Junya Ishigami designs vast, undulating pavilion in Kanagawa
Japanese architect Junya Ishigami completes KAIT Plaza, a minimalist, column-free pavilion at the Kanagawa Institute of Technology that celebrates oft-unsung, semi-open spaces
Created as a communal, outdoors break-out space for the Kanagawa Institute of Technology, as well as an architectural experiment around notions of versatility, the KAIT Plaza's minimalist pavilion has just been completed. Designed by Japanese architect Junya Ishigami, the minimalist architecture project follows on its creator's previous work for the university, the Workshop building, which completed in 2008.
Addressing the question of how to create truly multi-tasking spaces, here, Ishigami explores versatility in terms of spatial experience rather than function. Seeking to create a ‘room' for the students to sit and relax, the architect started without a prescribed function or form in mind. Instead, he tried to imagine the different ways the structure could be used.
The result is a low volume that feels closely connected to the ground, its roofline rising and falling with the terrain's topographical curves. Inside, a bright, white interior, as crisp and cloud-like as the exterior, is equally ‘hilly', lit by 59 square openings of varied sizes on the roof.
RELATED STORY
The floor's ‘slopes' and ‘valleys' invite users to appropriate them in their own way. Students can sit on the ground to have their lunch; meet friends; take a nap; use it as a sheltered space to play sports on rainy days; set up temporary stalls during campus festivals; or display thesis projects during end-of-year shows. The interior is entirely column-free, making the undulating floor and ceiling slabs even more impressive.
The minimalist pavilion structure is protected from the elements by its extensive roof, but remains visibly open, without a wall or glass pane in sight. The pavilion should express and mirror the characteristics of the existing environment, and then supplement those with architectural elements, explains Ishigami.
INFORMATION
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).
-
Curvilinear futurism meets subtropical beaches at Not A Hotel’s ZHA-designed Okinawa retreatZaha Hadid Architects has revealed the design for the first property in Not A Hotel’s futuristic new Vertex collection, coming soon to southern Japan
-
Gorden Wagener leaves the helm of Mercedes-Benz design after 28 years with the companyThe German designer is stepping down from the role of chief design officer at Mercedes-Benz. We look back at his influence and impact on the world of automotive and luxury design
-
These Christmas cards sent by 20th-century architects tell their own storiesHandcrafted holiday greetings reveal the personal side of architecture and design legends such as Charles and Ray Eames, Frank Lloyd Wright and Ludwig Mies van der Rohe
-
This Fukasawa house is a contemporary take on the traditional wooden architecture of JapanDesigned by MIDW, a house nestled in the south-west Tokyo district features contrasting spaces united by the calming rhythm of structural timber beams
-
Take a tour of the 'architectural kingdom' of JapanJapan's Seto Inland Sea offers some of the finest architecture in the country – we tour its rich selection of contemporary buildings by some of the industry's biggest names
-
A Chilean pavilion cuts a small yet dramatic figure in a snowy, forested siteArchitects Pezo von Ellrichshausen are behind this compact pavilion, its geometric, concrete volume set within a forest in Chile’s Yungay region
-
Doshi Retreat at the Vitra Campus is both a ‘first’ and a ‘last’ for the great Balkrishna DoshiDoshi Retreat opens at the Vitra campus, honouring the Indian modernist’s enduring legacy and joining the Swiss design company’s existing, fascinating collection of pavilions, displays and gardens
-
Matsuya Ginza lounge is a glossy haven at Tokyo’s century-old department storeA new VIP lounge inside Tokyo’s Matsuya Ginza department store, designed by I-IN, balances modernity and elegance
-
The Architecture Edit: Wallpaper’s houses of the monthThis September, Wallpaper highlighted a striking mix of architecture – from iconic modernist homes newly up for sale to the dramatic transformation of a crumbling Scottish cottage. These are the projects that caught our eye
-
Utopian, modular, futuristic: was Japanese Metabolism architecture's raddest movement?We take a deep dive into Japanese Metabolism, the pioneering and relatively short-lived 20th-century architecture movement with a worldwide impact; explore our ultimate guide
-
A new Tadao Ando monograph unveils the creative process guiding the architect's practiceNew monograph ‘Tadao Ando. Sketches, Drawings, and Architecture’ by Taschen charts decades of creative work by the Japanese modernist master