Works have been progressing fast at Tod Williams and Billie Tsien’s (TWBTA) renovation and expansion of Charles Moore’s Hood Museum of Art at Dartmouth College, in Hanover, New Hampshire; and the project is set to open to the public on January 26, 2019.
Their work will double the Hood Museum of Art’s gallery space, triple its teaching facilities, and transform its north-facing connection to the school’s heart: its historic Green. The cube-shaped, baked white brick façade – punctured by a single 14-foot-square plate-glass window – will project a bolder, more recognisable face, although not too bold, note the architects, who are known for their sensitive work with cultural icons like the Barnes Foundation in Philadelphia.
‘Our motto has always been simplify and intensify,’ notes Williams, who says he was drawn to the campus’s white brick historic structures. Museum director John Stomberg adds: ‘You notice it, but it is still quiet.’
The heart of the new undertaking is not the surface, but the experience inside, note Williams and Tsien. Their team has created an addition with a much clearer entry sequence than the original, as well as an energetic atrium, and lofty, art-focused galleries with simple white walls, light oak floors, and copious natural light. They’ve also added new classrooms, study galleries, offices, object storage, and exhibition preparation areas.
They are extensively renovating Moore’s original postmodern building, bringing systems up to date, removing clutter, enhancing flow, and increasing daylight. Moore’s playfully askew, red-brick, south-facing façade, restored and enhanced, will highlight the museum’s connection to the school’s Maffei Arts Plaza, bordered by the Hood, the new Black Family Visual Arts Center, and the midcentury Hopkins Center for the Arts.
Williams and Tsien insist the replacement of Moore’s front face and entry was needed for reasons of clarity, safety, practicality, and energy. ‘We want to take care of the past, but also give it a new life,’ noted Tsien. Williams stresses his firm’s ability to both respect and enliven history: ‘We are not bent on destroying Moore’s work. We want to hold on to what we can, but we also need to hold on to our beliefs about what is necessary.’
The $50 million project, enlarging the institution’s footprint to 5,800sq m, will allow it to show off many more of the 65,000 objects in its collection, which range from classical antiquities to African sculptures to the work of Ed Ruscha. Not only will this make it a better place to see art, but it will, notes Stomberg, better address the school’s goal of creating a more effective teaching space. Not just for those at Dartmouth, but for students region-wide.
‘We don’t want to be a wealthy institution surrounded by a community. We want to be part of that community,’ says Stomberg.
Featuring a selection of new gallery spaces, the extension is set to open in January 2019.
The architects' aim was to 'simplify and intensify'. Pictured here, the new lobby area.
Three new smart object-study rooms will create new opportunities for study and research in a museum setting, addressing the increased curricular demand for direct engagement with original works.
INFORMATION
For more information visit the website of Tod Williams Billie Tsien Architects
-
Hanker after a 1970s supercar? The Encor Series 1 elevates the Lotus Esprit to a new levelThis limited-edition remastering of the dramatic wedge-shaped Lotus Esprit stops at nothing to improve and enhance the original without losing sight of its analogue excellence
-
A new photo book takes you behind the scenes of some of cinema's most beloved films, from 'Fargo' to 'Charlie's Angels'Set decorator Lauri Gaffin captures Hollywood's quieter moments in an arresting new book
-
This sculptural London seafood restaurant was shaped by ‘the emotions of the sea’In Hanover Square, Mazarine pairs a bold, pearlescent interior with modern coastal cuisine led by ‘bistronomy’ pioneer chef Thierry Laborde
-
Own an early John Lautner, perched in LA’s Echo Park hillsThe restored and updated Jules Salkin Residence by John Lautner is a unique piece of Californian design heritage, an early private house by the Frank Lloyd Wright acolyte that points to his future iconic status
-
The Stahl House – an icon of mid-century modernism – is for sale in Los AngelesAfter 65 years in the hands of the same family, the home, also known as Case Study House #22, has been listed for $25 million
-
Houston's Ismaili Centre is the most dazzling new building in America. Here's a look insideLondon-based architect Farshid Moussavi designed a new building open to all – and in the process, has created a gleaming new monument
-
Frank Lloyd Wright’s Fountainhead will be opened to the public for the first timeThe home, a defining example of the architect’s vision for American design, has been acquired by the Mississippi Museum of Art, which will open it to the public, giving visitors the chance to experience Frank Lloyd Wright’s genius firsthand
-
Clad in terracotta, these new Williamsburg homes blend loft living and an organic feelThe Williamsburg homes inside 103 Grand Street, designed by Brooklyn-based architects Of Possible, bring together elegant interiors and dramatic outdoor space in a slick, stacked volume
-
This ethereal Miami residence sprouted out of a wild, jungle-like gardenA Miami couple tapped local firm Brillhart Architecture to design them a house that merged Florida vernacular, Paul Rudolph and 'too many plants to count’
-
Tour Cano House, a Los Angeles home like no other, full of colour and quirkCano House is a case study for tranquil city living, cantilevering cleverly over a steep site in LA’s Mount Washington and fusing California modernism with contemporary flair
-
An ocean-facing Montauk house is 'a coming-of-age, a celebration, a lair'A Montauk house on Hither Hills, designed by Hampton architects Oza Sabbeth, is wrapped in timber and connects its residents with the ocean
