Making an entrance: Milan’s sumptuous modernist hallways

Entryways Of Milan
Hallways designed by Vincenzo d'Alo (left), 1935, with a pendant lamp by Luigi Caccia Dominioni; and Umberto Riva (right), 1965.
(Image credit: Paola Pansini, Delfino Sisto Legnani)

Editor and art director Karl Kolbitz first became fascinated with Milan’s everyday architecture as a teenager, when he would regularly visit the city and explore its perimeters by foot. He was in awe of the Milanese magnificence, but later realised that little attention had been paid to its outstanding array of modernist entryways. So he decided to put together a book about them, now published by Taschen, titled Entryways of Milan.

If you were in Milan last week, chances are you will have missed some of the city’s finest designs: over 384 pages, Kolbitz picks out some of the quintessential corridors of the Modern era, revealing a side of the city that is usually concealed from view, unless you happen to live in one of the residential buildings that contain ‘the city’s most hidden treasures’. Among the sumptuous ingressi are Renaissance-inspired tile designs by Gio Ponti, textured glass panels by Trieste-based Fontana Arte, or Milanese studio BBPR’s dramatic rearrangements of the elements of the conventional entrance hall.

Gabrio Serbelloni 10, Palazzo Sola-Busca

Via Gabrio Serbelloni 10, Palazzo Sola-Busca, 1924–30

(Image credit: Aldo Andreani)

Rare and local materials are identified by stone experts Angela Ehling and Grazia Signori, such as Carrarra marble, Botticino and Benedetto limestone, or Tivoli travertine, all contributing to the elegance and history of these entrances, part of a post-war period of technological advances in stone cutting, metalwork and ceramics combined with aesthetic innovation.

‘This book wishes to represent for its readers the way in which the ingressi stand as a piece of punctuation to the architectural and design accomplishments of the city’s modern history,’ writes Kolbitz, of his motivation to capture the city as it appears behind closed doors. It is, too, a reflection on the Milanese approach to design, placing prominence on the interior, and the feeling you get when you arrive home. As the book reveals, hallways are perhaps the unknown hallmark of Milanese design.

Entryways Of Milan

(Image credit: Delfino Sisto Legnani)

Left, published by Taschen, Entryways of Milan celebrates the city's finest entrances and lobbies. Right, Gio Ponti, Antonio Fornaroli and Alberto Rosselli designed this entrance, featuring a striking floor made from various Carrara marbles and limestone, 1952–56.

Entryways Of Milan

Casa Melandri by Gio Ponti and Alberto Rosselli.

(Image credit: Delfino Sisto Legnani)

Entryways Of Milan

Palazzo Civita by Gigiotti Zanini, 1927-33

(Image credit: Paola Pansini)

Entryways Of Milan

entrance by Giuseppe Roberto Martinenghi, 1937. Right, lobby by unknown architect, featuring chandelier and sconces by Aureliano Toso.

(Image credit: Paola Pansini,Matthew Billings)

Entryways Of Milan

Lobby by Achille Luigi Ferraresi, 1952-37

(Image credit: Paola Pansini)

Entryways Of Milan

This entrance by Achille Luigi Ferraresi, 1952-57, features a sconce by Venini, ceramic door handles by Venice-based Ceramica San Paolo, and Botticino and Verona Rossa limestones

(Image credit: Paola Pansini)

Entryways Of Milan

Viale Regina Giovanna 35 by Mario Rodolfi, 1937–39

(Image credit: press)

INFORMATION

Entryways of Milan – Ingressi di Milano, published by Taschen, £49.99

Charlotte Jansen is a journalist and the author of two books on photography, Girl on Girl (2017) and Photography Now (2021). She is commissioning editor at Elephant magazine and has written on contemporary art and culture for The Guardian, the Financial Times, ELLE, the British Journal of Photography, Frieze and Artsy. Jansen is also presenter of Dior Talks podcast series, The Female Gaze.