London calling! Artists celebrate the city at Saatchi Yates
London has long been an inspiration for both superstar artists and newer talent. Saatchi Yates gathers some of the best
What is London art to you? Is it the haunted faces from Francis Bacon and Frank Auerbach, ripped from a city at war? Or perhaps a punkish spirit reigns, in Damien Hirst’s medicine cabinets and Slawn’s bold streaks of colour and Yinka Shonibare’s playful motif? Or perhaps it’s all of them, in which case Saatchi Yates’ celebration of London is calling your name.
Beginning in the aftermath of the Second World War, a new exhibition, ‘Once Upon a Time in London’, gathers established and emerging artists in an eclectic consideration of London’s impact on the cultural landscape. For gallery founders Arthur Yates and Phoebe Saatchi Yates, who upon opening the space in 2020 were told that London’s art scene had been overtaken by Paris and Milan, it feels like a defiant return to form.
Grayson Perry, The Adoration of the Cage Fighters, 2012
Works from artists including David Hockney, George Rouy, Lynette Yiadom-Boakye, Michael Armitage, Jade Fadojutimi, Peter Doig, Chris Ofili and Bridget Riley trace Britain’s artistic movement from post-war, through recessions and pandemics, to Brexit and onwards. There’s a party spirit throughout, and a packed programme of events and collaborations; highlights include a catalogue overseen by Norman Foster, the launch of St John x Saatchi Yates’ wine, and a mischievous Nicky Haslam art-world tea towel.
Danny Fox, Black grape vape, purple tape, Gauguin’s cape, 2024
Art on show is an eclectic mix, with a rethinking of traditional mediums key throughout. Contemporary moments, such as Lynette Yiadom-Boakye’s enigmatic reworkings of figurative painting, join a classic rethinking of genre, seen in the subversive female figures in Jenny Saville’s graduation show. Seen together, the works are a triumphant love letter to London’s best bits. ‘As a gallery, we want to build a dialogue between the art world and the public,’ say the founders.
'Once Upon a Time in London' is at Saatchi Yates, 12 June - 17 August 2025, saatchiyates.com
Peter Doig, Junior _ Lion, 2017
Lynette Yiadom-Boakye, Sermons for Heathens, 2016
Damien Hirst, Nothing Can Stop Us Now, 2006
Tracey Emin, Waiting You, 2014
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Hannah Silver is the Art, Culture, Watches & Jewellery Editor of Wallpaper*. Since joining in 2019, she has overseen offbeat art trends and conducted in-depth profiles, as well as writing and commissioning extensively across the worlds of culture and luxury. She enjoys travelling, visiting artists' studios and viewing exhibitions around the world, and has interviewed artists and designers including Maggi Hambling, William Kentridge, Jonathan Anderson, Chantal Joffe, Lubaina Himid, Tilda Swinton and Mickalene Thomas.
-
Dries van Noten on why he's building a new home for craft in VeniceA year after departing the runway, Dries van Noten unveils his next chapter: the Fondazione Dries Van Noten, a newly announced cultural initiative in Venice celebrating craft in all its forms. Wallpaper meets the designer to find out why he’s not ready to retire.
-
Alexander Wessely turns the Nobel Prize ceremony into a live artworkFor the first time, the Nobel Prize banquet has been reimagined as a live artwork. Swedish-Greek artist and scenographer Alexander Wessely speaks to Wallpaper* about creating a three-act meditation on light inside Stockholm City Hall
-
At $31.4 million, this Lalanne hippo just smashed another world auction record at Sotheby’sThe jaw-dropping price marked the highest-ever for a work by François-Xavier Lalanne – and for a work of design generally
-
Out of office: The Wallpaper* editors’ picks of the weekIt’s wet, windy and wintry and, this week, the Wallpaper* team craved moments of escape. We found it in memories of the Mediterranean, flavours of Mexico, and immersions in the worlds of music and art
-
Each mundane object tells a story at Pace’s tribute to the everydayIn a group exhibition, ‘Monument to the Unimportant’, artists give the seemingly insignificant – from discarded clothes to weeds in cracks – a longer look
-
Out of office: The Wallpaper* editors’ picks of the weekThis week, the Wallpaper* team had its finger on the pulse of architecture, interiors and fashion – while also scooping the latest on the Radiohead reunion and London’s buzziest pizza
-
Out of office: The Wallpaper* editors’ picks of the weekIt’s been a week of escapism: daydreams of Ghana sparked by lively local projects, glimpses of Tokyo on nostalgic film rolls, and a charming foray into the heart of Christmas as the festive season kicks off in earnest
-
Wes Anderson at the Design Museum celebrates an obsessive attention to detail‘Wes Anderson: The Archives’ pays tribute to the American film director’s career – expect props and puppets aplenty in this comprehensive London retrospective
-
Meet Eva Helene Pade, the emerging artist redefining figurative paintingPade’s dreamlike figures in a crowd are currently on show at Thaddaeus Ropac London; she tells us about her need ‘to capture movements especially’
-
David Shrigley is quite literally asking for money for old rope (£1 million, to be precise)The Turner Prize-nominated artist has filled a London gallery with ten tonnes of discarded rope, priced at £1 million, slyly questioning the arbitrariness of artistic value
-
Out of office: The Wallpaper* editors’ picks of the weekThe rain is falling, the nights are closing in, and it’s still a bit too early to get excited for Christmas, but this week, the Wallpaper* team brought warmth to the gloom with cosy interiors, good books, and a Hebridean dram