Emerging jewellery designers – denied the usual platform and supportive community that usually greets a debuting brand – have been discovering unexpected inspirations for sculptural jewels in gold, pearl and resin. The result is a host of new talents who are exploring sensual and playful concepts in jewellery, showing the benefits of all those extra hours put in at the workbench. Here, we present the new jewellery designers exploring both sustainable and comtemporary methods who we are looking forward to seeing more of this year.


Gold jewellery by emerging jewellery designer Sade

Brooklyn-based emerging jewellery designer Sadé Hooks is inspired by mystical cultures, creating pieces that take familiar symbols – the evil eye, Medusa, the curving loops of the Earth – and twist them into sensual jewellery silhouettes. Materials are highly polished to create gleaming works; the ‘Medusa’ ring, crafted from brass, sterling silver and gold vermeil, brings a legend to life. In another piece, angled grooves draw an evil eye dotted with beaded metal eyelashes framing an onyx pupil. Hand-carved, the designs embrace imperfection.

Sister Morphine

Earrings by emerging jewellery designer

Sarah Lamsika handmakes her jewellery in Paris for the playful Sister Morphine pieces, which celebrate irregular and oversized forms. Crafted from polished resin or Plexiglas mirror, the earrings draw organic shapes that are refreshingly light and easy to wear. In a rainbow of hues, from delicate pastels to fiery primary colours, this is jewellery that doesn’t take itself too seriously.

Mason Feyz

Rings by emerging jewellery designer Mason Feyz

For Mason Feyz, jewellery is synonymous with movement, his series of rings appearing to ripple around the finger in undulating forms that celebrate volume. ‘Each ring tells its own story and no two rings are alike,’ explains the designer of his pieces, which are made individually with wax before being cast in silver and plated with rhodium for the gleaming, smooth effect. His designs reference the movement of fabric. ‘I am drawn to the free flow of wrinkles,’ Feyz says of his rings. ‘The entire surface is shaped unevenly to give it a light and soft undulating look. Rings can be among the most restricting forms of jewellery because of their flat surface. They lack humour, volume and motion. I wanted to make pieces that have undulated surfaces and volume. The fun design brings a sense of calmness.’ For Feyz, the process of making the sculptural jewels, of molten metal being poured into moulds, is part of the sensuality of the finished product. Currently based in Maryland, he is at work on new pieces – we can’t wait to see what he comes up with next.