Simply being: Chris Floyd explores scale and space in ’The Infinity Degree’
The British photographer (and occasional Wallpaper* contributor) Chris Floyd is best known for his portraiture, but it’s the humble landscape that headlines in his new exhibition, launched at fashion and homeware brand Anthropologie’s store in Chelsea.
Entitled ‘The Infinity Degree’, the exhibition weaves together a tapestry of images captured by happenstance, with the earliest image dating back to 2000 and the most recent shot taken just two months ago. ‘In the same way that Marmite is a natural byproduct of beer brewing, these pictures are a byproduct of my other projects,’ quips the photographer.
Delving into his archive, Floyd was struck by a common visual thread linking images separated by several years and vast distances. Here, a sense of scale and space was in play, with compositions that deliberately turned large objects into small ones, and vice versa.
Now based in London, Floyd previously lived in the US for several years, traversing 40-odd states on assignment for the likes of The New York Times. Many of the works are plucked from his American travels, though the show is peppered with stills from more far-flung locales such as Berlin and Cape Town.
A North Dakota barn tilts impossibly askew in one image; elsewhere, in Los Angeles, a motel glows nuclear-green in the night. ‘In my ordinary daily life, I’m quite anxious. I worry about the world and the future and everything,’ Floyd explains. ‘['The Infinity Degree'] was a sort of attempt to create a calm bucolic sense of order.’
Floyd was 14 years old when he first discovered photography, finding it ‘a brilliant catalyst to explore things I was curious about’. In a sense, ‘The Infinity Degree’ is a return to this spontaneous impetus – a refreshingly modest expression of photography. It’s simply being.
The photographs, collectively named 'The Infinity Degree', share a distorted sense of scale and space. Pictured: Rome, 2003
Floyd, who described himself as perpetually anxious, said: ‘[The Infinity Degree] was a sort of attempt to create a calm bucolic sense of order.' Pictured: Cape Town, 2005
Floyd spent several years living and working in the US, and much of the series draws from his time there. Pictured: North Dakota, 2002
Connecticut, 2002
North Dakota, 2002
The series is peppered with stills from more far-flung locales as the French Riviera. Pictured: Cote d'Azur, 2005
Cape Town, 2005
INFORMATION
‘The Infinity Degree’ runs until 13 March 2016. For more information, visit Chris Floyd’s website
ADDRESS
Anthropologie
131–141 Kings Road
London, SW3 4PW
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
-
‘I want to bring anxiety to the surface': Shannon Cartier Lucy on her unsettling worksIn an exhibition at Soft Opening, London, Shannon Cartier Lucy revisits childhood memories
-
What one writer learnt in 2025 through exploring the ‘intimate, familiar’ wardrobes of ten friendsInspired by artist Sophie Calle, Colleen Kelsey’s ‘Wearing It Out’ sees the writer ask ten friends to tell the stories behind their most precious garments – from a wedding dress ordered on a whim to a pair of Prada Mary Janes
-
Year in review: 2025’s top ten cars chosen by transport editor Jonathan BellWhat were our chosen conveyances in 2025? These ten cars impressed, either through their look and feel, style, sophistication or all-round practicality
-
Out of office: The Wallpaper* editors’ picks of the week'Tis the season for eating and drinking, and the Wallpaper* team embraced it wholeheartedly this week. Elsewhere: the best spot in Milan for clothing repairs and outdoor swimming in December
-
Out of office: The Wallpaper* editors’ picks of the weekFar from slowing down for the festive season, the Wallpaper* team is in full swing, hopping from events to openings this week. Sometimes work can feel like play – and we also had time for some festive cocktails and cinematic releases
-
The Barbican is undergoing a huge revamp. Here’s what we knowThe Barbican Centre is set to close in June 2028 for a year as part of a huge restoration plan to future-proof the brutalist Grade II-listed site
-
Out of office: The Wallpaper* editors’ picks of the weekIt’s wet, windy and wintry and, this week, the Wallpaper* team craved moments of escape. We found it in memories of the Mediterranean, flavours of Mexico, and immersions in the worlds of music and art
-
Each mundane object tells a story at Pace’s tribute to the everydayIn a group exhibition, ‘Monument to the Unimportant’, artists give the seemingly insignificant – from discarded clothes to weeds in cracks – a longer look
-
Out of office: The Wallpaper* editors’ picks of the weekThis week, the Wallpaper* team had its finger on the pulse of architecture, interiors and fashion – while also scooping the latest on the Radiohead reunion and London’s buzziest pizza
-
Out of office: The Wallpaper* editors’ picks of the weekIt’s been a week of escapism: daydreams of Ghana sparked by lively local projects, glimpses of Tokyo on nostalgic film rolls, and a charming foray into the heart of Christmas as the festive season kicks off in earnest
-
Wes Anderson at the Design Museum celebrates an obsessive attention to detail‘Wes Anderson: The Archives’ pays tribute to the American film director’s career – expect props and puppets aplenty in this comprehensive London retrospective