Artist Christopher Carter draws on his house for his latest show in Fort Lauderdale
A new house in North Wynwood containing Christopher Carter's studio, exhibition space and eco-friendly personal home and created in collaboration with architect Gary Williams becomes the subject of the Miami-based artist's latest exhibition at NSU Art Museum Fort Lauderdale
![The Carter Show exhibition venue seen peeking out of the foliage](https://cdn.mos.cms.futurecdn.net/FuLJs9c5dG64dEVhe8wqaE-415-80.jpeg)
Miami-based artist Christopher Carter has created an elaborate new base that has inspired his latest exhibition. Set in the city's North Wynwood neighbourhood, the house has been the source behind the show at NSU Art Museum Fort Lauderdale named ‘The Carter Project', which offers the opportunity for visitors to experience the artist's studio and exhibition space, as well as his new, ecologically driven home.
Conceived as a project in 2016 and completed during the pandemic, the structure is substantial and immersive, set among green foliage and featuring open spaces, high ceilings and generous openings – reminiscent of modernist architecture in Florida. Carter, who worked with architect Gary Williams on the project, describes it as ‘the largest, most comprehensive functional structure I ever dreamed to make'. The volumes reflects the artist's ideal use of space, referencing notions of privacy, environmental pollution, and solitude – as well as optimism and growth.
The artist is known for his use of recycled materials. Woods, metals, glass, resins and other discarded objects have in the past become key components in his work. His approach challenges traditional usage and proposes innovative and unexpected ways of reusing what are often perceived as pretty standard building materials.
As well as completed works, the exhibition displays will include videos, photography, drawings, a 3D-printed model and an augmented reality component.
‘The result is a consistent and direct design that displays a balance between form and function,’ say the organisers. ‘The live/work/exhibition space reflects Carter’s connections to Afrofuturism and the Japanese wabi-sabi aesthetic, which embraces imperfection. Its design evokes a Northern California loft ideal,’ they add, and its ‘carbon footprint-reducing structures were constructed with industrial and reclaimed materials, including six used shipping containers that house some living areas and art production studios.'
INFORMATION
‘The Carter Project’, until 9 January 2022
nsuartmuseum.org
christophercarter.art
Wallpaper* Newsletter + Free Download
For a free digital copy of August Wallpaper*, celebrating Creative America, sign up today to receive our daily digest of inspiration, escapism and design stories
Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).
-
‘Hedonistic and avant-garde’: Rabanne’s Julian Dossena on the legacy of the chainmail 1969 bag
Paco Rabanne’s 1969 chainmail handbag encapsulates the late designer’s futuristic, space-age style. Current creative director Julien Dossena tells Wallpaper* about the bag’s particular pleasures
By Jack Moss Published
-
Postcard from Paris: Olympic fever takes over the streets
On the eve of the opening ceremony of Paris 2024, our correspondent shares her views from the streets of the capital about how the event is impacting the urban landscape.
By Minako Norimatsu Published
-
The Mercury Prize nominees for 2024 have been revealed
Charli XCX, The Last Dinner Party and Beth Gibbons are amongst this year's nominees
By Charlotte Gunn Published
-
IM Pei's Everson Museum of Art gets a modern makeover
The East Wing of the Everson Museum of Art in Syracuse, NY has been given a contemporary refresh by emerging Los Angeles studio MILLIØNS
By Ellie Stathaki Published
-
Black Modernism’s lesser-known, at-risk architecture gems gain a lifeline
Conserving Black Modernism announces vital funding to save and preserve overlooked and endangered buildings by African American architects and designers
By Bridget Downing Published
-
Step into the Blanton Museum of Art's reimagined public realm by Snøhetta in Austin
Blanton Museum of Art in Austin, Texas is completed and reveals its reimagined public realm and plaza designed by Snøhetta
By Ellie Stathaki Published
-
This New York Townhouse renovation is a lesson in contemporary minimalism
TenBerke’s carefully considered New York townhouse is the reimagining of a century-old Manhattan structure that reframes vertical living
By Ellie Stathaki Published
-
Visit The Frost House, a lesser-known modernist architecture marvel in Michigan City
The Frost House is a lesser-known midcentury architecture gem in Michigan City, Indiana; we took the tour as the property goes on the market
By Audrey Henderson Published
-
Broadway designer Scott Pask’s Arizona retreat is a scene-stealing discovery
Scott Pask invites us inside his Arizona retreat, nestled in the foothills overlooking Tucson – a place to reboot, recharge and commune with nature
By Michael Webb Published
-
Upstate New York retreat Ridge House evokes land art
Ridge House in upstate New York, the work of Brooklyn-based studio Worrell Yeung, is at one with the surrounding countryside
By Ellie Stathaki Published
-
Rafael de Cárdenas’ first ground-up project is a forever home with waterfront views and hidden treasures
Rafael de Cárdenas reveals his latest completed project in the Pacific Northwest, a family home of calming spaces that bleed the outside in, and ten years in the making
By Ellie Stathaki Published