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Art | 30 Nov 2020
New leaf: the art books worth a double take

New leaf: the art books worth a double take

From maverick monographs to topical tomes, our library of new and forthcoming titles gets to the fine print of arts and culture 

Images from Constructed Landscapes by Dafna Talmor. 

Constructed Landscapes, by Dafna Talmor 

For Talmor, Constructed Landscapes stems from a place of ‘frustration’ with landscape photography, one the artist has referred to as ‘photographic agoraphobia’. In her early work, Talmor focussed on interior scenes, with hints of the outside world, which led to developing her ongoing photographic series Constructed Landscapes, with recent work shown at Sid Motion Gallery in late 2019. Through fragments of outdoor scenes in different locations of personal significance, from Israel, her country of birth, to the UK, where she has been based for over 20 years, colour negatives are stitched together to create an otherworldly vision of the outside world. In Constructed Landscapes, Talmor blends fact and fantasy; personal and universal; digital and analogue processes to form a coherent whole that defies specificity. Published by Fw:Books.

fw-books.nl
sidmotiongallery.co.uk​
dafnatalmor.co.uk

Writer: Harriet Lloyd-Smith

Lost Summer, book by Alys Tomlinson, winner of the Taylor Wessing Portrait Prize 2020

Samuel. © Alys Tomlinson from Lost Summer

Lost Summer, by Alys Tomlinson 

Alys Tomlinson’s forthcoming release is a poignant reminder of the many events that ground to a halt during the pandemic. For Lost Summer, the British photographer turned her lens towards 44 young people whose proms were cancelled due to Covid-19 restrictions. Within these black and white portraits, shot with parks, gardens and other outdoor locations between June and August, each teenager is dressed or suited for an end-of-school prom that never came to be. Tomlinson has just been declared the winner of the Taylor Wessing Portrait Prize for the series, which is on display in the National Portrait Gallery’s virtual gallery until March 2021. Lost Summer is available for pre-order now ahead of its release on 7 December, with an accompanying exhibition at HackelBury Fine Art.

alystomlinson.co.uk
npg.org.uk

Writer: Harriet Lloyd-Smith

Images from Counting Till Ten, by Isabelle Wenzel. Design and edit by Jurgen Maelfeyt

Counting Till Ten, by Isabelle Wenzel

Drawing together performance art and sculpture, photographer Isabelle Wenzel also happens to be a trained acrobat. In Counting Till Ten, she plays a game of physical improvisation before the shutter clicks and captures her contortions. Direct and instinctive, Wenzel works fast as both model and photographer, merging both into a symbiotic movement. Mistakes are an essential part of this interesting process for the German artist. As viewers we experience a heightened awareness of our own bodies, Ultimately Wenzel asks ‘What is it like to be a physical being?’. Published by Art Paper Editions. 

artpapereditions.org

Writer: Sophie Gladstone

Every-day, by Vincent Ferrané

Maty, from Every-day, by Vincent Ferrané. Image courtesy of Libraryman and Vincent Ferrané 

Every-day, by Vincent Ferrané

Offering a glimpse into young people’s routines, Every-day by Vincent Ferrané documents Ava, Jackie, Léo, Mathieu, Matthias, Maty and Raya as they go through the motions of preparing to leave the house. The fact that leaving our homes is no longer an everyday occurrence for many of us, adds something special as we remember this familiar but now distant norm. That this is a series focusing on transgender or non-binary people is incidental, Ferrané explains ‘through a repetition of actions, representations, strategies, stories and convictions specific to each person, the ever fragile project of being oneself is revealed.’

vincentferrane.com
libraryman.se

Writer: Sophie Gladstone

Alec Soth, from The Parameters of Our Cage, by C. Fausto Cabrera & Alec Soth (MACK, 2020). Courtesy the artist and MACK. Letters: copyright Alec Soth 

The Parameters of Our Cage, by C. Fausto Cabrera and Alec Soth

In January 2020, American photographer Alec Soth received an unexpected letter from Christopher Fausto Cabrera, an inmate at Minnesota Correctional Facility in Rush City. Over the following nine months, the two artists engaged in a dialogue consisting of personal histories and shared influences, from André 3000 to Robert Frank’s seminal book, The Americans. This resulted in an unlikely collaboration, The Parameters of Our Cage, which documents their written and visual exchanges on everything from prison life, to the Black Lives Matter movement and issues that probe the very essence of contemporary America. All proceeds from The Parameters of Our Cage will be donated to the Minnesota Prison Writing Workshop.

mackbooks.co.uk
alecsoth.com

Writer: Harriet Lloyd-Smith

When Strawberries Will Grow on Trees I Will Kiss You, by Nicolas Polli

Spread from When Strawberries Will Grow on Trees I Will Kiss You, by Nicolas Polli

When Strawberries Will Grow on Trees I Will Kiss You, by Nicolas Polli

When Strawberries Will Grow on Trees I Will Kiss You follows Nicolas Polli’s experiences of solitude during lockdown; we see his crumpled yet erect socks, smouldering paper flowers, intertwined toes, and hand-written poetry. Through these tactile still lifes, Polli is sarcastic yet vulnerable, reminding us of how important another human’s touch is. This wasn’t the only creative outcome of this time for Polli however, he also founded Home Life Still Life: a platform celebrating the inventive still lifes photographers were creating in their own homes. Pairing behind-the-scenes documentation with the final image has opened up a normally secretive process, at a time when photographers needed this community most.
 
ciaopress.com
instagram.com/homelife_stilllife

Writer: Sophie Gladstone

Open Studio: Do-It-Yourself Art Projects by Contemporary Artists published by Phaidon

Open Studio: Do-It-Yourself Art Projects by Contemporary Artists, by Sharon Coplan Hurowitz & Amanda Benchley. Photography: Casey Kelbaugh, Phaidon. Marina Abramovic: Counting the Rice (artwork), Step by Step (pages 148-149)

Open Studio: Do-It-Yourself Art Projects by Contemporary Artists

There is often an air of mystery surrounding artists and the everyday workings of their studios. But a new book is seeking to demystify this elusive environment, going behind closed doors and into the studios of 17 eminent artists and inviting readers to collaborate. Written by Sharon Coplan Hurowitz and Amanda Benchley, Open Studio: Do-it-Yourself Art Projects by Contemporary Artists profiles each artist as they undertake an original creation for readers to follow at home. Featured artists include Rashid Johnson, William Wegman, Mickalene Thomas, George Condo, Julie Mehretu, Alex Israel, Marina Abramović and Lawrence Weiner. The book offers a suggested list of supplies for each project and includes 16 pull-out inserts designed by the artists for the do-it-yourself projects. Whether it’s creating your own masterwork with Lawrence Weiner’s text-based plastic stencil or filling in the blanks of George Condo’s paint-by-numbers, this is a book that appeals to the primal urge for creation, at any stage of life. Open Studio: Do-It-Yourself Art Projects by Contemporary Artists by Sharon Coplan Hurowitz and Amanda Benchley is published by Phaidon, £59.95. 
phaidon.com

Writer: Harriet Lloyd-Smith
 

Images: Lang Zal Ze Leven (Happy Birthday To You), by Anouk Kruithof
(The Netherlands), 2011; Will They Sing Like Raindrops or Leave Me Thirsty, by Max Pinckers (Belgium), 2014; I Believe You, Liar, by Lucas Blalock (USA), 2009. All part of the Self Publish, Be Happy Collection at the MEP. © Self Publish, Be Happy

Self Publish, Be Happy collection at the Maison Européenne de la Photographie

An exciting announcement has come from Self Publish, Be Happy, an organisation that helps aspiring photographers to self-publish their own books. Their joyful and diverse collection will have a new home with Maison Européenne de la Photographie in Paris. Thousands of self-published photobooks, zines and ephemera will now be enjoyed by the general public for the first time under the care of Simon Baker, director of MEP. For Self Publish, Be Happy, this is an opportunity to renew and widen their publishing and educational initiatives. At a time when the potential of photography to foster community has never been so important, increasing accessibility with moves like these is to be applauded.
selfpublishbehappy.com
mep-fr.org

Writer: Sophie Gladstone

J. Yolande Daniels, House 2, Project Row Houses, Houston TX (2001), part of a group exhibition, Row: Trajectories Through the Shotgun House curated by William D. Williams and David Brown. As featured in In Search of African American Space: Redressing Racism, published by Lars Müller 

In Search of African American Space: Redressing Racism

Told through architecture, performance art, history and visual theory, In Search of African American Space surveys the creative relationship between the African diaspora and social space in America. Arranged thematically, it establishes the context and history of African American space through vintage adverts, maps, posters, monuments, art projects and architectural plans. These include three projects by J. Yolande Daniels, co-founding design principal of studioSUMO, New York, that investigate the social narratives embedded in architectural forms. This anthology asks, ‘If African American experience emerges from the structure of slavery, how does architecture relate to that experience?’ Edited by Jeffrey Hogrefe and Scott Ruff of the Pratt Institute in New York, the book seeks to present African American space in a broad cultural context from different critical vantage points.
lars-mueller-publishers.com

Writer: Harriet Lloyd-Smith

There is no Release from the Brain Police, by Clemens Ascher 

Hitchhiking USA Numero B. © Clemens Ascher

There is no Release from the Brain Police, by Clemens Ascher 

At first look, the images in this book might look like pleasurable eye candy. But what lurks beneath is another story altogether. In the first collection of Clemens Ascher’s work, published by Hatje Cantz, the Austrian photographer and visual artist confronts some of the most pressing uncomfortable truths of the era: societal control, alienation from nature and mass consumption. By combining references to art history and fragments from our collective visual memory, Ascher constructs stage-like compositions to create a hyperbolic advertising aesthetic, satirising belief systems and consumer culture  – a surreal take on hyperreality.
hatjecantz.de
clemensascher.com

Writer: Harriet Lloyd-Smith

Lovers: Ten Years On, by Sunil Gupta 

Dylan and Gerald. Courtesy of Sunil Gupta and Stanley Barker

Lovers: Ten Years On, by Sunil Gupta 

Following the breakup of his first long-term love in 1984, Sunil Gupta set about photographing other couples. At the time, the emotive series was a way to process the end of a relationship, but has now grown into a time-capsule of the lives of London’s gay couples during the 1980s. These were complex times as while the law and public attitudes towards gay men had been improving, HIV/AIDS had just arrived resulting in a cruel media campaign equating gay men with sickness and depravity. In Lovers: Ten years on (published by Stanley/Barker) we see monogamous relationships coming into their own, in the most moving and varied pairings. More of Gupta’s socially engaged works can be seen at his first major retrospective ‘From Here to Eternity’, is on view at The Photographers Gallery until January 2021. 
stanleybarker.co.uk
sunilgupta.net

Writer: Sophie Gladstone

Ennio Morricone, Rome 1994. Courtesy of Albrecht Fuchs

Ennio Morricone, Rome 1994. Courtesy of Albrecht Fuchs

Fifty-Three Portraits and a Haystack, by Albrecht Fuchs

When a portrait project with publishers Simonett & Baer was put on hold due to coronavirus travel restrictions in April, Albrecht Fuchs and Dino Simonett conceived a new idea, and delved into the archives. Fuchs’ new book, Fifty-Three Portraits and a Haystack charts his photography since 1989 when he began experimenting with colour portraits with a mid format camera as a student. These archival images comprise a mix of commissioned and noncommissioned work with subjects including Fuch’s friends alongside eminent figures like Ennio Morricone, Charlotte Rampling, and Rimowa CEO Alexandre Arnault, whose portrait was shot for Wallpaper* in 2018. The book is available in both limited, and collector’s editions, the latter hand-bound with gold embossing.
simonettbaer.com
albrechtfuchs.com

Writer: Harriet Lloyd-Smith

Images from Hi Hello!, by Romain Duquesne

Hi Hello!, by Romain Duquesne 

With wit and warmth, photographer (and regular Wallpaper* collaborator) Romain Duquesne gently unravels a performance of masculinity in Hi, Hello!. Thoughtfully moving between metaphor and irony, Duquesne depicts the absurd elements of masculinity. Moments of near-vulnerability build tension that’s then diffused with humour, taking the audience on a tumultuous journey from seeking intimacy to wrestling, a firm handshake to mischievous uses of fruit. An interesting double layer emerges, in which this performance in life is re-performed for an image, furthering the absurdity. With Duquesne’s intentions summed up perfectly by the opening phrase, this book is ‘for men who are boys, a cry to connect.’
donlonbooks.com
romainduquesne.com

Writer: Sophie Gladstone

Living Trust by Buck Ellison. © Buck Ellison 2020 courtesy Loose Joints

Living Trust, by Buck Ellison

Sourcing actors, props and locations, Buck Ellison stages scenes of seemingly unremarkable everyday moments of the white American upper-middle-class: a ‘pasta night’, a family posing for the Christmas card, a couple going for ‘cheeseboard’ shopping. ‘Living Trust’ isn’t just an index of class markers, but an investigation of collective identity construction and the role of photography in the objectification of its visual language. The images unveil an unspoken language of wealth that appeals to most but it’s understood by few, ultimately leaving the viewer desiring and resenting the ambivalence of its beauty. Published by Loose Joints. 
buckellison.com
loosejoints.biz

Writer: Sara Fiorino

Mara kuya. © June Canedo

Mara kuya, by June Canedo

Mara kuya is meals being prepared, washing drying on a line, toys tied up, children playing in a pool; it is all that makes a family, even one divided by borders. The debut book from Brazil-born, New York-based photographer June Canedo retells the emotional impact of migration experienced by separated families, a politicised and polarising contemporary topic. Canedo shows us her grandmother gardening in Brazil, where she raised fourteen children, alongside a Fourth of July celebration in her aunt’s South Carolina backyard. By weaving space and time through her images mara kuya is both a personal and universal contemplation on citizenship status and mental health. Profits from the sale of the book will be donated to Inclusive Action, a charity that provides support for low-income urban communities. 
junecanedo.com

Writer: Sophie Gladstone

Extract from Études, by John Marx. Photography: John Sutton

Études, by John Marx

Études – The Poetry of Dreams + Other Fragments is a new book from ORO Editions, exploring the architectural drawings and poetry of San Francisco-based architect John Marx. Marx, a principal at Form4 Architecture, has contributed paintings for a series in The Architectural Review, and the richly detailed watercolours instantly evoke a sense of time and place that goes far beyond the conventional architectural rendering. There are over 80 images in the book, each conjuring up realms and forms that suggest a world of hazy neo-surrealism. One of the accompanying essays explores the historic role of watercolour in presenting architectural futures - it was the style of choice for centuries before photorealistic digital renders raised our expectations to stratospheric levels, removing all aspects of mystery in the process. Marx’s work operates on a different level, and the fragmentary, dream-like worlds his paintings conjure up are paired with his own poetry, created a rounded, immersive monograph designed to get lost in. 

Writer: Jonathan Bell

Molly Matalon, When a Man Loves a Woman, published by Palm Studios

When a Man Loves a Woman, by Molly Matalon

Grapes crawl into a glass of water, statues embrace, a peach pit is left in the sun. Molly Matalon’s new book ‘When a Man Loves a Woman’ is a journey through appealing surfaces and quiet encounters. The interplay between the symbolism of the objects and the subversion of the history of the ‘gaze’ lays bare Matalon’s reclamation of desire. By portraying her acquaintances, friends and lovers, the photographer engineers a vision that reframes the (gendered) performance of desire, where her day-to-day becomes a space to overturn dominant narratives of power and explore her longing for intimacy.
mollymatalon.com
palmstudios.co.uk

Writer: Sara Fiorino

Courtesy National Portrait Gallery, London

David Hockney: Drawing from life

David Hockney: Drawing from Life, celebrates more than 60 years of the revered artist’s intimate portraiture with texts by Sarah Howgate and Isabel Seligman. Featuring drawings from the 1950s to the present day, the book is a fascinating window into the artist’s creative development and to his personal life, focusing on depictions of himself and those close to him: including his muse, Celia Birtwell; his mother, Laura Hockney; and his friends, the curator, Gregory Evans, and Maurice Payne. It’s through these portrait drawings of close friends that Hockney experimented with new styles and expressed his admiration for artistic influences such as Holbein and Picasso. Highlights also include a series of new portraits, pencil drawings created in Paris during the early 1970s and a selection of Polaroid portraits from the 1980s. The book was published in correspondence with the first major exhibition devoted to Hockney’s drawings at London’s National Portrait Gallery, which is closed to the public until further notice.
npg.org.uk;
hockney.com

Writer: Phoebe Gardner

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