‘The Gathering Place’ is a minimalist gesture on the Scottish landscape
The Gathering Place by artists Sans Façon, architects KHBT, and the City of Inverness brings together architecture, art and the Scottish landscape

Robert Ormerod - Photography
Located in the heart of the Highland city of Inverness, The Gathering Place is a minimalist yet powerful gesture on the Scottish landscape. Bridging design, architectural gardens, landscape and art, the piece has just been unveiled by a creative team composed of artists Sans Façon and architects KHBT, alongside the City of Inverness. It creates not only an elegant architectural landmark for the region, but also a place for gathering and contemplation for locals and visitors alike.
The piece, all sweeping curves and tactile materiality, can be found along the banks of the iconic River Ness, conversing with the water and nature beyond. Partly nestled into the riverbank, and partially floating above the water, the design aims to reconnect ‘the city with the river, drawing out its stories, engendering a sense of place and creating access to the river', explain its creators.
This is not just an opportunity to create a beautiful, sculptural piece, set against the green nature of its context. It is also an attempt to symbolically and practically ‘revisit the river's social role’, say the team, celebrating both the Ness and the city. Highlighting this approach, the structure takes the visitor on a jounrey through the Scottish landscape, transforming from a bench, to a pathway, a platform and eventually, a pier or a bridge-like experience.
The Gathering Place is made out of Clashach stone, which can be sourced from the region, putting the emphasis once more on locality and community. Not only it's a beautiful material but it’s also intrinsically connected to the region. The piece was also constructed locally by Beauly-based company Simpson Builders.
‘After the intense research, including the collection of many stories from the people of Inverness, it felt appropriate to create a minimal gesture that enhances the notion of the river being the main actor, whilst creating a tangible connection between the spectators from both embankments,' says KHBT director and Berlin International University of Applied Science professor Karsten Huneck.
INFORMATION
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).
- Robert Ormerod - PhotographyPhotographer
-
RIBA Stirling Prize 2025 winner is ‘a radical reimagining of later living’
Appleby Blue Almshouse wins the RIBA Stirling Prize 2025, crowning the social housing complex for over-65s by Witherford Watson Mann Architects, the best building of the year
-
A24 just opened a restaurant in New York, and no one knows it exists
Hidden in the West Village, Wild Cherry pairs a moody, arthouse sensibility with a supper-style menu devised by the team behind Frenchette
-
Yinka Ilori’s new foundation is dedicated to play and joy: ‘Play gave me freedom to dream’
Today, artist and designer Yinka Ilori announced the launch of a non-profit organisation that debuts with a playscape in Nigeria
-
RIBA Stirling Prize 2025 winner is ‘a radical reimagining of later living’
Appleby Blue Almshouse wins the RIBA Stirling Prize 2025, crowning the social housing complex for over-65s by Witherford Watson Mann Architects, the best building of the year
-
‘Belonging’ – the LFA 2026 theme is revealed, exploring how places can become personal
The idea of belonging and what it means in today’s world will be central at the London Festival of Architecture’s explorations, as the event’s 2026 theme has been announced today
-
Join us on a first look inside Regent’s View, the revamped canalside gasholder project in London
Regent's View, the RSHP-designed development for St William, situated on a former gasholder site on a canal in east London, has just completed its first phase
-
The Royal College of Art has announced plans for renewal of its Kensington campus
The Royal College of Art project, led by Witherford Watson Mann Architects, includes the revitalisation of the Darwin Building and more, in the hopes of establishing an open and future-facing place of creativity
-
Power Hall’s glow-up shines light on science and innovation in Manchester
Power Hall at The Science and Industry Museum in Manchester was given a spruce-up by Carmody Groarke, showcasing the past and future of machines, engineering and sustainable architecture
-
Celebrate the angular joys of 'Brutal Scotland', a new book from Simon Phipps
'Brutal Scotland' chronicles one country’s relationship with concrete; is brutalism an architectural bogeyman or a monument to a lost era of aspirational community design?
-
Max Creasy on the future of architectural photography and a shift to the ‘snapshot’
A show of photographer Max Creasy’s work opens at the AA in London, asking a key question: where is contemporary architectural photography heading?
-
Honouring visionary landscape architect Kongjian Yu (1963-2025)
Kongjian Yu, the renowned landscape architect and founder of Turenscape, has died; we honour the multi-award-winning creative’s life and work