Typography
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Typography relearns its ABC with a retro 1970s throwback
By Elly Parsons • Last updated
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Designers contribute typography to the ‘The changing faces of Bowie’ poster
By Jessica Klingelfuss • Last updated
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The drawn word: SFMoMA tracks the modern evolution of typography
By Ann Binlot • Last updated
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New North Press commissions a 3D-printed letterpress font, designed by A2-Type
By Rosa Bertoli • Last updated
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APFEL’s new digital foundry explores type as ‘readymade’
London-based graphic design studio A Practice for Everyday Life has launched the APFEL Type Foundry, through which it will publish a growing library of typefaces developed through visual, textual and experiential research
By Elly Parsons • Last updated
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Type hype: Ben Adams Architects design new office for Monotype
By Harriet Thorpe • Last updated
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Decorating Tate: branding specialists North refresh the museum’s identity
By Elly Parsons • Last updated
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Pencil to Pixel typography exhibition, New York
By Pei-Ru Keh • Last updated
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Anthony Burrill exhibition opens at Kemistry Gallery in London
By Lauren Ho • Last updated
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Hem’s new brand identity plays with architectural geometry and colour
The newly launched identity was created for Hem by London-based practice Made Thought with a specially developed typeface by Letters from Sweden
By Rosa Bertoli • Last updated
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Chiachi Chao’s typography blends Western and Eastern writing styles
Our Next Generation 2022 showcase shines a light on 22 outstanding graduates from around the globe, in seven creative fields. We profile Taiwanese type and graphic designer Chiachi Chao, a graduate of ECAL, Lausanne
By Jonathan Bell • Last updated
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Cover to cover: Lettering Arts Centre displays Michael Harvey's iconic design
By Clare Dowdy • Last updated
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Frozen motion: Philippe Apeloig makes his mark on porcelain
By Amy Verner • Last updated
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True to type: master of print Alan Kitching displays 'A Life in Letterpress'
By Clare Dowdy • Last updated
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Type cast: the story behind our custom Copan font by London studio Julia
By Jonathan Bell • Last updated
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Fix up look sharp: Balmond Studio launches new brand identity
By Ali Morris • Last updated
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Go underground: 100 years of Edward Johnston’s seminal London typeface
By Sam Rogers • Last updated
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Set in stone: Sekford and Salvatori carve out a timeline of typography
By Sujata Burman • Last updated
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Playful typography: MAD looks back on the 1960s and 70s
By Carly Ayres • Last updated
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A marked legacy: Monotype looks back at the work of Eric Gill
Monotype is staging a week-long celebration of Eric Gill and his most legendary works. Gill started working on Gill Sans in 1927 and produced Joanna a few years later, in 1930; both fonts have been since adopted by Monotype, which has continuously been adapting them to contemporary typographic needs, from different alphabets to new currency symbols, as well as use on digital platforms.
By Rosa Bertoli • Last updated
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Johnston Sans: TfL toasts 100 years of signage during Clerkenwell Design Week
By Ali Morris • Published
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The AIGA National Design Center in New York looks back on 100 years of typography
By Angela Riechers • Published