Portuguese artist Sara Bastai enlists artificial intelligence as a collaborator for an unusual dialogue. In RAM_1.0, AI analyses the visual data in Bastai’s photographic memories, creating new caption-like readings of images which, in turn, inform fabricated scenes.
‘A woman holding a piece of food up to her mouth,’ reads one of the AI interpretations. Bastai’s response is a tactile image of someone with glossy skin chomping into a strawberry. ‘A group of people posing for a picture’ becomes strangely choreographed. The mundanity of the captioning is in humorous contrast to the subtle absurdity of the constructed works.
Talking of the process, Bastai explains that while AI is present as a curator, director and cataloguer, her own life and her friends’ lives are interwoven throughout. This leads to a sense that the characters depicted are elements of her, alter-egos perhaps.
Another curious element is when AI’s misinterpretation and Bastai’s memories clash. For example, the data repeatedly misidentifies pink ties and toothbrushes in her memories, but Bastai makes space for it to have this power and so depicts as it dictates.
With these reimagined memories illustrating a dialogue between real life and a computational interpretation of data, Bastai draws our attention to the limitations and possibilities of us trusting technology to catalogue and share our lives.
Dream collaborators: ‘For the past year, I have been quite intrigued by female artists such as Caroline Polachek, Oklou, Lykke Li, to name a few. I find their musical sensibility quite fascinating, yet an interesting challenge to draw upon for my practice. I would love to find ways to interpret and translate their musical sensations into visual environments.’
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