Tadao Ando’s He Art Museum draws on local Chinese vernacular
The famed Japanese architect draws on traditional, local architecture in his latest cultural project, the He Art Museum (HEM), which prepares to open its doors in Shunde, Southern China
![The exterior of the He Art Museum. The circular building, surrounded by trees.](https://cdn.mos.cms.futurecdn.net/uAbTWioYRiDQ5sjgq3n5XW-415-80.jpg)
Southern China’s traditional distinctive round buildings reflect the ancient belief that the sky is round and divine and the earth is square. Now Pritzker prize-winning Japanese architect Tadao Ando has reinterpreted this vernacular and the region’s famed waterside architecture for the new contemporary He Art Museum (HEM) in Shunde.
The founder, He Jianfeng who owns industrial investment Infore Group, one of the region’s most successful businesses, hopes the museum’s striking architecture and Western works of art – by masters such as Pablo Picasso, Olafur Eliasson and Damien Hirst – together with a focus on southern China’s Lingnan culture, including a fine collection of Lingnan-style ink art and Cantonese opera, will spark serious interest in culture and the arts.
The entrance to the 16,000 sq m spiral-shaped pavilion situated adjacent to Infore’s headquarters and plaza in the central business district, is by a path that crosses the pond encircling the museum. Inside, a monumental central skywell and floor to ceiling windows with aluminium alloy louvers flood the interiors with daylight. An imposing double-helix pair of staircases in Ando’s signature smooth silvery-grey concrete create a dramatic Guggenheimesque feel emphasized by the slightly cantilevered ascending four-storeys. There is a square ground floor gallery, bookstore and café, and circular exhibition spaces above.
According to HEM Director Shao Shu (previously a curator at Shanghai’s Long Museum), the curvilinear interiors deliberately step away from the contemporary Western ‘white box' style gallery and embrace Chinese culture: ‘In the circular architectural form, it sets out a new form of art space, embedding the culture of the museum with more individuality. At HEM, the space has seamlessly integrated with the experience of art.'
The inaugural exhibition ‘From the Mundane World', by eminent art curator and critic Feng Boyi, perceptively highlights Shunde’s famed cuisine with a metaphorical canteen. However, the star of the show is a site-specific permanent stainless steel tree sculpture by American artist Roxy Paine, a piece titled Ballast from his Dendroids series. Its location in the Crescent Garden was cleverly planned in collaboration with Ando to link the unusual architecture and surrounding outdoors.
INFORMATION
Wallpaper* Newsletter + Free Download
For a free digital copy of August Wallpaper*, celebrating Creative America, sign up today to receive our daily digest of inspiration, escapism and design stories
Catherine Shaw is a writer, editor and consultant specialising in architecture and design. She has written and contributed to over ten books, including award-winning monographs on art collector and designer Alan Chan, and on architect William Lim's Asian design philosophy. She has also authored books on architect André Fu, on Turkish interior designer Zeynep Fadıllıoğlu, and on Beijing-based OPEN Architecture's most significant cultural projects across China.
-
Commune’s sustainable personal care products look ‘quite unlike anything else’
Commune’s Somerset-made products stand out in the sustainable skincare crowd. Madeleine Rothery speaks with the brand’s co-founders Kate Neal and Rémi Paringaux
By Madeleine Rothery Published
-
‘Hedonistic and avant-garde’: Rabanne’s Julian Dossena on the legacy of the chainmail 1969 bag
Paco Rabanne’s 1969 chainmail handbag encapsulates the late designer’s futuristic, space-age style. Current creative director Julien Dossena tells Wallpaper* about the bag’s particular pleasures
By Jack Moss Published
-
Postcard from Paris: Olympic fever takes over the streets
On the eve of the opening ceremony of Paris 2024, our correspondent shares her views from the streets of the capital about how the event is impacting the urban landscape.
By Minako Norimatsu Published
-
At Lee Ufan Arles, tension and calm guide relationships between space and art
Lee Ufan Arles opens in the south of France, a collaboration between the famed Korean artist and Japanese architect Tadao Ando
By Amah-Rose Mcknight Abrams Published
-
Pace Tokyo is a flowing Sou Fujimoto experience that ‘guides visitors through the space’
Art gallery Pace Tokyo, designed by Sou Fujimoto in a Studio Heatherwick development, opens in the Japanese capital
By Danielle Demetriou Published
-
How the Arc’teryx Tokyo Creation Centre is all about craft, openness and cross-pollination
Arc’teryx launches its Tokyo Creation Centre, a hub for craftsmanship designed by Torafu Architects, embodying the brand's ethos
By Daniel Scheffler Published
-
Remembering Alexandros Tombazis (1939-2024), and the Metabolist architecture of this 1970s eco-pioneer
Back in September 2010 (W*138), we explored the legacy and history of Greek architect Alexandros Tombazis, who this month celebrates his 80th birthday.
By Ellie Stathaki Published
-
All hail the power of concrete architecture
‘Concrete Architecture’ surveys more than a century’s worth of the world’s most influential buildings using the material, from brutalist memorials to sculptural apartment blocks
By Jonathan Bell Published
-
Three Object Apartment embraces raw concrete honesty in the heart of Athens
Three Object Apartment by DeMachinas is a raw concrete home in Athens, which confidently celebrates its modernist bones
By Ellie Stathaki Published
-
Craft store Nakagawa Masashichi Shoten at Narita airport is an ode to travel
The Japanese homewear and craft store Nakagawa Masashichi Shoten wows with bright interior made of moveable ‘trunks’ by Tokyo-based studio 14sd designs
By Joanna Kawecki Published
-
Space Un celebrates contemporary African art, community and connection in Japan
Space Un, a new art venue by Edna Dumas, dedicated to contemporary African art, opens in Tokyo, Japan
By Nana Ama Owusu-Ansah Published