Phillip K Smith III in five dazzling art installations

A wooden cabin in the desert with colourful mirrored strips running horizontally along the sides.

01: Lucid Stead, 2013, by Phillip K Smith III. Photography: Steve King

(Image credit: Steve King)

last updated 15 September 2022

The light-based installation works of the artist Phillip K Smith III might typically be fleeting, temporary creations that are set against exceptional nature backdrops, but five of Smith’s most arresting outdoor works are now newly immortalised in a fresh tome called Five Installations, published by the Laguna Art Museum.

Opening with Smith’s breakthrough creation, Lucid Stead (2013) – which saw the artist transform an original Joshua Tree homestead shack into a dynamic mirrored structure that reflected and distorted images of the surrounding desert landscape and sky – the book is filled with detailed photographs that highlight and expand upon Smith’s unique creative approach.

‘This was my first time using the environment as a surface,’ recounts the artist, who has based his studio in Palm Desert since 2000 (see his insider guide to Palm Springs here). ‘[The structure] became a tool for viewing and experiencing the desert.’

02: 1/4 Mile Arc, 2016, by Phillip K Smith III

For Smith, who was born in Los Angeles and pursued both fine art and architecture at the Rhode Island School of Design, the vibrant, changing quality of light and the natural landscape – both so unique to the Palm Springs and Death Valley areas – are what he seeks to convey in each of his large-scale works.

In 1/4 Mile Arc, a striking installation Smith created for the Laguna Art Museum in 2016, a gentle arc of reflector planes traces the contour of the beach, reconfiguring and recollaging scenes of the oceanfront surroundings with a new, captivating result. ‘I wanted to create a quarter-mile-long reflective drawing that would change as the environment of Laguna changed,’ says Smith.

While the book also shines a spotlight on Smith’s smaller-scale sculptures, such as a continuing series of mirror works and light works that experiments with the perceptions of reflection, shadow and colour in compact and self-sufficient forms, it is ultimately Smith’s outdoor installations that hold no comparison.

A row of rectangular clear glass bars with wilderness and hills behind them. — **03:** *The Circle of Land and Sky*, 2017, by Phillip K Smith III. *Photography: Lance Gerber*

Aerial view of The Circle of Land and Sky, 2017, by Phillip K Smith III. A circle made of glass bars in the desert sand. — **03:** Aerial view of The Circle of Land and Sky, 2017, by Phillip K Smith III. *Photography: Lance Gerber.*

Mirrored cubes and rectangular objects on green grass with palm trees behind them. — **04:** *Reflection Field*, 2014, by Phillip K Smith III. *Photography: Lance Gerber.*

A row of rectangular clear glass bars with white steps in front of the them and grass and palm trees behind them. — **05:** *Portals*, 2016, by Phillip K Smith III. *Photography: Lance Gerber*

INFORMATION

Five Installations, $29.95, published by Laguna Art Museum (opens in new tab). For more information, visit Phillip K Smith III’s website.

TOPICS

Pei-Ru Keh is the US Editor at Wallpaper*. Born and raised in Singapore, she has been a New Yorker since 2013. Pei-Ru has held various titles at Wallpaper* since she joined in 2007. She currently reports on design, art, architecture, fashion, beauty and lifestyle happenings in the United States, both in print and digitally. Pei-Ru has taken a key role in championing diversity and representation within Wallpaper's content pillars and actively seeks out stories that reflect a wide range of perspectives. She lives in Brooklyn with her husband and two children, and is currently learning how to drive.