Artcurial offers cultural case studies on French and Italian design
A duo of sales taking place today at auction house Artcurial present fresh perspectives on French and Italian icons

When Artcurial was born in 2002, the world wasn’t lacking auction houses, yet there existed ‘an opportunity to rock the boat and push the boundaries,' says Fabien Naudan, Artcurial’s co-founder and vice president. Part of the Dassault Group with its origins in the aircraft industry, Artcurial compares to its heavyweight competitors like ‘a customised private jet that can land anywhere to an aircraft that carries 300 passengers across the Atlantic.’ It may not be the place to put out the world’s most expensive painting, but it’s certainly a go-to address if you want your piece to be associated with a fascinating story and a unique experience.
Artcurial’s DNA is a constant search for new, cross-over concepts and dialogues — while never exploiting a successful idea until it’s squeezed dry. As a result, an Artcurial sale becomes a cultural case study, like last year’s C.R.E.A.M, an overview of the three decades of urban culture in the U.S. As a side effect, the world of design opens up to new audiences; one good example is the 2006 ‘Black’ sale that showcased black items in an all-black interior and where a customer who claimed to ‘hate design' has purchased some armchairs by design icon Joe Colombo.
The principle of offering new perspectives on familiar things applies to both one-off and annual sales like those focused on French, Scandinavian and Italian design. The sale on 19 November, putting out a selection of French and Italian items, is no exception.
Studio BBPR – the architects behind Milan’s emblematic Velasca Tower – are among Artcurial’s Italian headliners. Auctioned tomorrow will be two ceiling lights from BBPR’s only project in India. A true forerunner of the postmodernist approach, the fixture is based on their 1962 piece produced by Italian company Arteluce and assembled from various-sized versions of a lamp designed by the company’s founder Gino Sarfatti.
Above, Ceiling lamp mod. 2045b, Edition Arteluce, provenance from New India Center, Mumbai, by BBPR Studio, 1962. Below, armchair by Augusto Romano, 1945
Another unique piece is a chandelier that was designed by Jean Royère for the Iran House at the Cité internationale universitaire in Paris. One of the boldest structural designs of the 1960s, the Iran House was spearheaded by the Shah of Iran and intended as student accommodation for his country’s future elite. André Bloc and Claude Parent were in charge of the architectural project, while Jean Royère — who had previously received private commissions from the Shah and his spouse — has outfitted the director's apartment on the top floor, where this chandelier occupied the central position.
Charlotte Perriand’s sideboard ‘En forme’ reminds of the designer’s connection with Japan. Invited to advice on developing the country’s industrial design, Perriand discovered the Japanese philosophy of life that has resonated with her own creative stance and profoundly influenced her subsequent work.
Above, Sideboard ‘en forme’ or ‘Japon’ by Charlotte Perriand, 1963. Below, ‘Humblies’ lights on a copper table by Ingo Maurer
There is also an interesting take on the furniture with enhanced functionality, like Jean Prouvé’s triplet of tip-up seats or a bed based on his original design for a university residence and incorporating a bedside table and a bookshelf. The armchairs by Augusto Romano have armrests that morph into mini-shelves to tuck away a 1940s ashtray, a book, or a 2019 iPhone. A display case by Carlo Scarpa offers a glimpse of the architect’s game-changing contribution to the design of museum exhibitions.
Works by Ingo Maurer stand out in the impressive selection of lighting pieces. An installation in which luminous objects made from sheets of copper and gold-leafed paper populate a large copper-clad table pays homage to the late master’s lifelong exploration of reflections and shadows.
Unique suspension à vingt lumières dite by Jean Royere, 1969
‘Limons’ green lacquered steel, solid oak wood and grey leather mod. 456 ‘Cité’ bed with bedside by by Jean Prouvé, 1951
INFORMATION
‘Design Italien’ and ‘Design’ auctions will be held on 19 November. artcurial.com
-
Last chance to see: Sharjah Biennial 15, ‘Thinking Historically in the Present’
Built on the vision of late curator Okwui Enwezor, the Sharjah Biennial 15: ‘Thinking Historically in the Present’ offers a critical reframing of postcolonial narratives through major new commissions
By Amah-Rose Abrams • Published
-
For London Gallery Weekend 2023, the mood is hardcore
With London Gallery Weekend 2023 almost upon us (2 – 4 June), here’s our list of must-see art exhibitions
By Harriet Lloyd-Smith • Published
-
Birkenstock celebrates its most memorable styles with colourful capsule (and matching socks)
Birkenstock marks the 40th, 50th and 60th anniversaries of the Gizeh, Arizona and Madrid sandals, respectively, with limited-edition versions
By Jack Moss • Published
-
Sotheby’s to auction Marie-Antoinette’s armchairs, amid other regal lots, in aid of French château
Sotheby’s Paris will auction works from the collection of interior designer Jacques Garcia in aid of Château du Champ de Bataille
By Martha Elliott • Last updated
-
Cassina Pro unveils new vision for office interiors at Orgatec
Orgatec 2022: Cassina takes part to the trade fair for office design and furniture deciphering the future of the workplace
By Martha Elliott • Last updated
-
Zaha Hadid Design’s dog kennel joins a pack of pooch pads in London
By Elly Parsons • Last updated
-
High lights: Sotheby’s holds post-war and contemporary sale
By TF Chan • Last updated
-
Smoke up with Bjarke Ingels and take a dip with Charles Renfro as one-off experiences go under the hammer
By Jessica Klingelfuss • Last updated