Commissioned for the 2023 Surajkund Craft Fair, the Northeast Pavilion is a striking bamboo cloud of a structure and the brainchild of Mumbai-based architecture studio atArchitecture, and its co-founders Neha Rane and Avneesh Tiwari. It is also the emerging studio’s very first completed, permanent building in India.
The structure was conceived to celebrate the tradition of local bamboo construction in line with the festival’s overall focus – the annual fair promotes Indian handicrafts, providing a platform to artisans on its site in Faridabad near the historic human-made Surajkund Lake, which was commissioned by King Suraj Pal of the Tomar dynasty in the 10th century.
Northeast Pavilion: inspired by the region's loom craft and culture
Rane and Tiwari explain their inspiration: ‘In the [North Eastern India] region, most households have a loom and wear homemade clothes. This became the main source of inspiration – with eight indigenous looms and their working methods demonstrated by the respective artisans, tying the spaces together and becoming the focus of the exhibition.’
Reflecting this, the structure comprises eight courtyards within a clean, rectangular shape. Each one is used to create a showcase of the handlooms of each state in the region – Arunachal Pradesh, Assam, Manipur, Meghalaya, Mizoram, Nagaland, Tripura and Sikkim. The hyperbolic roof that tops it all not only creates visual drama for the building, but is also is an abstract interpretation of the land’s hilly topography.
Skilled, specialist craftspeople from the area helped build the structure, which had to be erected in a mere 60-day timeframe – the project’s biggest challenge, according to the architects. ‘This included time to source bamboo [and factor in] travel for 90 craftsmen to reach the site and the building of the pavilion. The details of the bamboo joinery were developed with the help of the artisans, while many design integration decisions were made on site as the building was being constructed, with an emphasis on local collaboration and craftsmanship.’
While there is a form-follows-function approach to this pavilion – its beauty, intricacy and bamboo frame defining much of its character – there are details to zoom into and moments of focus within that tell more stories. ‘The central courtyard represents Meghalaya, the rainiest landscape in the world, faces the sky and contains a pool of water,’ the architects write.
Meanwhile, the courtyards also ‘serve to enclose the century-old trees on the site, preserving the natural landscape’. It is a simple and legible design with hidden surprises within; while its open, permeable nature means that it can easily connect to its surroundings, both the flora and the other exhibits within the 100-acre fairgrounds around it.
Rane and Tiwari established their emerging studio in 2014 and have been going from strength to strength since – winning the prestigious Affordable Housing Design Challenge organised by the BTI, United Nations Development Programme (Cambodia) along the way. They are now working on projects including an urban regeneration and landscaping scheme along the Brahmaputra river in Guwahati, Assam; and the Ijeirong Church in Manipur.
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