A marked legacy: Monotype looks back at the work of Eric Gill
Monotype is staging a week-long celebration of Eric Gill and his most legendary works. Gill started working on Gill Sans in 1927 and produced Joanna a few years later, in 1930; both fonts have been since adopted by Monotype, which has continuously been adapting them to contemporary typographic needs, from different alphabets to new currency symbols, as well as use on digital platforms.
The legacy of British designer and sculptor Eric Gill is more than marked by the shocking posthumous revelations in his private life. Despite this – and the subsequent calls to have his work removed from public view – the fact remains that Gill was an artist of great talent, whose work in typeface creation was hugely influential to the discipline, ubiquitously employed across publishing and design industries to this day.
Given this, Monotype is staging a week-long celebration of Gill and his most legendary works. Gill started working on Gill Sans in 1927 and produced Joanna a few years later, in 1930; both fonts have been since adopted by Monotype, which has continuously been adapting them to contemporary typographic needs, from different alphabets to new currency symbols, as well as for use on digital platforms.
With a background as a sculptor, carver and calligrapher, Gill had a particular sensibility for light and shadow, apparent in his typographic work. He and Monotype developed a long relationship, and the American company acquired several of his fonts, which he often created and updated in collaboration with the commercial team there. ‘Gill Sans is evidence of the company’s strong relationship with Eric Gill,’ says Dan Rhatigan, a consultant on the Gill Series project and former type director at Monotype.
On display in the exhibition – curated by James Fooks-Bale, Monotype's creative director – is an array of materials that inspired the development of Gill’s typefaces, as well as documents that explore his fonts' histories and eventful development.
The show also serves as the announcement of a series of new fonts that continue Gill’s legacy. Over 75 new fonts have been introduced in the Monotype library, the most comprehensive update to the Gill Sans and Joanna families yet. Gill Sans Nova, Joanna Nova and Joanna Sans Nova will be available immediately from Monotype. Four designers collaborated over the course of over two years to develop contemporary styles that are true to the typographer’s original intentions. Adjustments of the fonts include an increased palette of weights, making them better suited to digital use, and a Sans version of Joanna, which didn’t exist before. ‘The [Joanna] font has such a vast library and heritage,’ says Terrance Weinzierl, one of the designers tasked with the new project. ‘What we asked ourselves was: how do we contribute to that in a meaningful way?’ The resulting design balances simplicity, beauty and usability, but also maintains Gill’s initial aesthetic character.
‘Gill’s mastery of light and dark spaces is what made his typefaces so good,’ said Steve Matteson, the company’s creative type director. ‘Our work with the [Eric Gill] series spotlights the role Monotype continuously plays with respect [to] the past, present and future of type, where we have the unique ability to revive legacy designs with new weights, characters and languages.'
The exhibition, and the subsequent commercial release of the three typefaces, is an important step in a conversation that brings type history to life.
INFORMATION
’Monotype: the Eric Gill Series’ is on view until 10 November. For more information, visit Monotype’s website
ADDRESS
The Old Truman Brewery
Brick Lane
London, E1 6QL
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Rosa Bertoli was born in Udine, Italy, and now lives in London. Since 2014, she has been the Design Editor of Wallpaper*, where she oversees design content for the print and online editions, as well as special editorial projects. Through her role at Wallpaper*, she has written extensively about all areas of design. Rosa has been speaker and moderator for various design talks and conferences including London Craft Week, Maison & Objet, The Italian Cultural Institute (London), Clippings, Zaha Hadid Design, Kartell and Frieze Art Fair. Rosa has been on judging panels for the Chart Architecture Award, the Dutch Design Awards and the DesignGuild Marks. She has written for numerous English and Italian language publications, and worked as a content and communication consultant for fashion and design brands.
-
Silent running: Lightship’s AE.1 electric Travel Trailer makes its debut as the Cosmos Edition
All-American RV start-up Lightship has launched its first production edition, the AE.1 Cosmos Edition. We take a tour of this electrified home from home
By Jonathan Bell Published
-
Dyne is a New York jewellery brand fusing fluid forms with futuristic flair
Dyne embraces striking materials and silhouettes for very modern jewellery
By Hannah Silver Published
-
Indian furniture brand SĀR Studio is putting Pune on the map with a new flagship and residency programme
SĀR Residence, a multi-use concept space, acts as an extension of the Indian furniture brand
By Laura May Todd Published
-
Set in stone: Sekford and Salvatori carve out a timeline of typography
By Sujata Burman Last updated
-
Playful typography: MAD looks back on the 1960s and 70s
By Carly Ayres Last updated
-
True to type: master of print Alan Kitching displays 'A Life in Letterpress'
By Clare Dowdy Last updated
-
The drawn word: SFMoMA tracks the modern evolution of typography
By Ann Binlot Last updated
-
The AIGA National Design Center in New York looks back on 100 years of typography
By Angela Riechers Published
-
Pencil to Pixel typography exhibition, New York
By Pei-Ru Keh Last updated