‘Happy birthday Louise Parker II’: enter the world of Roe Ethridge
Roe Ethridge speaks of his concurrent Gagosian exhibitions, in Gstaad and London, touching on his fugue approach to photography, fridge doors, and his longstanding collaborator Louise Parker

The American photographer Roe Ethridge isn’t precious about titles. For his latest exhibitions with Gagosian, recently opened in Gstaad and London (through 8 and 28 September, respectively), he made an inventory of various labels. ‘I made a list of the most prominent themes of selected images,’ he clarifies, recounting over email how he arrived at the moniker for this new pair of shows, ‘Happy Birthday Louise Parker II’. ‘First was “Louise Parker”, then “Birthday” came in at second or third, and immediately the phrase “Happy Birthday Louise Parker” came to mind. I had always imagined the portrait of her sitting in the red chair [Louise in a Chair for Double (2015)] as a picture of her at her imaginary birthday party.’
Parker, whose image is the central though not sole motif of the two shows – described by the gallery as ‘a pair of different but interconnected selections’ – has been a part of Ethridge’s orbit since the early 2010s, when she was streetcast for an editorial he was shooting. ‘She was a student of Stephen Shore at Bard college and was already aware of what I was up to as a photographer,’ he shares. ‘We never talked about it much, the collaboration has always been pretty effortless. She’s actually coming to Gstaad on 22 August, which coincides with the big Polo match [The Hublot Polo Gold Cup] in the city. We are hoping to make a picture of her with the Polo match in the background!’
Roe Ethridge, Pic 'n Clip #3, 2017
Adapted from a previous show in Milan (‘Happy Birthday Louise Parker’), which opened the gallery at 10 Corso Cosmo in February 2024 and was curated by Alessandro Rabottini, the displays in Gstaad and London are typical of the photographer’s fugue approach to curating and image-making more broadly, a defining characteristic of his decades-long career, in which his work has comfortably straddled in tandem the arenas of the commercial and the personal. ‘I love the idea of the fugue as a sort of musical guide to the sequencing,’ he notes. ‘It’s like a multitude of little dialectal moments that create third things and hopefully those third things turn into chords or passages.’
In addition to those of Parker, in Gstaad and London there are portraits of friends and family members and still lifes made for brands and publications.
‘Alessandro was instrumental in the concept of the [10 Corso Como] show,’ says Ethridge, recalling the formation of the Milan installation, ‘weaving in the personal and commercial images with Louise as an iconic refrain. He and I have known each other for years. We worked together on every aspect of the show, and I think it’s a testament to working with a great curator that the show was generous in what it delivered and how it worked in the context of Corso Cosmo.’
Roe Ethridge, Loro Piana Bag for Vanity Fair, 2024
This interest in collaboration stretches beyond his work with Parker and Rabottini, and elements of ‘Happy Birthday Louise Parker II’ were similarly shaped by his friends, suggests Ethridge. Take Louise on David’s Refrigerator (2012-20), an image of a worn print affixed at the corners with magnets: ‘My friend David Jimenez, who produced the images of Louise on Brass with me, had that invite poster of Louise on his refrigerator for ten years or so and sent me that image,’ offers the photographer. ‘I loved it so much I just enlarged the file he sent. It feels natural to me to have themes or subjects return over time, it’s something photography is particularly suited for.’
Indeed, this backstory recalls Refrigerator, 1999, a photograph of his mother’s busy fridge front originally made on assignment. It subsequently opened his 2022 monograph American Polychronic, and Ethridge has since described it as a self-portrait.
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Roe Ethridge, Candy and Comme des Garçons , 2024
‘I love the new still life image in the Davies Street show [in London], it depicts a sort of waspy poolside scene with a Loro Piana handbag,’ he continues, highlighting Loro Piana Bag for Vanity Fair, 2024, a vivid poolside scene featuring, alongside the Italian leather and wicker bag, a beachball, cube of ice and a large shell.
Related article
‘The set and props were handled by Andy Harmon, who was also the set and prop guy for the Comme des Garçons still life and the duck for Burberry (he and I have had a long collaboration). It wasn’t until I made the big print that I realised the engraving on the little gold lock of the bag has the letters “LP”. Same as the initials of Louise Parker!’
'Happy Birthday Louise Parker II' is at Gagosian in Gstaad and London, through 8 and 28 September, respectively.
Roe Ethridge, Double Gold Ring with Plastic Lid and Calla Lily, 2024
Zoe Whitfield is a London-based writer whose work spans contemporary culture, fashion, art and photography. She has written extensively for international titles including Interview, AnOther, i-D, Dazed and CNN Style, among others.
-
Piaget’s new Sixtie watches recall a glamorous history at Watches and Wonders 2025
Piaget draws on historical codes with the trapeze-shaped Sixtie watch collection, revealed at Watches and Wonders 2025
By Hannah Silver Published
-
A contemporary Swiss chalet combines tradition and modernity, all with a breathtaking view
A modern take on the classic chalet in Switzerland, designed by Montalba Architects, mixes local craft with classic midcentury pieces in a refined design inside and out
By Jonathan Bell Published
-
Cartier dials up the glamour at Watches and Wonders 2025
Cartier revamps much-loved watch collections, from Privé and Panthère to Tank and Tressage, upping the sparkle at the watch fair in Geneva
By Thor Svaboe Published
-
Tom Wesselmann’s 'Up Close' and the anatomy of desire
In a new exhibition currently on show at Almine Rech in London, Tom Wesselmann challenges the limits of figurative painting
By Sam Moore Published
-
A major Frida Kahlo exhibition is coming to the Tate Modern next year
Tate’s 2026 programme includes 'Frida: The Making of an Icon', which will trace the professional and personal life of countercultural figurehead Frida Kahlo
By Anna Solomon Published
-
A portrait of the artist: Sotheby’s puts Grayson Perry in the spotlight
For more than a decade, photographer Richard Ansett has made Grayson Perry his muse. Now Sotheby’s is staging a selling exhibition of their work
By Hannah Silver Published
-
Celia Paul's colony of ghostly apparitions haunts Victoria Miro
Eerie and elegiac new London exhibition ‘Celia Paul: Colony of Ghosts’ is on show at Victoria Miro until 17 April
By Hannah Hutchings-Georgiou Published
-
Teresa Pągowska's dreamy interpretations of the female form are in London for the first time
‘Shadow Self’ in Thaddaeus Ropac’s 18th-century townhouse gallery in London, presents the first UK solo exhibition of Pągowska’s work
By Sofia Hallström Published
-
Sylvie Fleury's work in dialogue with Matisse makes for a provocative exploration of the female form
'Drawing on Matisse, An Exhibition by Sylvie Fleury’ is on show until 2 May at Luxembourg + Co
By Hannah Silver Published
-
What to see at BFI Flare film festival, 'a rich tapestry of queer experience'
As one of the only film festivals to explicitly profile LGBTQI+ cinema, BFI Flare Film Festival remains a unique and beloved event. Here's what to see as it makes its return to London from 19 - 30 March
By Billie Walker Published
-
The enduring appeal of Transport for London’s seat designs
From artist Rita Keegan’s new collage to fashion designer Adam Jones’ Overground suit, TfL moquettes continue to enjoy a cult status
By Kyle MacNeill Published