A new Venice arts centre is bringing the plight of our oceans to the fore
A multimedia installation by artist Joan Jonas inaugurates Ocean Space, a collaborative platform for change opened in the newly revitalised San Lorenzo church
A ninth-century Venetian church largely closed to the public for more than 100 years has reopened as the home for Ocean Space, an interdisciplinary arts centre with a focus on marine conservation. An immersive multimedia installation by American artist Joan Jonas inaugurates the new ‘embassy for oceans’, which has been spearheaded by the eco-minded offshoot of Austrian art patron Francesca Thyssen-Bornemisza’s foundation TBA21 (Thyssen-Bornemisza Art Contemporary).
‘Today, [Venice] struggles alongside numerous other coastal communities and island states the effects of climate change and sea level rise, making the mission and programme of Ocean Space ever more topical to the local community and its visitors,’ explained Thyssen-Bornemisza in a statement. Since its inception in 2011, the nomadic TBA21-Academy has collaborated with a global network of artists, scientists, explorers, legal experts, and policy makers intent on fostering a greater understanding of our oceans through the lens of art. The academy’s diverse non-profit programme encompasses exhibitions, installations, commissions, residencies and expeditions.
Curated by Stefanie Hessler, Jonas’ installation Moving Off the Land II is the culmination of three years of research in aquariums worldwide. The work intertwines prose by writers including Emily Dickinson and Herman Melville with moving images captured during Jonas’ residency off the Jamaica coast. Oceans have surfaced in the artist’s work previously, including her project for the 56th Venice Biennale – a poetic reflection on the fragility of nature.
RELATED STORY
Dozens of drawings of marine life suspended from scaffolding carry the eye upwards to the church’s lofty ceilings. ‘I purposefully left the scaffolding up because I like the kind of roughness of it, and the idea off temporality and the situation relating in some way to the situation in the oceans,’ said the artist. Coinciding with the Venice Biennale vernissage, Jonas will perform in the space on 7 May, accompanied live by composer and drummer Ikue Mori.
Following the conclusion of Jonas’ exhibition at the end of September, further work will begin on the interiors before Ocean Space’s programme relaunches in spring 2020. Spanish architect André Jaque of Office Political Innovation is responsible for the interior architectural intervention, which is expected to complete within the next two years. Taking advantage of the soaring nave within the Church of San Lorenzo, Jaque’s design centres on a modular structure of platforms, allowing for a range of exhibitions, installations and workshops.
INFORMATION
‘Moving Off the Land II’ is on view until 29 September. For more information, visit the Ocean Space website, TBA21-Academy website and Office for Political Innovation website
ADDRESS
Church of San Lorenzo
Campo San Lorenzo
30122 Venice
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
-
Focal launches Diva Utopia, wireless speakers for aesthetically minded audiophiles
Focal’s felt-clad Diva Utopia speakers bring high-fidelity wireless sound to a huge range of audio applications
By Jonathan Bell Published
-
Watch: Jamie Dornan takes a bath in Le Courbusier’s villa for Loewe Perfumes
Jamie Dornan stars alongside Sophie Wilde in the new Loewe Perfumes 2024 campaign, shot by David Sims in Le Corbusier’s Villa Savoye
By Hannah Tindle Published
-
One to watch: Casey Zablocki’s Rocky Mountain surroundings feed into his vast sculptural work
Montana-based artist Casey Zablocki uses one of America’s largest kilns to create monumental ceramic, functional sculptures
By Dan Howarth Published
-
Portrait of a modernist maverick: last chance to see the Jean Cocteau retrospective in Venice
‘Cocteau: The Juggler’s Revenge’, celebrating the French artist's defiance of artistic labels, is in its final week at Peggy Guggenheim Collection, Venice
By Caragh McKay Published
-
‘Everything human-made is of interest to me’: Hildigunnur Birgisdóttir in Venice
Artist Hildigunnur Birgisdóttir explores consumerism at the Icelandic Pavilion at the Venice Biennale 2024
By Hannah Silver Published
-
‘Personal Structures’ in Venice is about ‘artists breaking free’
‘Personal Structures 2024: Beyond Boundaries’ reveals a rich tapestry of perspectives on the challenges of our time, from culture to climate and identity
By Nargess Banks Published
-
Enter the immersive world of film noir at a disused hospital in Venice
Fondazione In Between Art Film returns to Venice with ‘Nebula’, by curators Alessandro Rabottini and Leonardo Bigazzi
By Amah-Rose Abrams Published
-
‘I just don't like eggs!’: Andrea Fraser unpacks the art market
Artist Andrea Fraser’s retrospective ‘I just don't like eggs!’ at Fondazione Antonio dalle Nogare, Italy, explores what really makes the art market tick
By Sofia Hallström Published
-
Alternate worlds and end of days: Pierre Huyghe in Venice
Pierre Huyghe delves into dystopia with 'Liminal', at Palazzo Grassi’s Punta della Dogana in Venice
By Amah-Rose Abrams Published
-
Josèfa Ntjam on her surreal utopias in Venice
Artist Josèfa Ntjam and LAS Art Foundation bring other worlds to life with ‘swell of spæc(i)es’ at Accademia di Belle Arti di Venezia during the Venice Biennale 2024
By Hannah Silver Published
-
Les Lalanne’s surreal world takes over Venice
‘Planète Lalanne’, presented by Ben Brown Fine Arts, takes over Palazzo Rota Ivancich, with a cast of blue hippos, woolly sheep and giant grasshoppers
By Hannah Silver Published