Japanese culture influences a house design in the scenic seaside town of Kamakura

A Kamakura home designed for an international couple by local architect Hitoshi Saruta of CUBO Design Architect balances contemporary architecture with a traditional Japanese approach

T3 house Kamakura
The contemporary home maintains a fairly enigmatic facade, focusing more on the rear elevation and its relationship with the outdoors, in line with the owners' keen interest on Japanese gardens
(Image credit: Koichi Torimura)

The beautiful Japanese seaside town of Kamakura is known for its rich history and scenic location, offering views from the Shonan coastline to the iconic peak of Mount Fuji. A hilltop spot here can ensure some great, privileged vistas and an ideal perch from which to admire the Japanese culture and countryside; as the international owners of a new house, entitled T3, discovered, when they decided to build their Kamakura home.

The clients approached local architect Hitoshi Saruta of CUBO Design Architect for the commission. Saruta, who has a series of sensitively composed residential projects in the area under his belt, jumped at the opportunity to create something modern that would also accommodate his clients' keen interest ‘in the aesthetic of Japanese gardens, as well as Japanese culture and architecture'. 

The house, a simple and fairly closed off street-facing front

(Image credit: Koichi Torimura)

The house, which maintains a simple and fairly closed off street-facing front, highlighting privacy, slowly unfolds as the visitor walks in, and opens up entirely towards the rear of the plot and a carefully designed garden, complete with planting and rock arrangements. The scale is generous, as the house serves not only as a comfortable retreat for the owners, but also a guesthouse for visitors, as well as a place for entertaining, as the users split their time between Japan, France, and the United States. Striking a balance between domestic functionality, local charm and an impressive design approach was key. 

Saruta duly obliged working with traditional Japanese building materials (such as granite, Japanese paper, black plaster, wood lattice, and louvers) where possible, to enhance tactility and anchor the project to its locale. He also adopted the use of the continuous eaves found in Japanese sukiya architecture (a residential typology linked to the traditional tea ceremony); only giving them a more contemporary twist by incorporating steel in the structure to add sharpness. 

Inside, the residence spans four levels, including a basement floor with space for utilities and a garage, a ground level that contains bedrooms and a first floor, where the main living spaces are arranged, making the most of the plot's long views. The project's most impressive moment though is the scheme's accessible rooftop, with its large terrace and swimming pool, from which owners and guests can relax and take in the city and nature beyond, all within the serene setting of this remarkable, old/new architectural hybrid.

T3 house Kamakura front facade

(Image credit: Koichi Torimura)

T3 house Kamakura side facade

(Image credit: Koichi Torimura)

T3 house Kamakura outbuilding

(Image credit: Koichi Torimura)

T3 house Kamakura studio

(Image credit: Koichi Torimura)

T3 house Kamakura bath

(Image credit: Koichi Torimura)

T3 house Kamakura living space looking out

(Image credit: Koichi Torimura)

T3 house Kamakura living room

(Image credit: Koichi Torimura)

T3 house Kamakura bedroom

(Image credit: Koichi Torimura)

T3 house Kamakura kitchen

(Image credit: Koichi Torimura)

T3 house Kamakura circulation

(Image credit: Koichi Torimura)

T3 house Kamakura guest room

(Image credit: Koichi Torimura)

T3 house Kamakura sitting area

(Image credit: Koichi Torimura)

T3 house Kamakura study

(Image credit: Koichi Torimura)

T3 house Kamakura terrace

(Image credit: Koichi Torimura)

T3 house Kamakura swimming pool

(Image credit: Koichi Torimura)

INFORMATION

cubod.com

Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).

With contributions from