Decoding courtyard living at a London townhouse designed by Gianni Botsford

For the November issue (W*224) the Wallpaper* fashion team is leaving behind the cool courtyards of this inner-city oasis designed by architect Gianni Botsford, packing up a trunk of resort wear and heading out of the city towards warmer climes. First stop, the Bahamas – we’re crating-up the artwork too of course, we’ll need it on the yacht.

The town house built of smooth steel, concrete, light and shadow was the location of our ‘Smart Move’ fashion shoot and a hidden jewel in central London: ‘Essentially what you have is a very private world that can take you away from London, partly because you don’t get a reference to your context or see what’s around,’ says Botsford.

Surrounded by houses and walls, the enclosed site that runs approximately 40m by 15m was previously the location of a cosmetics factory and then an antiques warehouse, before it became a house in 2005. ‘The building had no outlook,’ says Botsford. Which is why he decided to design ‘inwards’, prescribing a series of courtyards each with a different character to create the house ‘its own’ inverted views.

Each of the four courtyards set a different mood designed by landscaper Mike Luszczak. Trees with red branches and textured bark welcome visitors into the first entry courtyard, while a mellow lower garden hosts a wall of climbing figs and deeper still, a small and sultry, fern-filled courtyard opens up off the master bedroom. Influenced by early Tadao Ando projects and the work of SANAA, Gianni Botsford Architects places the relationship between light and nature centrally to design, conducting extensive site-specific research projects examining light-levels and movement.

Guided by the habits of the original client, the bedrooms were positioned on the ground floor and the living spaces upstairs, where more light could penetrate from the courtyards and through the 320 sq m glass roof. Light and heat are tempered through the retractable skylight blinds and fritting patterns on the glass, that also bring texture into the space that is built with a strict, limited material palette.

Concrete, glass, stainless steel and aluminium were chosen for their structural properties and abilities to support and span wide distances, and ultimately these materials define the brusque, yet polished quality of the home interior with its dry shake concrete screed flooring by Steysons Granolithic and exposed concrete walls – ideal canvases for the display of art.

The tough materials are omnipresent across the interior and exterior spaces, where uninterrupted sightlines through glazed walls and doors reinforce the relentlessly ‘cool’ temperament of the house. Externally the concrete is clad with a perforated stainless steel sheet, which also continues inside to unlikely surfaces such as the exposed storage designed by GBA integrating Vitsoe shelving, the wardrobe shell or the inner lining of the swimming pool.

The house was completed in 2005, when the practice was focusing on residential projects in London where they are based, but since then the practice has been expanding its horizons. A concrete retreat on a pink beach in the Bahamas and a restoration of a Palazzo in Venice are just a couple of projects that are currently in production, while Botsford has recently completed a timber house in Costa Rica designed for his father, plus 1,600 books and a grand piano as well as the Layered Gallery, a private exhibition space made of Corten steel in London.

Over the last few years the practice has set its sights higher still. ‘I feel ready to move on from the houses – they are very intensive and personal and once they are done they are hidden away in secret spaces that nobody experiences,’ says Botsford, who is currently working on several large scale public and commercial projects in China and Taiwan, including a 42-storey tower for a mobile company regional headquarters in Chengdu.

INFORMATION

For more information, visit the Gianni Botsford Architects website