21 Twenty One: 21 designers for twenty-first century Britain
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
You are now subscribed
Your newsletter sign-up was successful
Want to add more newsletters?
Daily (Mon-Sun)
Daily Digest
Sign up for global news and reviews, a Wallpaper* take on architecture, design, art & culture, fashion & beauty, travel, tech, watches & jewellery and more.
Monthly, coming soon
The Rundown
A design-minded take on the world of style from Wallpaper* fashion features editor Jack Moss, from global runway shows to insider news and emerging trends.
Monthly, coming soon
The Design File
A closer look at the people and places shaping design, from inspiring interiors to exceptional products, in an expert edit by Wallpaper* global design director Hugo Macdonald.
The ‘21 Designers for twenty-first century Britain’ that feature in Gareth Williams’ 21 Twenty One are familiar names to Wallpaper* readers. Indeed a good few, including Studio Glithero, Simon Hassan, Martino Gamper, Paul Cocksedge, Peter Marigold, Max Lamb, Doshi Levien, Moritz Waldemeyer and Industrial Facility have collaborated on Wallpaper* Handmade and other Wallpaper* projects. In that sense, this is the generation of British-based designers – less than a third are actually British – that we have pushed, promoted and commissioned. The majority have also passed through the RCA, where Williams’ teaches – they should get some of the credit, of course – and have come to prominence in the last ten years or so.
All of Williams’ selection are small, independent studios and, as Williams says, their work tends to the fantastic rather than the functional (Industrial Facility might be the obvious exception). And for product designers there is a remarkable lack of actual product going on in this book.
As the author points out, if these designers represent British design now, it is a very different sort of design from that practiced by agencies like Seymour Powell in the 1990s.
This is design that sees itself as a cultural activity and has been happily accepted as such by institutions, such as the RCA, galleries and magazines, like Wallpaper*, that have positioned the UK, and London more particularly, as a global design hub.
Beautifully designed by A Practice for Everyday Life, William’s book reminds us how much design – and the conversation about design – has become to ideas of what contemporary Britain (metropolitan Britain at least) is or should be. And how radically this generation of designers has rethought it ends and means.
A spread from the chapter on British designer Peter Marigold, who worked as a stage designer before enrolling at the Royal College of Art to study Design Products under Ron Arad in 2004
A spread featuring 'Dug and Stuff' vessels (2010), by Peter Marigold. Williams describes Marigold's work as a clash of opposites
The chapter on design trio Troika, who met as students at the RCA
The chapter on Anglo-Dutch partnership (and past Wallpaper* Handmade contributors), Glithero
A spread featuring the chandelier 'Swarm Study III', by British and German design trio rAndom International
The chapter on Anglo-Dutch partnership (and past Wallpaper* Handmade contributors), Glithero
Stills from the Paper Planes film, conceived for Wallpaper* Handmade 2011, by Glithero
The chapter on British designer, Paul Cocksedge. 'He is a latter-day wizard, using high and low technology to create modern marvels,' says Williams
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.