After three years of waiting, the time has arrived. The San Francisco Museum of Modern Art (SFMoMA) is getting ready to kick open the doors to its ten-story expansion by the architecture firm Snøhetta on 14 May.
The Bay Area’s fog and water inspired the new edifice's sweeping and sinewy east facade, made with 700 uniquely molded, fibreglass-reinforced polymer panels. The silvery structure is a stark departure from the red brick-ensconced existing building, by Mario Botta.
'Buildings are like dancing partners,' says Snøhetta co-founder Craig Dykers. 'You don’t want to repeat what the other is doing because you’ll step on their toes.' The two structures are connected by a seismic joint that visitors can see through glass viewers, but the boundary doesn’t draw attention to itself, as the two buildings flow as one without obvious demarcations. Moving between the buildings, Dykers says, 'shouldn’t be a jarring experience, but the museum-goers will have some awareness'.
As opposed to the formally predictable symmetry of Botta’s design, for instance, the new building features more versatile exhibition spaces. (Check out the room in the new wing displaying Agnes Martin paintings, which curators configured to be an octagonal space.)
At 235,000 sq ft, the Snøhetta addition more than doubles the museum’s total space. But the new landmark weighs less than the old structure by employing materials like lightweight cement and sand from nearby Monterey Bay. On track to receive LEED Gold certification, the new gallery spaces use energy-saving ambient LED lighting tucked above undulating ceiling panels calibrated to avoid light scallops.
Other notable features include six outdoor terraces, including the second-floor sculpture gallery that exhibits works by Alexander Calder against America’s largest public living wall by Habitat Horticulture, consisting of over 19,000 plants including 21 native Northern Californian species.
Spatial and metaphorical openness is among the most emphasised elements, with 43,000 sq ft earmarked for free access. Two entrances on different streets allow pedestrians to pass through the museum’s ground-floor spaces, including a glass-fronted gallery inaugurated with Richard Serra’s 235-ton sculpture Sequence. SFMoMA will soon be open, in every sense of the word.
The silvery new structure is made of molded fibreglass-reinforced polymer panels. Photography: Henrik Kam. Courtesy SFMoMA
Old and new are connected by a seismic joint that remains visible to visitors when they walk through the museum. Photography: Iwan Baan. Courtesy SFMoMA
Seen here in SFMoMA’s gallery spaces is a new show, entitled ’The Campaign for Art: Modern and Contemporary’, also opening on 14 May. Photography: Iwan Baan. Courtesy SFMoMA
At 235,000 sq ft, the Snøhetta addition more than doubles the museum’s total space. But the new landmark weighs less than the old structure by employing materials like lightweight cement and sand from nearby Monterey Bay. Pictured: ’The Campaign for Art: Modern and Contemporary’. Photography: Iwan Baan. Courtesy SFMoMA
On track to receive LEED Gold certification, the new gallery spaces use energy-saving ambient LED lighting tucked above undulating ceiling panels calibrated to avoid light scallops. Pictured: install of ’Approaching American Abstraction: The Fisher Collection’, another launch show. Photography: Iwan Baan. Courtesy SFMoMA
Outside spaces include the Pat and Bill Wilson Sculpture Terrace, that holds works by Alexander Calder and America’s largest public living wall, by Habitat Horticulture. Pictured centre: Maquette for trois disques (three disks), formerly ‘man’, by Alexander Calder, 1967. Photography: Henrik Kam, courtesy SFMOMA
INFORMATION
For more information, visit Snøhetta's website
ADDRESS
San Francisco Museum of Modern Art
151 3rd Street
San Francisco, CA 94103
-
The Stuff That Surrounds, episode three: Inside the home of architect Glenn SestigIn The Stuff That Surrounds, Wallpaper* explores a life through objects. This episode, we’re invited inside an architectural gem – just what you'd expect from one of the most distinctive voices in the field today
-
Germane Barnes just transformed a humble Indiana parking garage into an enormous sub-woofer systemWith Joy Riding, the Miami-based designer’s installation at Exhibit Columbus, Barnes celebrates togetherness by evoking Black car culture
-
The best Ruth Asawa exhibition is actually on the streets of San FranciscoThe artist, now the subject of a major retrospective at SFMOMA, designed many public sculptures scattered across the Bay Area – you just have to know where to look
-
Inside a Donald Wexler house so magical, its owner bought it twiceSo transfixed was Daniel Patrick Giles, founder of fragrance brand Perfumehead, he's even created a special scent devoted to it
-
The Pagani Residences is the latest ultra-luxe automotive apartment tower to reach MiamiRising up above Miami, branded apartment buildings are having a renaissance, as everyone from hypercar builders to crystal makers seeks to have a towering structure bearing their name
-
A modern cabin in Minnesota serves as a contemporary creative retreat from the citySnow Kreilich Architects' modern cabin and studio for an artist on a lakeside plot in Minnesota was designed to spark creativity and provide a refuge from the rat race
-
Touring artist Glenn Ligon's studio in Brooklyn with its architect, Ravi RajGlenn Ligon's studio, designed by architect Ravi Raj, is an industrial Brooklyn space reimagined for contemporary art
-
A dynamic Mar Vista house plays with the rhythm of indoor and outdoor livingA new Mar Vista house, designed by Mexican architecture studio PPAA, combines a façade with a whisper of brutalism, and a breezy, open interior, seamlessly connected to its Los Angeles setting
-
This Michigan lakeside house is an exercise is sculptural minimalismExplore a Michigan lakeside house, designed by Disbrow Iannuzzi and featuring sculptural timber interiors and a contemporary minimalist feel
-
Welcome to How House, a revived Rudolph Schindler gem in Los AngelesThe latest owner of How House, an early Rudolph Schindler gem, is taking a contemporary approach to conserving its heritage
-
Nearly a century after it was completed, Bruce Goff’s revolutionary Adah Robinson House astonishes once againThe flamboyant building in Tulsa, Oklahoma is beginning its latest chapter as a charitable event space, known as The Oath Studio. See the restoration
