The New York Museum of Arts and Design (MAD) is turning an eye on itself this month with 'Eye for Design', an exhibition exploring the graphic identity of the museum as visualised by graphic artists and designers throughout the 1960s and 70s.
Pulling from their own archive as well as that of the American Craft Council, MAD will present a collection of works including exhibition catalogues and related ephemera.
Emil Antonucci, Linda Hinrichs, and John J Reiss are just a few of the designers behind some of these pieces, which defied contemporary graphic standards and bucked trends towards more corporate design, a hallmark of the museum itself.
'MAD embraced a very open definition of craft in the 1960s and 1970s, as the exhibition history highlighted by these catalogues demonstrates,' says Elissa Auther, Windgate research and collections curator at the museum. 'Alongside medium-specific exhibitions of ceramics or textiles, the Museum also produced an unusual series of shows featuring sound, immersive environments, audience-driven "scores" for exploring the city, and the art of baking, among many other creative practices and experiences.'
Rejecting sleek forms in favour of hand-rendered illustration, these graphic artists employed playful typography, experimental mark-making and bright colours, fusing influences like pop art and Henri Matisse’s cutouts with technologies such as screenprinting.
That particular craft will be celebrated through a series of live demonstrations running in parallel with the exhibition called 'The Print Shop', where Brooklyn-based screenprinting studio Kayrock will use MAD’s custom press to create prints inspired by the graphic art of Emil Antonucci.
Pulling from their own archive – as well as that of the American Craft Council – MAD will present a collection of works including exhibition catalogues and related ephemera. Pictured: Coffee, Tea & Other Cups, 1971
Emil Antonucci, Linda Hinrichs, and John J Reiss are just a few of the designers behind some of these pieces, which defied contemporary graphic standards and bucked trends towards more corporate design, a hallmark of the museum itself. Pictured: Craftsmen USA, by Emil Antonucci, 1966
'MAD embraced a very open definition of craft in the 1960s and 1970s, as the exhibition history highlighted by these catalogues demonstrates,' says Elissa Auther, Windgate research and collections curator at the museum. Pictured: People Figures, by Emil Antonucci, 1966
Rejecting sleek forms in favour of hand-rendered illustration, these graphic artists employed playful typography, experimental mark-making and bright colours. Pictured: The Art Of Personal Adornment, by Emil Antonucci, 1965
INFORMATION
'Eye For Design' is on view until 18 September. For more information, visit the Museum of Arts and Design's website
ADDRESS
Museum of Arts and Design
Jerome and Simona Chazen Building
2 Columbus Circle
New York, NY 10019
-
Complex and stimulating, Federico Stefanovich's industrial designs act like a bridge between culture and economicsIn a rapidly changing world, the route designers take to discover their calling is increasingly circuitous. Here Federico Stefanovich tells us about his increasing desire to find his own path
-
Amelia Stevens' playful, minimalist design 'is geared towards beauty as a function of longevity'In a rapidly changing world, the route designers take to discover their calling is increasingly circuitous. Here we speak to Amelia Stevens about the multi-disciplinary joy of design
-
Design practice Astraeus Clarke is inspired by cinema to tell a story and evoke an emotionIn a rapidly changing world, the route designers take to discover their calling is increasingly circuitous. Here we speak to Chelsie and Jacob Starley the creative duo behind Astraeus Clarke
-
Design Miami 2024 is alive with possibility: here are 14 things to seeDesign Miami 2024 opens 4-8 December – let Wallpaper* guide you to the highlights, from dazzling installations to plump sofas and anthropomorphic sculptures
-
Nendo’s collaborations with Kyoto artisans go on view in New York‘Nendo sees Kyoto’ is on view at Friedman Benda (until 15 October 2022), showcasing the design studio's collaboration with six artisans specialised in ancient Japanese crafts
-
Italian craftsmanship comes to Los Angeles in this eclectic Venice Canals apartmentBoffi Los Angeles celebrates a juxtaposition of texture throughout a waterside bolthole
-
Design Miami/Basel 2022 explores the Golden AgeDesign Miami/Basel 2022, led by curatorial director Maria Cristina Didero, offers a positive spin after the unprecedented times of the pandemic, and looks at the history and spirit of design
-
Kvadrat’s flagship New York showrooms encompass colourful design codesIndustrial designer Jonathan Olivares and architect Vincent Van Duysen have worked with Danish textile brand Kvadrat on the vast new space, also featuring furniture by Moroso
-
What to see at New York Design Week 2022Discover Wallpaper’s highlights from New York Design Week 2022 (10 – 20 May 2022): the fairs, exhibitions and design openings to discover
-
Colour defines LA ceramics studio and showroom of Bari ZipersteinStep inside the multifunctional ceramics studio, office and showroom of designer and artist Bari Ziperstein, designed by local firm Foss Hildreth
-
Design for Ukraine: Bocci and Design Miami join forces to raise fundsThe online sale of iconic Bocci pieces will benefit GlobalGiving’s Ukraine Crisis Relief Fund, providing urgently needed humanitarian aid
