Max Mara has commissioned London-based Korean artist Yiyun Kang for its latest exhibition, ‘Coats!’, being held in her home town of Seoul. Kang, known for her large-scale, site-specific digital mapping projections, has remixed imagery from the Max Mara archive into her installation, ‘Deep Surface’, which projects animated, vibrant patterns onto a specially-constructed 20m dome, designed by architects Migliore + Servetto and located in Zaha Hadid’s Dongdaemun Design Plaza (DDP). The dome arches atmospherically over a central space divided into seven different rooms, each representing a different era in Max Mara’s past, from the 1950s to the 2000s.

The starting point for the exhibition, the concept of the perfect coat, ‘combines the idea of surfaces, from the way the fabric folds, to the way it meets the skin, and sits on the body’, says Kang. The dome itself also reflects the sensations of being wrapped in a coat. ‘It’s an environment that really immerses the human body.’

A digital render of Migliore + Servetto's Cupola that will house Yiyun Kang's installation. Photography: © DDP Museum Seoul 2017 and © Migliore + Servetto Architects

As part of her research, Kang visited the Max Mara archive in Reggio Emilia in Italy. ‘I was mesmerised by the collection – it’s not only about the object, but about human history, about the Maramotti family, who founded the brand, and the history of Reggio Emilia, about men and women’s fashion in the past, present and future. It’s alive and breathing.’

Kang, who usually works alone, admits that exchanging ideas with a large team from the fields of fashion and architecture was a tricky transition but ultimately enlightening. ‘I remember Luigi Maramotti mentioning the idea of collective creativity – for him it was a real focus because not a single product can be completed without the help of many people.’ Max Mara’s creative director Ian Griffiths points similarly to ‘a great synergy’ with Kang. ‘Her installation reflects the monumentality of the brand’s image, while showing that human element.’

What does Kang hope local visitors will take away from the experience? ‘As a South Korean, everyone is aware that we’re in a very politically tense situation. Through this amazing collaboration I hope to create some soothing moments for the people who live in Seoul during this time.’

As originally featured in the December 2017 issue of Wallpaper* (W*225)