition by MIT Architecture and Antikythera questions how construction is currently understood in order to ‘rebuild’ our world, for 19th Venice Architecture Biennale
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Jony Ive’s LoveFrom creates a new look for San Francisco’s much-loved architectural bookshop
LoveFrom has unveiled a new graphic identity and typeface for William Stout Architectural Books, a mainstay of the city’s architecture and design community for over 50 years
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Uniqlo’s colourful ‘gift shop’ at Tate Modern marks 25 years of the London institution
A Uniqlo store in miniature, ‘Uniqlo Tate Shop, Art For All’ opens at Tate Modern to coincide with a weekend of celebration, featuring a playful take on museum ‘merch’ alongside a colourful array of Uniqlo staples
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Don't miss Luxembourg's retro-futuristic lab pavilion in Venice
As the Venice Biennale enters its last few weeks, catch 'A Comparative Dialogue Act' at the Luxembourg Pavilion
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‘Everything human-made is of interest to me’: Hildigunnur Birgisdóttir in Venice
Artist Hildigunnur Birgisdóttir explores consumerism at the Icelandic Pavilion at the Venice Biennale 2024
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Enter the immersive world of film noir at a disused hospital in Venice
Fondazione In Between Art Film returns to Venice with ‘Nebula’, by curators Alessandro Rabottini and Leonardo Bigazzi
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Alternate worlds and end of days: Pierre Huyghe in Venice
Pierre Huyghe delves into dystopia with 'Liminal', at Palazzo Grassi’s Punta della Dogana in Venice
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Josèfa Ntjam on her surreal utopias in Venice
Artist Josèfa Ntjam and LAS Art Foundation bring other worlds to life with ‘swell of spæc(i)es’ at Accademia di Belle Arti di Venezia during the Venice Biennale 2024
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Les Lalanne’s surreal world takes over Venice
‘Planète Lalanne’, presented by Ben Brown Fine Arts, takes over Palazzo Rota Ivancich, with a cast of blue hippos, woolly sheep and giant grasshoppers
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Aindrea Emelife on bringing the Nigerian Pavilion to life at the Venice Biennale 2024
Curator Aindrea Emelife has spearheaded a new wave of contemporary artists at the Venice Biennale’s second-ever Nigerian Pavilion. Here, she talks about what the world needs to learn about African art
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Berlinde De Bruyckere’s angels without faces touch down in Venice church
Belgian artist Berlinde De Bruyckere’s recent archangel sculptures occupy the 16th-century white marble Abbazia di San Giorgio Maggiore for the Venice Biennale 2024