Wolves Lane Centre brings greenery, growing and grass roots together
Wolves Lane Centre, a new, green community hub in north London by Material Cultures and Studio Gil, brings to the fore natural materials and a spirit of togetherness

Mix grass roots, greenery and growing, and the result might look something like Wolves Lane Centre, a thriving little pocket of community action in north London. A short walk from Wood Green station, the popular food-growing hub houses a consortium of community organisations, including the Black-led CIC, the Ubele Initiative, growing collective Black Rootz, and OrganicLea, a workers’ cooperative producing and distributing food and plants locally. The centre offers a host of teaching, meeting and learning activities, and in order to accommodate its growing needs, it has been, in recent years, in the process of improving and expanding its offering. These efforts have now (pun intended) borne fruit, with the unveiling of a series of valuable new infrastructure spaces in the shape of three new buildings and landscaping.
Take a tour across the rich, green spaces of Wolves Lane Centre
Architecture studios Material Cultures and Studio Gil collaborated in carving out the concept of these new areas, creating designs for the Wolves Lane Centre buildings using participatory principles for both design and construction. The project also showcases the use of bio-regional and low-carbon materials to elevate the entire campus and create fit-for-purpose new spaces, including offices, multi-functional rooms, teaching and growing facilities, storage, and lots of flexible indoor and outdoor areas to support the centre's numerous and varied activities.
The new community hall was led by Studio Gil, while Material Cultures took the baton on the office and classroom building, as well as a large communal distribution and storage centre. But in all aspects, the choice of material and a unified language in both form and texture, tie the whole together – both among the new structures and in terms of how they sit within their context.
The palette of natural materials used was selected for its easy maintenance and flexibility, 'sequestering rather than generating carbon', the team says in its statement. Lower structural grade C16 timber sourced from smaller and local mills forms the framework; walls are made of timber and lime-rendered straw bale elements. Recycling and reuse were prioritised wherever possible, including any metal cladding sides, and concrete waste was used to help form foundations.
Showcasing the project's feasibility and beauty was an important driver in working with sustainable architecture principles and materials – which may be unconventional but certainly offer strong solutions. 'The project is a living example of how bio-regional materials can be applied to an urban site,' says Paloma Gormley, director at Material Cultures.
'The project brings much-needed infrastructure to the Wolves Lane Centre, supporting it to build resilient communities and ecosystems. The buildings are inherently rooted in place and low in embodied carbon, constructed from a palette of natural materials, with clay, timber and rubble coming from the site itself and straw bales from a farm just 35 miles away. Plant-based materials sequester and store carbon and, together with minerals such as clay, can ultimately be returned to the ground at the end of their life. Places like the Wolves Lane Centre remind us of our dependence on the natural world and on each other. These kinds of spaces are rare, and it is vitally important that we continue to care for and invest in them.'
Pedro Gil, Studio Gil director, highlights how equally important everyone working with each other was in making this project happen. 'It’s an exemplar of collaboration, between two architecture practices, local teams, contractors, in every stage of the project, and it still continues. Wolves Lane operates that way. It’s also an example in terms of sustainability – environmental, social and financial. It will create income for its organisations. It’s also an exemplar for inclusion.'
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
He continues to flag that more is yet to come in this project that remains alive and growing. A new entrance and canopy are in the pipeline, important for 'creating street presence and announcing it to the city,' says Gil.
Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).
-
Mercedes streamlines the CLA Shooting Brake to create an aerodynamic electric load lugger
The new CLA Shooting Brake is the first ever electric estate car from Mercedes-Benz, a tour-de-force of quiet technology and elegant lines
-
Willy Chavarria: ‘We’re still so stuck in fashion‘s old guard’
As part of the August 2025 ‘Made in America’ issue of Wallpaper*, we invited three creative powerhouses to comment on the state of the States. Here, award-winning American fashion designer Willy Chavarria speaks on creative resilience, uniting with activist groups, and shaking up fashion’s old guard
-
Six Indian artists reframe the ladies compartment of a Mumbai local train
An exhibition by Method (India) at Galerie Melike Bilir in Hamburg explores a gendered space
-
The inimitable Norman Foster: our guide to the visionary architect, shaping the future
Norman Foster has shaped today's London and global architecture like no other in his field; explore his work through our ultimate guide to this most impactful contemporary architect
-
Shard Place offers residents the chance to live in the shadow of London’s tallest building
The 27-storey tower from Renzo Piano Building Workshop joins The Shard and The News Building to complete Shard Quarter, providing a sophisticated setting for renters
-
Kengo Kuma’s ‘Paper Clouds’ in London is a ‘poem’ celebrating washi paper in construction
‘Paper Clouds’, an installation by Japanese architect Kengo Kuma, is a poetic design that furthers research into the use of washi paper in construction
-
Foster + Partners to design the national memorial to Queen Elizabeth II
For the Queen Elizabeth II memorial, Foster + Partners designs proposal includes a new bridge, gates, gardens and figurative sculptures in St James’ Park
-
A new London exhibition explores the legacy of Centre Pompidou architect Richard Rogers
‘Richard Rogers: Talking Buildings’ – opening tomorrow at Sir John Soane’s Museum – examines Rogers’ high-tech icons, which proposed a democratic future for architecture
-
At the Royal Academy summer show, architecture and art combine as never before
The Royal Academy summer show is about to open in London; we toured the iconic annual exhibition and spoke to its curator for architecture, Farshid Moussavi
-
This ingenious London office expansion was built in an on-site workshop
New Wave London and Thomas-McBrien Architects make a splash with this glulam extension built in the very studio it sought to transform. Here's how they did it
-
Once vacant, London's grand department stores are getting a new lease on life
Thanks to imaginative redevelopment, these historic landmarks are being reborn as residences, offices, gyms and restaurants. Here's what's behind the trend