‘LA Gun Club’: artist Jane Hilton on who’s shooting who
‘LA Gun Club’, an exhibition by Jane Hilton at New York’s Palo Gallery, explores American gun culture through a study of targets and shooters
‘This project evolved after I went for “recreational purposes” to the gun range after work,’ says artist Jane Hilton of the exhibition ‘LA Gun Club’, at New York's Palo Gallery until 23 March 2024. ‘I was doing a commercial job in LA, and my assistants asked me to join them. It didn’t occur to me until I got there, that I would be using “live” ammunition. I was given an AK47, and my arm was shaking… I was completely thrown by the whole thing.’
English photographer and filmmaker Hilton has been documenting American culture for 25 years, in work concerned primarily with the grey area between social acceptability and legality. After her experience at a gun range – where visitors shoot live ammunition at target posters with their choice of weapon – she planned to return to photograph personal gun collections, before creatively taking a different path.
‘LA Gun Club’: on target with Jane Hilton
Target O
‘I decided to go back and make a more conceptual project by interviewing the shooters, and then taking their chosen targets they shot at, back to London. After choosing a cross-section of shooters’ targets, I re-photographed them on my 4x5 plate camera, making a large-format colour negative, to produce an archival pigment print. Silver metal plaques were made with the information of the shooter (firearm, occupation, and reason for being there). Then placed underneath the shooters’ target print, deliberately like a “commemoration plaque” dedicated to someone who has passed away. The very process of doing this, felt like it was making a “statement”.‘
Target C plaque
The targets chosen – caricatures of Middle Eastern men, ‘thugs,’ kidnappers, burglars – offer a snippet-like insight into prejudices. ‘The targets already had an aesthetic appeal, but were really non-PC (not politically correct),’ Hilton adds. ‘The contradiction of this and making a conceptual project where I took the shooters’ target posters back to London to “re-shoot” them, felt like a double entendre, another layer of complexity to an already complex issue. Also, by interviewing the shooters, keeping them anonymous and not photographing them, I was able to use this information in the end piece of artwork.’
Target H
Ultimately, the project was enlightening for its resistance to stereotypes, rather than for its conforming to them, offering an insight into who the owners of the 300 million guns in the US are. ‘It has made me aware that more people own guns in the US than I realised. Just to have one in their home makes them feel safer. By making this project, I found [that] an unexpected demographic own [guns]: school teachers, mothers, beauty therapists. Individuals came to the gun club for different reasons to shoot these targets. Some for pure recreation and practice, others for their job (bodyguards) and some because they just wanted to know what it felt like.’
‘LA Gun Club’ by Jane Hilton is on at New York’s Palo Gallery until 23 March 2024
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Target B plaque
Hannah Silver is the Art, Culture, Watches & Jewellery Editor of Wallpaper*. Since joining in 2019, she has overseen offbeat art trends and conducted in-depth profiles, as well as writing and commissioning extensively across the worlds of culture and luxury. She enjoys travelling, visiting artists' studios and viewing exhibitions around the world, and has interviewed artists and designers including Maggi Hambling, William Kentridge, Jonathan Anderson, Chantal Joffe, Lubaina Himid, Tilda Swinton and Mickalene Thomas.
-
Remembering Frank Gehry, a titan of architecture and a brilliant human beingLong-time Wallpaper* contributor Michael Webb reflects on the legacy of the Los Angeles architect, who died today at age 96
-
Lexus finally confirms the name of its all-electric LFA Concept supercarStill designated a design study, the Lexus LFA Concept should be the successor to the most unlikely of all 20th-century supercars
-
King of cashmere Brunello Cucinelli on his new biographical docu-drama: ‘This is my testimony’Directed by Cinema Paradiso’s Giuseppe Tornatore, ‘Brunello: the Gracious Visionary’ premiered in cinematic fashion at Rome’s Cinecittà studios last night, charting the meteoric rise of the deep-thinking Italian designer
-
Out of office: The Wallpaper* editors’ picks of the weekIt’s been a week of escapism: daydreams of Ghana sparked by lively local projects, glimpses of Tokyo on nostalgic film rolls, and a charming foray into the heart of Christmas as the festive season kicks off in earnest
-
Inside the work of photographer Seydou Keïta, who captured portraits across West Africa‘Seydou Keïta: A Tactile Lens’, an exhibition at the Brooklyn Museum, New York, celebrates the 20th-century photographer
-
Out of office: The Wallpaper* editors’ picks of the weekFrom sumo wrestling to Singaporean fare, medieval manuscripts to magnetic exhibitions, the Wallpaper* team have traversed the length and breadth of culture in the capital this week
-
María Berrío creates fantastical worlds from Japanese-paper collages in New YorkNew York-based Colombian artist María Berrío explores a love of folklore and myth in delicate and colourful works on paper
-
Out of office: the Wallpaper* editors’ picks of the weekAs we approach Frieze, our editors have been trawling the capital's galleries. Elsewhere: a 'Wineglass' marathon, a must-see film, and a visit to a science museum
-
June Leaf’s New York survey captures a life in motionJune Leaf made art in many forms for over seven decades, with an unstoppable energy and fierce appetite leading her to rationalise life in her own terms.
-
Jamel Shabazz’s photographs are a love letter to Prospect ParkIn a new book, ‘Prospect Park: Photographs of a Brooklyn Oasis, 1980 to 2025’, Jamel Shabazz discovers a warmer side of human nature
-
Inside a Courtney Love-inspired art exhibition in New YorkLiza Jo Eilers looks to the glory days of Hole at an exhibition at Grimm New York