Set in stone: Sekford and Salvatori carve out a timeline of typography

‘Typography evokes a period. Even if you don’t know anything about typography, you sort of know what period it is from,’ says Sekford creative director Kuchar Swara on the power of type. In a special new collaboration, the most prominent typographical periods in history have been engraved into Italian brand Salvatori's stone wares in celebration of typography's evolution.
In an effort to honour the art form, Sekford set out to explore lettering through a technique that inspired its dials: stonemasonry. Titled 'Cutting Through Time', the exhibition went on show during London Design Festival last month, with 26 letters and 12 numbers that delved into a typographical timeline from Ancient Greek and Imperial Roman, to Bauhaus via handsome stones and eloquent carving methods.
A hand-carved slate in typeface designer and sculptor Richard Kindersley's studio
Sekford approached British typeface designer and stone letter carver Richard Kindersley to rally the nation’s top cutters for the project. Together, they took on the task of working with Salvatori's impressive catalogue for the first time in this way, mastering the shapes in textured fine stones including Pietra d'Avola for Bauhaus, Silk Georgette for Scotch Roman and Avana for Gill and Johnston.
Aside from the challenge, Swara intended the exercise to be an educational one, distinguishing a visual narrative of the different styles. 'If you look at the very first one, the Ancient Greek letterings are so fine, simple and pure,’ he says. ‘There is almost a line coming back, a full circle when you look at the Bauhaus lettering. The postmodernist interpretations also have simple lines, no thick and thin stresses – it's all to do with the angles.’ To wit, the stones evoke the genesis of type, where decorative experimentation had a moment, but circled back to clean line work.
The timeline concludes on the contemporary carving, which is relatively open to interpretation. Realised in 7, 8 and 0, the designs exude surprisingly decorative shapes, yet still in a modern aesthetic, keeping in line with typography’s intimate tale of ‘going back to go forward.’
Sekford approached lettering master Richard Kindersley, pictured here in his studio, to spearhead the project
Entitled ‘Cutting Through Time,’ the exhibition proposes a typographical timeline from Ancient Greek to Bauhaus-inspired type
INFORMATION
For more information, vist the Sekford website
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Sujata Burman is a writer and editor based in London, specialising in design and culture. She was Digital Design Editor at Wallpaper* before moving to her current role of Head of Content at London Design Festival and London Design Biennale where she is expanding the content offering of the showcases. Over the past decade, Sujata has written for global design and culture publications, and has been a speaker, moderator and judge for institutions and brands including RIBA, D&AD, Design Museum and Design Miami/. In 2019, she co-authored her first book, An Opinionated Guide to London Architecture, published by Hoxton Mini Press, which was driven by her aim to make the fields of design and architecture accessible to wider audiences.
-
A 432 Park Avenue apartment is an art-filled family home among the clouds
At 432 Park Avenue, inside and outside compete for starring roles; welcome to a skyscraping, art-filled apartment in Midtown Manhattan
-
Kitchen Trends 2026: luminosity, colour, and unexpected materiality
These are kitchen trends shaping interior design in 2026, from collaborative kitchens to warm luminosity
-
A gallery in the heart of the Yorkshire Dales showcases work inspired by nature
Thorns Gallery opens in the heart of the Yorkshire Dales, with founders Jonathan Reed and Graeme Black aiming to showcase artworks inspired by the natural world
-
Design beyond humans: a new exhibition argues that the world doesn’t revolve around us
‘More Than Human’ at London's Design Museum (until 5 October 2025) asks what happens when design focuses on the perspectives and needs of other species, from bees to seaweed
-
‘100 Years, 60 Designers, 1 Future’: 1882 Ltd plate auction supports ceramic craft
The ceramics brand’s founder Emily Johnson asked 60 artists, designers, musicians and architects – from John Pawson to Robbie Williams – to design plates, which will be auctioned to fund the next generation of craftspeople
-
‘Disabled people have always been here’: a new V&A show centres on disability in design
Curator Natalie Kane takes us through five key exhibits from the London show, where design points the way to a more inclusive society
-
Malta’s London Design Biennale installation ‘reclaims death as a moment of reflection, not fear’
Wallpaper* speaks with Andrew Borg Wirth, curator of Malta's installation, ‘URNA’, which reimagines cremation rituals
-
11 things that caught our eye at Clerkenwell Design Week 2025
The Wallpaper* team bring you highlights from London’s Clerkenwell Design Week (20-22 May) – from public installations to product launches and a biscuit bar
-
‘R for Repair’ at London Design Festival displays broken objects, re-formed
In the second half of a two-part exhibition and as part of London Design Festival 2022, ‘R for Repair’ at the V&A displays broken objects, re-formed
-
‘Finding quality through the act of making’: Pearson Lloyd celebrates 25 years of design
Pearson Lloyd’s show ‘Change Making’ reflects on past designs from its archives, showcasing the influences on and evolution of the studio, from furniture design to the NHS
-
Tom Dixon marks his studio's 20 years with a show of design experiments
Mushroom, cork, steel coral and more: Tom Dixon showcases an overview of his design experiments as he celebrates his practice's 20 years