The veritable British typography firm Monotype has dreamt up the ultimate showcase for the font fiends in all of us. 'Pencil to Pixel' is a comprehensive exhibition offering typography fanatics a chance to get up close to rare implements, artworks and artifacts relating to type history, charting the development of typography up to its present technology-infused state.
'In an era where most people interact with type as a digital experience, Monotype's collection of artifacts relating to type history - examples of precision drafting, metal and film masters, photographs and tools - provide a chance for visitors to explore the very physical history of the typefaces they already know,' explained Dan Rhatigan, Monotype's UK Type Director.
The exhibition also offers an opportunity to see the hand of the author. Says Monotype's James Fooks-Bale: 'A lot of designers are familiar with the "tick-down" menu in their applications but aren't familiar with the fact that it originally came from someone's hand.'
With a history dating back to 1897, Monotype is certainly in a position to hold typographic court. The exhibition, which opens in New York this week, is actually a reprise of a first installment that was staged in London last November. The American leg will feature examples with special relevance to the United States, such as a copy of the 1931 Linotype magazine 'Typographic Sanity,' published in Brooklyn, as well as original Monotype Centaur typeface drawings by American typographer and type designer Bruce Rogers.
Other artifacts on show, which have previously never been seen, include phototype masters for Haas Unica and Neue Helvetica fonts, the original drawings Eric Gill made for Joana and an impeccably maintained manuscript showing the exact Firmin Didot typefaces that inspired Adrian Frutiger's Linotype Didot.
The show charts the development of typography up to its present technology-infused state.
Original letter drawings of 'Littleworth', an unreleased typeface, from the Monotype archives
Original artwork for 'Littleworth', from Monotype's archive
Eric Gill's 1928 pencil and ink drawings for 'Gill Sans Italic'
Monotype released versions of 'Helvetica' and 'Univers' for phototypesetting years before the Linotype versions joined the library
'Pencil to Pixel' offers typography fanatics a chance to get up close to rare implements, artworks and artifacts relating to type history
One such artifact is this copy of 'Big Red' - a comprehensive specimen book of Linotype faces, published in 1939
Specimen book showcasing the library of the International Typeface Corporation (ITC), 1980
The inside-cover of 'Big Red'
Essentially a reference tool, the book is a showpiece of the Chauncey Griffith era
Copper patterns for Eric Gill's Joanna (1937) show one of the manufacturing stages between the drawings and type itself
A sample of ITC's 'The American Typewriter', from the company's 1980 specimen collection
ADDRESS
Tribeca Skyline Studio
205 Hudson Street
Penthouse
New York
-
Highlights from the transporting Cruise 2026 showsThe Cruise 2026 season began yesterday with a Chanel show at Lake Como, heralding the start of a series of jet-setting, destination runway shows from fashion’s biggest houses
-
Behind the design of national pavilions in Venice: three studios to knowDesigning the British, Swiss and Mexican national pavilions at the Venice Architecture Biennale 2025 are three outstanding studios to know before you go
-
Premium patisserie Naya is Mayfair’s latest sweet spotHeritage meets opulence at Naya bakery in Mayfair, London. With interiors by India Hicks and Anna Goulandris, the patisserie looks good enough to eat
-
Set in stone: Sekford and Salvatori carve out a timeline of typography -
Playful typography: MAD looks back on the 1960s and 70s -
True to type: master of print Alan Kitching displays 'A Life in Letterpress' -
The drawn word: SFMoMA tracks the modern evolution of typography -
A marked legacy: Monotype looks back at the work of Eric GillMonotype is staging a week-long celebration of Eric Gill and his most legendary works. Gill started working on Gill Sans in 1927 and produced Joanna a few years later, in 1930; both fonts have been since adopted by Monotype, which has continuously been adapting them to contemporary typographic needs, from different alphabets to new currency symbols, as well as use on digital platforms.
-
The AIGA National Design Center in New York looks back on 100 years of typography
