The cabin perfectly captures the zeitgeist at the tail-end of 2020; aspirational yet modest, it is the ideal place to practice self-isolation in the heart of nature. Seattle-based architects Olson Kundig have made the contemporary cabin one of their specialties and the firm seemingly has no shortage of clients keen to make an architectural impact on the stunning landscapes of the Pacific North-West. The studio recently released four new completed projects within this genre, both in their home state of Washington and elsewhere, giving us all an excuse to contemplate a very different pace of life.

Vermont Cabin, Vermont 

Photography: Aaron Leitz

The archetypal object in the landscape, this 750 sq ft cabin is functionally elegant, set amongst pines and maples on a hillside site in rural Vermont. Using Olson Kundig’s signature palette of steel, wood and concrete, the cabin is set across three levels. Despite its small footprint, the plan incorporates three bedrooms, with the main living space up amongst the trees. Here there are large expanses of glass providing views to the distant Green Mountains that give the state its name, all set beneath an exposed wooden ceiling. The steel panels on the exterior are designed to weather naturally and there’s copious amounts of poured and cast concrete inside and out to give the cabin a hard-wearing, utilitarian appearance.

City Cabin, Seattle, Washington

Photography: Aaron Leitz

An urban retreat in the heart of Seattle, this generous private house takes the ethos and aesthetic of the rural cabin and transplants it into an urban setting. Ultra-sustainable, with photovoltaic panels and an air-to-water heat pump, the City Cabin is set amongst a carefully planted garden that maximise privacy and the sense of being amongst nature. Big windows bring the garden into the living spaces, while the extensive use of timber cladding inside creates a warm, natural environment. The floorplan is arranged around a central living space with towering 16-foot ceilings. Exterior walls are clad in reclaimed fir siding, and a green roof completes the low-impact design strategy.

Agate Pass Cabin, Washington

Photography: Kevin Scott/Olson Kundig

Located on Washington’s Olympic Peninsula, the Agate Pass Cabin Washington was designed and built by Alan Maskin, principal and owner of Olson Kundig. Incorporating an existing 1930s cabin, the project is a patchwork of restoration and innovation, designed to accommodate Maskin’s art and furniture collection. The 1930s structure was expanded and enhanced, with all surplus original wood recycled into new cabinetry and ceilings. The demarcation between old and new is laid bare, with a second storey added, ceilings raised and a roof-terrace added. A new staircase with striking orange Plexiglass risers leads to the new rooms. Maskin not only designed the built-in furniture, but also the surrounding gardens, creating a truly bespoke place in which to live and work.

False Bay Writers Cabin, Washington 

Photography: Tim Bies / Olson Kundig

Set amongst the rich eco-system of San Juan Island in the straits to the north-west of Seattle, this modest 500 sq ft cabin is designed to be closed up and minimal when not in use, with three vast wooden slat decks that can be raised up to shutter off the glass walls. Using Olson Kundig’s trademark love of traditional mechanical systems, the shutters are operated via winches, pivots and lead weights. The cabin serves as a private writer’s retreat and guest cottage. Arranged as one single room with pared back finishes, a timber ceiling and a central stove, there’s also a small bathroom and kitchenette and external kayak store. The fold-away Murphy bed turns the reflective writing space into a guest cottage to the main house.

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