Every year, London’s design pilgrims flock to Clerkenwell for the area's annual Design Week. Set over three days, this year marks the seventh edition of the ever-growing event, that took on a broader area of the East-Central London location, hosting talks, new releases, installations and workshops.
Big changes were brought to the usual festival format this year due to the Farmiloe building no longer hosting the central contemporary design hub that is Design Fields. The move sent it to a pop-up location, set on the green Spa Fields; and while some may argue that isn't Clerkenwell proper, we appreciated the green repose in the sunshine, witnessing designs arriving fresh from Salone del Mobile by the likes of Petite Friture, Dedon and H Furniture, as well as noteworthy new releases from +Halle and Another Brand.
Icon's House of Culture returned for a second year, and though hopes were high for the re-location to nightclub Fabric, it didn't have the show stopping quality of the Old Sessions house from last year. The range of brands on view, however, made it worth the trip, with Expormim, & Tradition and Stellar Works displaying their eloquent new pieces.
Tom Dixon put on a ceremonial show of his Milan releases. Settling inside the Grade I listed St James Church, just off Clerkenwell Green, the 17th century space was a grand backdrop for the glistening wares. Taking centre stage in the nave was an enchanting chandelier made out of the brand's 'Curve Pendants', set to stay as a permanent design fixture.
A wealth of new spaces showed for the first time, including newcomer BD Barcelona, who opened its inaugural London space to coincide with the release of a Salvador Dalí-inspired chair. Meanwhile, design emporium Clerkenwell London played host to 'Go' – a new 3D printed wheelchair by Benjamin Hubert, alongside a crafted exhibition titled ‘Design Undefined’ that included a plethora of experimental works such as geometric cakes by Kia Utzon-Frank, a materials installation by Matter and handmade oak pieces by Tree Couture in the forest escape basement space.
As always, site-specific installations took up the outdoor spaces. A transfixing tiled installation, 'Billboards' by Giles Miller and British Ceramics Tile, guided guests along the exhibition route, and a flowing plywood pavilion by GCSE students titled 'Future of Design' in the garden of St John's Square marked the show's first educational project.
Featured within the glass showroom were KUFCakes, ornamental cake sculptures by all round-creative Kia Utzon-Frank.
Stockholm-based brand Massproductions presented the latest colourways of their 'Tio' chairs and the 'Endless' bookshelf in a deep-and-dark set up at Design Fields
BD Barcelona has found a first London home off Berry Street, and the opening coincides with the release of a new chair by founder Oscar Tusquets Blanca, inspired by Salvador Dalí's painting Singularities
Italian design stalwarts Knoll threw open the doors on their opulent Salone del Mobile releases
Dedon offered up their newest releases in a jungle-themed outdoor set at Design Fields
Putting on a playful show at Design Fields was Swedish practice +Halle who celebrated the new pink colourways of their various chair frames
Another Brand released an array of new products at Design Fields, including this 'Orlo' petrol blue stained wooden mirror
Spotted around the streets were imaginative tile installations by Giles Miller Studio. Made using British Ceramic Tiles, and titled 'Billboards', they produced subtle transfixing waves with identical small-square tiles.
The abstract pieces were realised in different hues and dotted around Clerkenwell to direct people along the correct exhibition route.
Following the opening of their Clerkenwell showroom last year, Danish design stalwarts Carl Hansen and Søn reimagined the space following their Milan releases. The showroom also featured weaving sessions by their skilled craftsmen
Alongside a flurry of Salone releases, Moroso celebrated the official release of the geometric 'Gemma' sofa range by Daniel Libeskind.
Located under St John's Gate is a high temple of Hakwood timber, realised by FleaFollyArchitects. The colossal piece is made entirely of stacked layers of wood to form an abstract pyramid structure
On view at Additions were these fruit bowls in Carrara, Nero Marquinia and grey Nuvolato Apuano by London based studio Hayden Martis, available from Staffan Tollgard
Sto Werkstatt collaborated with Sam Jacob Studio on a showroom installation exploring the possibilities of digital fabrication using a garden shed. Titled 'One Thing After Another', the structure mimics a Russian doll with a large shed covering a wooden, ebay-bought smaller one inside.
Craft Central celebrated works by Forest + Found, offering up on-site woodworking, natural dying and quilting
Carpet brand ege released a new collection by Tom Dixon titled 'Industrial Landscape'. The patterned range features brickwork, railway lines, tunnels, workshops and warehouses in an intense dark palette
Tom Dixon chose a 17th century church to display his Milan launches, dotting them around the enchanting space
Taking centre stage in the nave, the studio created a mammoth chandelier out of its 'Curve Pendants', that is set to stay as a permanent design fixture.
GCSE students designed and built the 'Future of Design' pavilion, marking the show's first educational project. Located in the garden of St John's Square, the curve of plywood meanders round the greenery and acts as seating
Showing at 'Platform', located within the House of Detention, was Yenchenyawen design studio's 'Landscape of Oxidation', exploring the different results of copper patination and iron oxidation of jesmonite, inspired by the Japanese pottery restoration technique of 'kintsugi
Seating designers HÅG have teamed up with design studio Hassell to realise 'Sensorium', an immersive urban pleasure garden that works as an interactive take on how we experience the outdoors, within the confines of the HÅG showroom
Inside, the blackout space contained myriad peepholes into a natural world
Located on St John's Square, 'The Museum of Making' pavilion has been imagined by Swedish practice White Arkitekter and brings vibrancy to the streets with a deconstructed barn-like structure.
Over at Icon's House of Culture, Bert Frank released new lighting fixtures in classic copper finishes
Danish brand & Tradition's show was set against the rough brick walls of House of Culture's raw Fabric nightclub environs
Clerkenwell London also played host to the launch of 'Go' – a new 3D printed wheelchair by Benjamin Hubert's design agency Layer
INFORMATION
For more information, visit the Clerkenwell Design Week website
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