I do! Say yes to engagement rings with an edge
As the sales of engagement rings sky-rocket post-lockdown, enjoy our off-kilter curation of design-led options
Lockdown, as we have learnt this year, is the ultimate test of endurance for every area in our lives: most notably, in our relationships. Many, it seems, have emerged victorious, with jewellers reporting a spike in engagement ring purchases for those who have enjoyed confinement together in close quarters. ‘We have seen an increase in sales within fine rings during lockdown and interestingly across all different price points,’ says Tanika Wisdom, jewellery buyer at Matches Fashion. ‘We have seen more traction with statement styles; they all have a point of difference and stones range from diamonds to precious multi-coloured stones.’ For a ring with a difference, traditional elements such as gold and diamonds can be transformed with subtle design tweaks, making this most romantic of rings both special and surprising.
Maison Dauphin at Dover Street Market
Charlotte Dauphin de la Rochefoucauld’s eponymous jewellery brand is synonymous with sculptural design. Her jewels frequently offer unexpected qualities: in this rose gold ring the off-centre placing of the diamond, when paired with the clean break of the traditional circle, presents a chic and modern engagement ring alternative.
Engagement rings don’t come much cooler than Melissa Kaye’s neon enamel collection, which intersperse traditional elements with fluorescent pops of colour. Enamel in black or white – or the more contemporary neon pink or yellow – gets a chic rethink when paired with more conventional yellow gold and diamonds.
Shahla Karimi’s designs, handcrafted in NYC’s Diamond District, cut architecture-inspired silhouettes in recycled gold or platinum. The Mid-Century series of rings pay tribute to architects including Louis Kahn, Mies van der Rohe and Frank Lloyd Wright with plays on vertically-stacked baguettes, negatives spaces and clean aesthetics.
Le Gramme’s wedding rings, like all their pieces, embody a simple concept. Named after their weight, the emphasis is on form, function and succinct design. Originally created for men, we love the minimalist nature of this piece which would lend itself well to an engagement ring; a clandestine inner circle of diamonds a chic statement for those who see no need to make one.
Kavant & Sharart
Frozen on the crest of a wave, the Talay Dancing Wave ring in brushed yellow gold and diamonds eschews sentimentality, instead capturing the drama of an engagement with sensuous and undulating curves.
Georg Jensen’s sculptural silhouettes lend themselves well to engagement rings which are more elegant than elaborate. Designer Regitze Overgaard’s influence is obvious in this year’s Curve collection, which is characterised by the pure lines the Danish design house is celebrated for.
Mateo at Matches Fashion
At first glance a traditional emerald-cut showstopper, the Point of Focus diamond and topaz ring from Jamaican designer Matthew Harris offers up unexpected details upon a second look.
Sardo at Dover Street Market
Fluidity lies at the core of former architecture student Elena Sardo’s pieces. Made in Italy, this Roots and Wings ring encapsulates her philosophy of lightness, with dynamic branches of white gold and diamond leaves appearing to move with the wearer.
Fine jewellery becomes fun in Bucherer’s Dizzler rings, which integrate rollers crafted from precious metal between the inner and outer rings for tactile and colourful pieces. Spinning in opposite directions, yet ultimately linked together, as an alternative engagement ring they entrench playfulness with meaning.
Shihara’s jewellery is deceptively simple, keeping aesthetics to a minimum and focusing instead on clear, precise silhouettes which play with the ideas around how jewellery can be worn. The Un-Signet Rough Diamond ring is designed to ensure all eight sides of the octahedral uncut rough diamond can be seen. In a romantic quirk for an engagement ring, the diamond is positioned to ensure the tip is touching the wearer’s skin at all times.
Ana Khouri’s jewellery twists traditional concepts: with the unexpected setting of a diamond here and a just slightly off-centre placing there, her jewels are predictable only in their unpredictability. All of the expected elements are present in the Mirian ring, but with a swirl and a flourish, they become wholly new.
Understatement is key in Hancocks’ new collection of gypsy-set rings, so-called after they were designed specifically to fool highwaymen in the early nineteenth century as to the true value of the gemstone. The stones are inlaid to ensure they sit just below the surface; shying away from the ostentatious, they nod to the prevalent mood with no compromise on design. §