DS Automobiles DS7 Crossback shakes Citroën's post-war heritage in favour of modern luxe

Front grille of DS Automobiles DS7 Crossback
DS Automobiles’ designated flagship, DS7 Crossback, speaks to modern design luxe
(Image credit: dsautomobiles.co.uk)

When the Citroën DS debuted at the 1955 Paris motor show, legend has it that 80,000 deposits were taken in ten days. The DS was not a prestige car; post-war austerity was barely over and there was no demand for luxury or high-end motoring. But it was an engineering masterpiece, an undisputed design icon that cemented the company’s reputation for innovation and caused a clamour for orders as a result.

Today’s DS flagship is a very different beast. For the model generations that followed the DS, Citroën led with big saloon cars, favoured by presidents, architects and eccentrics for their fearsome combination of technical trickery (chiefly in the form of unique hydro-pneumatic suspension and steering) and quirky styling. The DS was succeeded by the CX, XM and C6 – cars that were truly avant-garde but almost always outsold by rivals. Citroën’s small cars – in the no less innovative form of the 2CV and Visa – took on more and more importance. With the coming of the MPV era, the saloon car was all but dead. With its passing, many believed Citroën’s flourishes and eccentricities were also doomed. Instead, the company found a new vocation supplying people carriers large and small.

DS7 Crossback

(Image credit: dsautomobiles.co.uk)

When Citroën hived off ‘DS’ as a standalone brand, commentators hoped that, henceforth, interesting designs would be created by DS Automobiles, leaving Citroën to concentrate on the tough business of creating big sellers. Yet paradoxically, ever since that decision, the parent company has rallied, returning with quirky small cars like the C3 and C4 that retain Citroën’s off-beat style without sacrificing any practicality. Ironically, the shiny new DS division has been lumbered with vehicles that do little to advance the cause of Gallic idiosyncrasy. Crossovers are notoriously tricky cars to style, melding the jacked-up profile of the SUV with the function-defying roofline of the coupe. To date, the DS4 and DS5 haven’t offered anything more substantial than their Citroën equivalents, with only the original DS3 and the newly announced DS3 Crossback keeping the flame.

This is the DS7 Crossback, the designated brand flagship. With its faceted, angular dashboard it seems to have taken a leaf from Lamborghini’s self-consciously dramatic interior design (only with the surprise addition of a little Deco-esque dashboard clock). Unfortunately the interior also shares Lamborghini’s disdain for ergonomics, with a flashy angular digital interface that recalls turn of the century web design. Externally, the crossover body shape hasn’t given the designers anywhere to go but up, and although the chunky body style fits perfectly in its class, it pays no heed to heritage. Admittedly, the DS7 is far classier than many of its rivals in terms of finish and materials, although its designer credentials speak of modern luxe rather than quirky originality.

DS Automobiles DS7 Crossback door interior

(Image credit: dsautomobiles.co.uk)

So what is DS trying to do? The answer is sell to markets that care little about the cultural baggage of six decades ago. The original DS became a design icon through a quirk of history, championed by semioticians to shoulder the theory that a mass-produced car best represented the hopes, dreams and prayers of a newly industrialised society. Cars have plenty of competition in our technology-filled age, which is partly why DS places so much emphasis on in-car tech and gadgets. Most importantly, the company hopes to grow its Chinese division, where it partners with Changan Automobile and already has a couple of market-specific models.

In summary, it appears that 2016’s sleek DS E-Tense concept and the earlier Divine DS concept pointed to a design route that the company decided not to explore; Citroën’s own CXPerience Concept from 2016 was a more convincing take on low-slung future luxury than either. We suspect that at Citroën’s expansive design centre in the wooded hills outside Paris and shared with sister company Peugeot, someone is probably still holding a flame for the big Citroëns of old, drawing up endless iterations of what a DS of tomorrow should really look like. As it is, the DS7 certainly makes a statement with its plush, confidently different interior – it’s just not the defiant shout of originality we’d been led to expect.

Reverse of DS Automobiles DS7 Crossback

(Image credit: dsautomobiles.co.uk)

Aerial view of DS Automobiles DS7 Crossback

(Image credit: dsautomobiles.co.uk)


DS Automobiles DS7 Crosback, from £27,000. For more information, visit the DS Automobiles website

Jonathan Bell has written for Wallpaper* magazine since 1999, covering everything from architecture and transport design to books, tech and graphic design. He is now the magazine’s Transport and Technology Editor. Jonathan has written and edited 15 books, including Concept Car Design, 21st Century House, and The New Modern House. He is also the host of Wallpaper’s first podcast.