Visit a cubic Canadian cabin in the woods: welcome to Rustic Grade

Maurice Martel has designed a contemporary cabin in the woods, Rustic Grade, to make the most of a sylvan plot to the north of Montreal

Rustic Grade, Mandeville, Canada, by Maurice Martel architecte is a simple cabin in the woods
Rustic Grade, Mandeville, Canada, by Maurice Martel architecte
(Image credit: Adrien Williams)

Maurice Martel has completed a contemporary cabin in the woods, a simple country retreat in Mandeville, Quebec, a rural municipality about 120km north of Montreal. Designed as a place to escape from the city in summer and winter, Rustic Grade sits on a secluded, deep-country site, surrounded by a forest and bordered by a river.

Rustic Grade, Mandeville, Canada, by Maurice Martel architecte

A concrete storage unit adjoins the main house

(Image credit: Adrien Williams)

Rustic Grade: a contemporary cabin in the woods

At 1,400 sq ft, this is a small dwelling by North American standards. The simplicity of the architectural approach is epitomised by the spatial arrangement, which neatly slots all the clients’ requirements into a near-perfect cubic form. This geometric simplicity was chosen to be a deliberate contrast with the richness of the surrounding trees, while also conveying a sense of economy of form and purpose.

Rustic Grade, Mandeville, Canada, by Maurice Martel architecte

The house is effectively a cube

(Image credit: Adrien Williams)

Energy efficiency also shaped the plan, with every window carefully orientated in order to maximise natural light to the south, as well as forest and river views. External and internal material choices are hard-wearing and minimal. An external storage unit is a study in precision-poured concrete that also shields the porch and front door.

Rustic Grade, Mandeville, Canada, by Maurice Martel architecte

A double-height seating area focuses on a wood burning stove

(Image credit: Adrien Williams)

The interior design, the work of Caroline Tourigny, is set against a backdrop of polished concrete floors and lime-painted walls. The sitting room is a double-height space, rising up 6m, with the upper levels clad in spruce. 

Rustic Grade, Mandeville, Canada, by Maurice Martel architecte

The main seating area looks out across woodland

(Image credit: Adrien Williams)

A seating area is clustered around a wood-burning stove, with the staircase tucked away in one corner and the galley kitchen running the length of the other side of the room. The walnut cabinetry, chairs and table give off a rich, textured ambience that pairs with the exterior vistas.

Rustic Grade, Mandeville, Canada, by Maurice Martel architecte

The walnut-clad kitchen

(Image credit: Adrien Williams)

Because of the double-height spaces, the upper level doesn’t take up the entire floor area. Up here, there are three core spaces: a home office overlooking the sitting area, adjoining a raised seating area that doubles up as a guest sleeping space; a bedroom; and a shower room and sauna. The last has a glazed wall to allow residents to take in nature while inside it.

Rustic Grade, Mandeville, Canada, by Maurice Martel architecte

The office area and sleeping platform on the upper level

(Image credit: Adrien Williams)

Martel describes the upper floor as ‘a sanctuary … where the warmth of the rustic spruce envelops the space in an intimate and authentic atmosphere.’ The main bed is a ‘cocoon’, ensconced within the spruce-clad walls with a view across the forest and the sound of the running river in the distance. 

Rustic Grade, Mandeville, Canada, by Maurice Martel architecte

The office area and sleeping platform on the upper level

(Image credit: Adrien Williams)

As a nature-focused getaway, Rustic Grade is hard to beat. Martel set up his studio in 2016. Based in Montreal, the office works across a number of scales and typologies.

Rustic Grade, Mandeville, Canada, by Maurice Martel architecte

Rustic Grade, Mandeville, Canada, by Maurice Martel architecte

(Image credit: Adrien Williams)

MauriceMartel.com

Jonathan Bell has written for Wallpaper* magazine since 1999, covering everything from architecture and transport design to books, tech and graphic design. He is now the magazine’s Transport and Technology Editor. Jonathan has written and edited 15 books, including Concept Car Design, 21st Century House, and The New Modern House. He is also the host of Wallpaper’s first podcast.