Luna House is a concrete Chilean live/work haven by Pezo von Ellrichshausen

Pezo von Ellrichshausen invites us inside Luna, the studio's base, a geometric concrete masterpiece in the Chilean countryside

Luna by Pezo von Ellrichshausen exterior
(Image credit: Pezo von Ellrichshausen)

Santa Lucia Alto in Chile's Yungay region, is green and dramatic, filled with dense forests, fertile agricultural plains and tall mountains – part of the Andes starts here. It is also the home turf of renowned, award-winning architecture practice Pezo von Ellrichshausen, headed by Sofía von Ellrichshausen and Mauricio Pezo. And it is here that the dynamic duo embarked upon building their new base, the expansive, combined home and workspace project, Luna House. Exemplifying in one fell swoop the pair's fascination with form making, exposed concrete and a healthy blend of brutalism and minimalist architecture, Luna House is at once a striking and a calming presence. 

‘This is a large and a small building at the foot of the Andes Mountains,' the architects explain. ‘In fact, it is an aggregate of 12 different buildings separated from each other by visible seismic joints. Saying that this collection of concrete blocks is a house would be too simple.' 

concrete courtyard with colonnade at Luna House by Pezo von Ellrichshausen in Chile

(Image credit: Pezo von Ellrichshausen)

The building is arranged in a square floorplan, featuring a large courtyard in the middle, around which runs an intermittent colonnade – a bit like a cloister. An asymmetrical cross shape (on plan) divides it into sections with a different identity each – one has a reflective pool, another a flower garden, for example. Various rooms and functions are arranged around it, including purely domestic spaces, workspace, semi-open air and flexible areas.

Each room has its own spatial quality, as this generous building is punctuated by a variety of openings – round ones and slender slits, some on the walls and some on the ceiling forming variously shaped skylights. Some parts feel intimate, and some have a more public atmosphere, almost gallery-like with tall, double-height ceilings. Spreading across some 2,400 sq m, Luna House has space for everything, blending at the same time the perceived harshness of the exposed concrete walls with green foliage, flowers and water elements. 

As to what inspired this expansive home office's moniker? ‘The name of this intricate structure [Luna] is given by the size of that bigger courtyard, which is equivalent to the size of a bullring, called “medialuna” in Chilean rural tradition,' the architects explain.

concrete exterior of Luna house by Pezo von Ellrichshausen

(Image credit: Pezo von Ellrichshausen)

concrete house behind tree

(Image credit: Pezo von Ellrichshausen)

concrete courtyard with pool

(Image credit: Pezo von Ellrichshausen)

concrete interior with burning fire

(Image credit: Pezo von Ellrichshausen)

concrete interior with skylight

(Image credit: Pezo von Ellrichshausen)

concrete interior with round skylight

(Image credit: Pezo von Ellrichshausen)

dimly lit concrete interior

(Image credit: Pezo von Ellrichshausen)

concrete courtyard with green tree

(Image credit: Pezo von Ellrichshausen)

interior where rectangular plan meets round wall

(Image credit: Pezo von Ellrichshausen)

concrete interior with round column

(Image credit: Pezo von Ellrichshausen)

concrete interior with twisting staircase

(Image credit: Pezo von Ellrichshausen)

concrete interior with slim column and natural light

(Image credit: Pezo von Ellrichshausen)

gallery like concrete interior

(Image credit: Pezo von Ellrichshausen)

dark and moody concrete interior with skylights

(Image credit: Pezo von Ellrichshausen)

INFORMATION

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Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).

With contributions from