The wait is over: Snøhetta’s new SFMoMA addition is about to open its doors

After three years of waiting, the time has arrived. The San Francisco Museum of Modern Art (SFMoMA) is getting ready to kick open the doors to its ten-story expansion by the architecture firm Snøhetta on 14 May.
The Bay Area’s fog and water inspired the new edifice's sweeping and sinewy east facade, made with 700 uniquely molded, fibreglass-reinforced polymer panels. The silvery structure is a stark departure from the red brick-ensconced existing building, by Mario Botta.
'Buildings are like dancing partners,' says Snøhetta co-founder Craig Dykers. 'You don’t want to repeat what the other is doing because you’ll step on their toes.' The two structures are connected by a seismic joint that visitors can see through glass viewers, but the boundary doesn’t draw attention to itself, as the two buildings flow as one without obvious demarcations. Moving between the buildings, Dykers says, 'shouldn’t be a jarring experience, but the museum-goers will have some awareness'.
As opposed to the formally predictable symmetry of Botta’s design, for instance, the new building features more versatile exhibition spaces. (Check out the room in the new wing displaying Agnes Martin paintings, which curators configured to be an octagonal space.)
At 235,000 sq ft, the Snøhetta addition more than doubles the museum’s total space. But the new landmark weighs less than the old structure by employing materials like lightweight cement and sand from nearby Monterey Bay. On track to receive LEED Gold certification, the new gallery spaces use energy-saving ambient LED lighting tucked above undulating ceiling panels calibrated to avoid light scallops.
Other notable features include six outdoor terraces, including the second-floor sculpture gallery that exhibits works by Alexander Calder against America’s largest public living wall by Habitat Horticulture, consisting of over 19,000 plants including 21 native Northern Californian species.
Spatial and metaphorical openness is among the most emphasised elements, with 43,000 sq ft earmarked for free access. Two entrances on different streets allow pedestrians to pass through the museum’s ground-floor spaces, including a glass-fronted gallery inaugurated with Richard Serra’s 235-ton sculpture Sequence. SFMoMA will soon be open, in every sense of the word.
The silvery new structure is made of molded fibreglass-reinforced polymer panels. Photography: Henrik Kam. Courtesy SFMoMA
Old and new are connected by a seismic joint that remains visible to visitors when they walk through the museum. Photography: Iwan Baan. Courtesy SFMoMA
Seen here in SFMoMA’s gallery spaces is a new show, entitled ’The Campaign for Art: Modern and Contemporary’, also opening on 14 May. Photography: Iwan Baan. Courtesy SFMoMA
At 235,000 sq ft, the Snøhetta addition more than doubles the museum’s total space. But the new landmark weighs less than the old structure by employing materials like lightweight cement and sand from nearby Monterey Bay. Pictured: ’The Campaign for Art: Modern and Contemporary’. Photography: Iwan Baan. Courtesy SFMoMA
On track to receive LEED Gold certification, the new gallery spaces use energy-saving ambient LED lighting tucked above undulating ceiling panels calibrated to avoid light scallops. Pictured: install of ’Approaching American Abstraction: The Fisher Collection’, another launch show. Photography: Iwan Baan. Courtesy SFMoMA
Outside spaces include the Pat and Bill Wilson Sculpture Terrace, that holds works by Alexander Calder and America’s largest public living wall, by Habitat Horticulture. Pictured centre: Maquette for trois disques (three disks), formerly ‘man’, by Alexander Calder, 1967. Photography: Henrik Kam, courtesy SFMOMA
INFORMATION
For more information, visit Snøhetta's website
ADDRESS
San Francisco Museum of Modern Art
151 3rd Street
San Francisco, CA 94103
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
-
This Canadian house is a precise domestic composition perched on the Nova Scotian coast
Bishop McDowell completed a new Canadian house overlooking the Atlantic, using minimal details and traditional forms to create a refined family home
-
‘With a small gesture of buying a postcard, we all become copyists’: the Louvre’s celebration of copying speaks to human nature
Contemporary artists are invited to copy works from the Louvre in a celebration of the copyist’s art, a collaboration with Centre Pompidou-Metz
-
Serious cyclists now have serious options, courtesy of two new models from Canyon
With two new bikes, the Endurace: ONfly e-bike and Endurance: AllRoad, Canyon is innovating with both price and performance
-
Tour this fire-resilient minimalist weekend retreat in California
A minimalist weekend retreat was designed as a counterpoint to a San Francisco pied-à-terre; Edmonds + Lee Architects’ Amnesia House in Napa Valley is a place for making memories
-
A New Zealand house on a rugged beach exemplifies architect Tom Kundig's approach in rich, yet understated luxury
This coastal home, featured in 'Tom Kundig: Complete Houses', a new book launch in the autumn by Monacelli Press, is a perfect example of its author's approach to understated luxury. We spoke to Tom Kundig, the architect behind it
-
Tour architect Paul Schweikher’s house, a Chicago midcentury masterpiece
Now hidden in the Chicago suburbs, architect Paul Schweikher's former home and studio is an understated midcentury masterpiece; we explore it, revisiting a story from the Wallpaper* archives, first published in April 2009
-
The world of Bart Prince, where architecture is born from the inside out
For the Albuquerque architect Bart Prince, function trumps form, and all building starts from the inside out; we revisit a profile from the Wallpaper* archive, first published in April 2009
-
Is embracing nature the key to a more fire-resilient Los Angeles? These landscape architects think so
For some, an executive order issued by California governor Gavin Newsom does little to address the complexities of living within an urban-wildland interface
-
Hop on this Fire Island Pines tour, marking Pride Month and the start of the summer
A Fire Island Pines tour through the work of architecture studio BOND is hosted by The American Institute of Architects New York in celebration of Pride Month; join the fun
-
A Laurel Canyon house shows off its midcentury architecture bones
We step inside a refreshed modernist Laurel Canyon house, the family home of Annie Ritz and Daniel Rabin of And And And Studio
-
A refreshed Rockefeller Wing reopens with a bang at The Met in New York
The Met's Michael C Rockefeller Wing gets a refresh by Kulapat Yantrasast's WHY Architecture, bringing light, air and impact to the galleries devoted to arts from Africa, Oceania and the Ancient Americas