Satisfy’s new Paris boutique isn’t your dad’s running store
The popular French performance brand has teamed up with Ciguë to create its first-ever permanent retail location and coffee shop. No surprise, the queue already goes out the door
Like the familiarity of your morning jogging route, running-store design sticks to a well-trodden path: a wall of shoes, a jumble of fuel belts and caffeinated goops, and that distinct, fresh-out-of-the-box aroma of synthetic fabrics.
As running has experienced a post-pandemic explosion, though, the culture – and the style– has swiftly evolved. Leading the pack is Paris-based label Satisfy, a running brand known for its routinely sold-out technical apparel as much as its viral marketing activations (say, a mosh pit in the Arizona desert).
This month, Satisfy opened the doors to its first-ever brick-and-mortar storefront in Paris’ historic Marais district. Rather than cashing in on thousands of $140 moth-eaten T-shirts, however, this boutique is selling something else: ‘It’s not really a Satisfy store. It’s Satisfy as a store,’ founder Brice Partouche wrote on Instagram.
To distill Satisfy’s ethos – one driven by performance, design innovation and a winking sense of humour – into an IRL location, Partouche hired Ciguë, a multidisciplinary architecture and design office located just outside of Paris. The firm, founded by three friends in 2003, is known for its innovative takes on tried-and-true typologies, ranging from hotels (see: Ace’s new Athens location) to factories.
‘Satisfy is one of the few brands where we were like, “We should call them,’” Ciguë co-founder Alphonse Sarthout recalls. ‘But Brice called us first.’
Satisfy’s Paris footprint occupies two storefronts on opposite sides of Rue de Saintonge – Supply, which hosts the boutique, and Fuel Station, a pint-sized coffee shop that concocts caffeinated pre- and post-run beverages. ‘The brand has been online for 11 years, and it sells super well, so the main target of the store was not to sell more – it was to sell differently and finally meet the people,’ Sarthout says.
The main store, Satisfy Supply, feels more like an art gallery than a running store. That’s because it’s mostly bare, save for a wall-spanning triptych of the American West by painter Othelo Gervacio. The mural – which depicts rugged buttes and a mustang horse – comes directly from Satisfy’s brand lore, which draws heavily from desert terrain and the kitsch that can accompany it (fringe is a common feature on Satisfy apparel, as are bald eagles). It also serves as Ciguë’s boldest design move: ‘We had the idea of a diorama, like in a museum,’ Sarthout explains.
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Against this western backdrop, the designers kept displays to a minimum. Clothing hangs off of suspended stainless steel rods or gridded display racks; shoes are displayed on sculptural wood plinths; and T-shirts are splayed out on custom cast-Zamak alloy slabs, hovering just inches off the ground. ‘So many brands would be like, oh, you kill the strength of the product. How can I buy a $200 T-shirt when it's lying on the floor?’ Sarthout says. ‘But [for us] it's very interesting because it slows down the rhythm of the space – you almost feel like sitting, and bending down to touch the products.’
There are other retail unorthodoxies. For instance, there is a conspicuous absence of explanatory text touting the technical qualities of shoes and clothing; the choice encourages customers to ask questions of sales associates, who underwent months of product knowledge training. ‘It brings back the importance of hosting and the team working there,’ Sarthout says. The same thought went into the changing rooms, which are clad in knotty timber (not unlike an old school diner you might stumble into on Route 66) and feature linen curtains. The store even features a custom scent. ‘It makes you feel like you’re in a luxury fashion store and not in a running store,’ the designer adds.
Satisfy Fuel Station, the coffee bar, has a similarly minimal feel, akin to American gas stations and hardware stores. The idea is for runners and shoppers alike to achieve the coveted endorphin-driven ‘runner’s high’ with hydrating, energising or carb-rich concoctions (the menu is helpfully organised into ‘pre-high’ and ‘post-high’ categories). The western imagery continues on the shiny espresso machine. ‘Here you can just come in, get a drink, and not necessarily buy something [at the store], so it becomes a gathering space,’ Sarthout says. Already, the Fuel Station has become the de facto meeting point for Satisfy’s regular ‘LSD’ club runs – runners'-speak for ‘Long Slow Distances.’
Judging by the queues that regularly form outside the shop, it’s likely that there are more Satisfy locations in store (a spokesperson said the brand is currently exploring opportunities for expansion). And even if Satisfy’s vibe (or price tag) isn’t aligned with your personal running aesthetic, the label is demonstrating a principle that other athletic brands would be wise to note: create community or eat dust.
Anna Fixsen is a Brooklyn-based editor and journalist with 13 years of experience reporting on architecture, design, and the way we live. Before joining the Wallpaper* team as the US Editor, she was the Deputy Digital Editor of ELLE DECOR, where she oversaw all aspects of the magazine’s digital footprint.